Robert De Niro (1,410 views)

[EddieCheivz]

Vocal Range: G2-G♯4
Years Active: 1963-Present
Nationality: Northamerican

Robert De Niro is an northamerican actor director and producer very famous on worldwide, maybe mainly for his gangster characters and movies, one of his most recognizable ones is without a doubt "Vito Corleone" from "The Godfather Part II". Other of his most successful characters are "Jimmy Conway" from "Goodfellas" movie or "Jake LaMotta" from "Raging Bull" where he appears as professional boxer just like he does too on "Grudge Match" many years after.

Significant High Notes:

G♯4 ("I’m making poopie" Comedian scene, "It Was a Good Day" Dirty Grandpa scene, “West Side Story” Analyze This scene)
G4 ("I’m making poopie" Comedian scene)
F♯4 (“Down from Heaven” The Deer Hunter scene, “West Side Story” Analyze This scene)
F4 (“Maria” Analyze This scene)
E♭4 (“I Ain't Got Nobody/Just a Gigolo” Mad Dog and Glory scene, "I’m making poopie" Comedian scene)
D4 ("It Was a Good Day" Dirty Grandpa scene, “The Star Spangled Banner” Grudge Match scene)
C♯4 (“The Star Spangled Banner” Grudge Match scene)
C4 (“I Ain't Got Nobody/Just a Gigolo” Mad Dog and Gloryn scene)

Significant Low Notes:

E♭3 (“Down from Heaven” The Deer Hunter scene, “I Ain't Got Nobody/Just a Gigolo” Mad Dog and Glory scene, "I’m making poopie" Comedian scene)
C♯3 ("I’m making poopie" Comedian scene)
C3 (“Chanting Along” We're No Angels (3/9) scene, “Maria” Analyze This scene, “Walt Tries to Sing Scene (4/12)” Flawless scene)
B2 (“Walt Tries to Sing Scene (4/12)” Flawless scene, “You Are My Sunshine” Popcorn with Peter Travers show)
B♭2 (“Blue Moon” New York, New York movie soundtrack)
G♯2 (“Blue Moon” New York, New York scene, “Chanting Along” We're No Angels (3/9) scene, "I’m making poopie" Comedian scene, “The Star Spangled Banner” Grudge Match scene)
G2 (“You Are My Sunshine” Popcorn with Peter Travers show)

[Macca]

That C#2 is actually a C#3, It's what we call accidental stroh-bass the technique beatboxers use

[EddieCheivz]

Yeah I also think is some sort of technique like that too, but my concern is the correct pitch of the note, I mean I've seen for beatboxers singers that kind of notes being counted as the lower octave of overtones they create, until I can recall.

[NJ]

Not countable imo, just your typical accidental undertone that can happen when you strain your throat a bit.

[sylvia!!]

yeah that's a c#3 with a lot of rasp

[Osmosis]

A bit like this A3 masquerading as a lower note

[Henny Macc]

Yeah that C♯2 is absolutely a C♯3. That kind of undertone is what happens when you carry grit down into your low/mid range, but I am positive that that is not a second octave note. It's particularly apparent that it's third octave when you hear the transition between it and the D♯3 after it - those two notes are very clearly very close together, and he's most definitely not jumping up by a whole octave for it.

Interesting to see a thread for him, as I had no idea he sang. Though it doesn't look like he has a particularly impressive range.