Post by RINGO on Sept 26, 2019 19:00:24 GMT
Judith Marjorie Collins (1 May 1939 - present)
Years Active: 1959 - present
Vocal Range: F♯3 - F♯5
Significant High Notes:
F♯5 ("Anathea")
D5 ("The Bells of Rhymney", "Settle Down", "Tell Me Who I'll Marry")
C♯5 ("Lark in the Morning")
C5 ("The Bells of Rhymney", "Come Away Melinda", "The Dove", "Tell Me Who I'll Marry", "Ten O'Clock All Is Well", "Turn, Turn, Turn!/To Everything There Is a Season")
B4 ("Anathea", "Bullgine Run", "Farewell", "John Riley", "Pretty Saro", "The Prickilie Bush", "The Rising of the Moon", "Settle Down", "Tim Evans", "Twelve Gates to the City", "Wars of Germany")
B♭4 ("The Bells of Rhymney", "Bonnie Ship the Diamond", "Crow on the Cradle", "Deportee/Plane Wreck at Los Gatos", "Fannerio", "O Daddy Be Gay", "Tell Me Who I'll Marry", "Wild Mountain Thyme")
A4 ("Anathea", "Bold Fenian Men", "Great Selchie of Shule Skerry", "In the Hills of Shiloh", "Little Brown Dog", "Masters of War", "Pretty Saro", "The Prickilie Bush", "The Rising of the Moon", "Sing Hallelujah", "Tim Evans")
G♯4 ("Fannerio", "Hey Nelly Nelly", "John Riley", "O Daddy Be Gay", "Shule Aroon")
G4 ("Bold Fenian Men", "Bonnie Ship the Diamond", "Christ Child Lullaby", "Golden Apples of the Sun", "Maid of Constant Sorrow", "Ten O'Clock All Is Well")
Significant Low Notes:
B3 ("Anathea", "Bullgine Run", "I Know Where I'm Going", "John Riley", "Lark in the Morning", "Twelve Gates to the City")
B♭3 ("The Bells of Rhymney", "Deportee/Plane Wreck at Los Gatos", "The Dove", "Fannerio", "Great Selchie of Shule Skerry", "O Daddy Be Gay", "Tell Me Who I'll Marry")
A3 ("Bold Fenian Men", "Christ Child Lullaby", "Golden Apples of the Sun", "I Know Where I'm Going", "Little Brown Dog", "Maid of Constant Sorrow", "Masters of War", "Pretty Saro", "The Prickilie Bush", "The Rising of the Moon", "Sing Hallelujah", "Tim Evans", "Wars of Germany")
G♯3 ("The Dove", "Hey Nelly Nelly", "John Riley", "Shule Aroon", "Turn, Turn, Turn!/To Everything There Is a Season", "Wars of Germany", "Wild Mountain Thyme")
G3 ("Bonnie Ship the Diamond", "Crow on the Cradle", "In the Hills of Shiloh", "Maid of Constant Sorrow", "The Rising of the Moon")
F♯3 ("Bold Fenian Men", "Christ Child Lullaby", "Farewell", "Masters of War", "Sailor's Life", "Wars of Germany")
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Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
{Questionable Notes}
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Album Ranges}A Maid of Constant Sorrow (1961): F♯3 - B4
Golden Apples of the Sun (1962): F♯3 - D5
#3 (1963): F♯3 - D5 - F♯5
Golden Apples of the Sun (1962): F♯3 - D5
#3 (1963): F♯3 - D5 - F♯5