Lucas Woodland (934 views)

[mole55]

Lucas Woodland (29 December 1994)
Member of: Falling With Style (2010-2015) and Holding Absence (2016-)
Vocal Range: A2-F♯5

Significant High Notes:

F♯5: "Mourning Song", "Wilt"
F5: "Like A Shadow"
E5: "Birdcage", "Gravity" _{Various Live Performances}, "Her Wings", "Honey Moon", "Penance"  _{live Edinburgh 2023},  "To Fall Asleep", "Wilt"  _{Various Live Performances}
E♭5: "60cm Of Steel","A Godsend", "Afterlife", "The Angel In The Marble", "Celebration Song", "Curse Me With Your Kiss", "Die Alone (In Your Lover’s Arms)", "Head Prison Blues," "Heaven Knows", "In Circles", "Like A Shadow", "Monochrome", "Nomoreroses", "Perish" _{Live at London Underground 2019}, "Saint Cecilia", "Solace and Safety", "Starving To Be Empty"_{w/ Dayseeker on The Sleeptalk Tour 2022},"Wilt," "You Are Everything"
D5: "A Crooked Melody", "Coffin", "Contingency", "Her Wings", "Here Forever", "Reckless", "To Fall Asleep"
C♯5: "A Godsend", "Aching Longing", "The Angel In The Marble", "Beyond Belief", "Birdcage", "Celebration Song", "Curse Me With Your Kiss", "Daylight", "Dream of Me", "Drugs and Love", "Everything", "False Dawn", "Gravity", "Half Measures", "Heaven Knows", "Her Wings", "Hold My Hope", "Honey Moon", "In Circles", "Last Of The Evening Light", "Like A Shadow", "Liminal", "Mourning Song", "Old Ghosts", "Paper Thin", "Penance", "Perish", "Permanent", "Purge", "S05-E14", "Saint Cecilia", "Scissors", "Solace and Safety", "Starving To Be Empty"_{w/ Dayseeker on The Sleeptalk Tour 2022},"To Fall Asleep", "Waves Are But Water", "You Are Everything"
C5: "A Crooked Melody", "Afterlife", ""Anchors", "The Day The Earth Stood Still", "Death Nonetheless", "Head Prison Blues", "Heaven Knows", "Nomoreroses", "Perish", "Reckless", "Scissors", "Solace and Safety"
B4: "Aching Longing", "The Angel In The Marble", "Birdcage", "Celebration Song", "Deathbeds", "Different Eyes", "Her Wings", "Here Forever", "Honey Moon", "Last Of The Evening Light", "Liminal", "Old Ghosts", "Paper Thin", "Penance", "S05-E14", "Saint Cecilia", "Scissors", "Waves Are But Water", "You Are Everything", "Your Love (Has Ruined My Life)"


Significant Low Notes:

E3: "A Crooked Melody", "Aching Longing", "Birdcage", "Daylight", "Her Wings", "Lakes", "Penance", "To Fall Asleep", "Your Love (Has Ruined My Life)"
E♭3: "Afterlife", "The Angel In The Marble", "The Day The Earth Stood Still", "Death Nonetheless", "Drugs and Love", "Everything", "False Dawn", "The Greatest Mistake Of My Life"_{Gracie Field Cover}, "False Dawn", "Heaven Knows", "In Circles", "Last Of The Evening Light", "Like A Shadow", "Liminal", "Nomoreroses", "Permanent"
D3: "Anchors", "Lakes", "Here Forever", "Marigold"
C♯3: "Dream of Me", "A Godsend", "Liminal", "Monochrome", "Scissors", "To Fall Asleep", "You Are Everything"
B2: "Calm Before The Storm", "Die Alone (In Your Lover’s Arms)", "Gravity"
B♭2: "These New Dreams", "Wilt"
A2: "Here Forever"

SPOILER: Click to show

Album Ranges

Falling With Style
Tides (2012)(EP): D3-C5-C5-D5
This Hell You Call Home (2013)(EP): B2-C♯5
Lost & Found (2014): E3-F♯3-E♭5

Holding Absence
This Is As One (2018)(Split EP with Loathe): E♭3-E♭5
Holding Absence (2019): B♭2-E♭5-F♯5 (A2 in bonus track)
The Greatest Mistake Of My Life (2021): B2-C5-F♯5
The Lost & The Longing (2022)(Split EP with Alpha Wolf): E3-B4-D5-E♭5
The Noble Art of Self-Destruction (2023): B♭2-C♯5-E5 (questionable F♯2 I'm still trying to get thoughts on)

SPOILER: Click to show

Questionable Notes
F5: “"Curse Me With Your Kiss"_[2] (could be a vocal buried in reverb, sounds a bit like it, but it’s very low in the mix and could be a synth)

F♯2: "These New Dreams"_[5] (firstly, it's wayyyy lower than he's ever gone before, and secondly it's super weak and inconsistent. even with a load of takes in studio, he doesn't really hit it the second time. as of right now, all the live performances feature him essentially just whispering the line.)

(most of the screams in FWS from This Hell You Call Home onwards seem to be done by other members of the band (I think, it's hard to find info on a random local band from a decade ago that's mostly notable for what it's members went on to do) and so I'm not counting any of them)
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Green marks harsh/distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.

[Macca]

Ok there's a few things
1. Instead of "#" and "b", use "♯" and "♭"
2. We use this shade of blue and this shade of green.
3. For the quotation marks I know it's probably a thing with Google Docs but instead of using ” use "
4. For the Thresholds the lows are alright I'd start his lows at E♭3, And I wouldn't start his highs that high, I'd start them at F♯4
5. For the Album Ranges and Questionable Notes we usually have them as spoilers like this:
[spoiler]{Album Ranges}
This Is As One (2018)(Split EP with Loathe): E♭3-E♭5
Holding Absence (2019): B♭2-[font color="green"]E♭5[/font]-F♯5 (A2 in bonus track)
The Greatest Mistake Of My Life (2021): B2-[font color="green"]C5[/font]-F5
The Lost & The Longing (2022)(Split EP with Alpha Wolf): E3-[font color="green"]B4[/font]-D5-E♭5
The Noble Art of Self-Destruction (2023)(so far): C♯3-F3-[font color="green"]C5[/font]-D5-[font color="green"]E5[/font][/spoiler]
6. This is usually the format of questionable notes, and also we include a key so that new users understand it better
[spoiler]{Questionable Notes}
[size=1].......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.[/size][/spoiler]
[font size="1"].......................................................
[font color="blue"]Blue[/font] marks falsetto or whistle notes.
[font color="green"]Green[/font] marks harsh/distorted notes.
[u]Underlines[/u] mark notes that are obscured in the song mix.
[i]Italics[/i] mark non-melodic notes.
[b]Boldface[/b] marks notes that are considered to be particularly notable examples of this person's vocal capabilities.[/font]

I realized while writing this that you're aware that this isn't great but I guess it's too late now.   Also forgot to mention Song titles that begin with "A" aren't the same as song titles beginning with "The" in the case of alphabetization.
Edit 1: Also forgot to mention that you don't use the effects on the song title and the brackets, just the song title.
Edit 2: Link the extremities, and also for the name thing we also include they're date of birth

[mole55]

Thanks, my BBCode isn't the best and I wasn't looking forward to trying to figure out spoilers :-))

On the Thresholds, I started the highs that high because almost every song they have goes that high. I might drop it to A4, but F#4 feels way too low to me. B4 includes all bar 4 Holding Absence songs' lead vocals (not including instrumentals ofc), A4 would include all bar 1, which would require lowering it to F4, at which point they really aren't high notes anymore.