Roger Daltrey (2,904 views)

[Steve]

Voice Type: Barechest Baritenor
Vocal Range: B1 - C6

Significant High Notes:

C6 ("Rock and Roll")
A5 ("Magic Bus" Live)
G5 ("New Song", "Won't Get Fooled Again")
F♯5 ("Twist and Shout" Live Isle of Wight 1970)
F5 ("Free Me", "Join Together", "Love Reign O'er Me", "Shout and Shimmy")
E5 ("5.15", "Avening Annie", "Cooks County", "Giddy", "I'm Free", "It's a Hard Life", "Kashmir", "Put the Money Down", "Relay", "Rock and Roll", "Sea and Sand", "Summertime Blues" Live at Leeds, "Won't Get Fooled Again", "Young Man Blues" Live at Young Vic)
E♭5 ("(Come and) Get Your Love", "Guitar and Pen", "Join Together", "Let's See Action (Nothing Is Everything)", "Love Reign O'er Me", "One Man Band", "Proud", "The Real Me" Alternate, "Say It Ain't So, Joe")
D5 ("5.15", "Baba O'Riley", "Balance on Wires", "Bell Boy", "Blues Man's Road", "Can't Wait to See the Movie", "Christmas", "Cut My Hair", "Dear Love", "Don't Let Go the Coat", "Everything a Heart Could Ever Want (Willow)", "Feeling", "Free Me", "Getting in Tune", "Helpless Dancer", "I'm Free", "It's a Hard Life", "I've Had Enough", "Judas' Death", "Keep it Out of Sight", "Lover's Storm", "Magic Bus" Live, "Miracle of Love", "Music Must Change", "Near to Surrender", "One of the Boys", "Raglan Road", "Young Man Blues" Live at Leeds, "Sally Simpson", "Saturday Night's Alright for Fighting", "Slip Kid", "Walking in My Sleep", "Walking the Dog", "Who Are You", "World Over", "You Can't Call It Love", "You Put Something Better Inside of Me")
C♯5 "Armenia City in the Sky", "Call Me Lightning", "Can’t Explain" Live at Leeds, "Child of Mine", "Don't Let the Sun Go Down on Me", "The Heart Has Its Reasons", "I Am the Sea", "Love Ain't For Keeping" New York Record Plant Session, "Mirror Mirror", "No More Mr. Nice Guy", "Peace At Last", "Perfect World", "Put the Money Down", "Ready for Love", "Say It Ain't So Joe", "The Song Is Over", "Times Changed", "Too Much of Anything")
C5 ("Alone in the Night", "Anyway, Anyhow, Anywhere", "Armenia City in the Sky", "Athena", "Baba O'Riley", "Baby, Don’t You Do It", "Before My Time Is Up", "Born to Run", "(Come and) Get Your Love", "Dangerous", "Did You Steal My Money?", "The Dirty Jobs", "Dreaming from the Waist", “Eyesight to the Blind (The Hawker)”, "Free Me", "Getting in Tune", "Had Enough", "Hearts Right", "Heaven on Their Minds", "How Many Friends", "Ice on the Motorway", "In a Hand or Face", "Is It in My Head?", "Is There Anybody Out There?", "It's in You", "I've Known No War", "Join Together", "Keep on Loving You", "Let's See Action (Nothing Is Everything)", "Love Is Coming Down", "My Generation", "Never Make Your Move Too Soon", "New Song", "Out in the Street", "The Price of Love", "Quicksilver Lightning", "Ready for Love", "The Real Me", "Saturday Night's Alright for Fighting", "Sea and Sand", "Shout and Shimmy", "The Song is Over", "There Is Love", "Thinking", "Under a Raging Moon", "Water" Live, "Who's Gonna Walk on Water", "Won't Get Fooled Again", "You", "You Are Yourself", "You Better You Bet")
B4 ("A Quick One, While He’s Away" Live at Leeds, "Bald Headed Woman", "Black Widow’s Eyes", "Bucket T", "Cooks County", "Daddy Rolling Stone", "How Can You Do It Alone", "How Does the Cold Wind Cry", "I Can't Explain", "Imagine a Man", "I'm a Man", "Is There Anybody Out There?", "It's a Hard Life", "It’s Hard", "I Want It All" Live Freddie Mercury Tribute Concert 1992, "Let it Be" Live, "Love Ain’t for Keeping", "Love Hurts" Live 2/7/1989, "Love Me Like You Do", "Magic Bus", "Parting Should be Painless", "Please, Please, Please", "Summertime Blues" Live at Leeds, "They Are All In Love", "Twist and Shout" Live Isle of Wight 1970, "Walking in My Sleep", "Who Are You", "Young Man Blues" Live at Leeds)
B♭4 ("Athena", "Baby, Don’t You Do It", "Bargain", "Daddy Rolling Stone", “Eyesight to the Blind (The Hawker)”, "I Don’t Even Know Myself", "It’s Your Turn", "Keep it Out of Sight", "Keep on Loving You", "The Real Me", "Slip Kid", "Sneaking Suspicion", "Somebody Told Me", "The Song is Over", "Squeeze Box", "You Better You Bet")
A4 ("All Through the City", "Another Tricky Day", "Bad Attitude", "Black Widow’s Eyes", "Cache Cache", "Can You Please Crawl Out Your Window?", “Christmas”, "Cooks County", "Daily Records", "Giving it All Away", "Heat Wave", "How Can You Do It Alone", "How Many Friends", "I Can't Explain", "I Don't Mind", "I'm a Man", "It’s Hard", "Let Me Down Easy", "Looking For You", "Love Me Like You Do", "Magic Bus" Live at Leeds, "Mike Post Theme", "Music Must Change", "My Generation", "No More Mr. Nice Guy", "One Day", "One Man Band", "Out in the Street", "Parting Should be Painless", "Raglan Road", "Run Run Run", "Shakin’ All Over" Live at Leeds, "Sister Disco", "Some Kind of Hero", "Spoonful" Live Isle of Wight 1970, "Success Story", "Summertime Blues" Live at Leeds, "Tattoo", "They Are All In Love", "Too Much of Anything", "Trick of the Light", "Twist and Shout" Live 1994, "Two Thousand Years", "You", "You Are Yourself")
G♯4 ("Armenia City in the Sky", "Born to Run", "Dangerous", "Disguises", "Fortune Teller" Live at Leeds, "How Does the Cold Wind Cry", "Ice on the Motorway", "Man With Money", "One Day", "When the Music Stops", "Why Did I Fall For That?", "Would a Stranger Do?", "You Put Something Better")

Significant Low Notes:

D3 ("Anytime You Want Me", "Don’t Look Away", "Don’t Wait on the Stairs", "Happy Jack" Live at Leeds, "Is There Anybody Out There?", "It’s a Hard Life", "Love Hurts" Live 2/7/1989, "A Man in a Purple Dress", "Mike Post Theme", "Parting Should be Painless", "Raglan Road", "Sneaking Suspicion", "Young Man Blues" Live Toronto ’82)
C3 ("Another Tricky Day", "In a Hand or Face", "It’s Hard", "Magic Bus" Live at Leeds, "Rael (1 and 2)")
B2 ("A Quick One, While He's Away", "Bitter & Twisted", "Black Widow’s Eyes", "Faith in Something Bigger", "The Good's Gone", "I'm the Face", "Mack the Knife", "Magic Bus", "Martyrs and Madmen", "Mirror Mirror", "Relax", "See My Way", "Walking in My Sleep")
B♭2 ("Everybody’s Carrying a Gun", "I Can See for Miles", "It's Not True")
A2 ("A Quick One, While He's Away", "Bitter & Twisted", "The Good's Gone", "I'm a Man", "Johnny Cash Medley" Live, "Love Ain’t for Keeping", "One Day", "Walking in My Sleep", "Wheels on the Bus")
G2 ("Bald Headed Woman", "Barbara Ann", "Big Boss Man" Live New York ’79, "Daddy Rolling Stone", "Don't Wait on the Stairs", "Everybody on the Bus", "Fragments", "Much Too Much", "My Generation" Live, "Wheels on the Bus")
F♯2 ("The Good's Gone", "How Can You Do It Alone", "I Can See for Miles", "Times Changed")
F2 ("Bald Headed Woman", "Music Must Change")
E2 ("Child of Mine", "Johnny Cash Medley" Live, "Mirror Door", "Take Me Home", "Who's Gonna Walk on Water")
E♭2 ("High, Low, Fast, Slow", "Somebody Told Me")
D2 ("Music Must Change", "Johnny Cash Medley" Live)
C2 ("High, Low, Fast, Slow")
B1 ("Mirror Door")
.......................................................
*Underlined marks notes in backing vocals or otherwise muffled/obscured in the song mix.
*Blue marks powerful, clear falsetto notes.
*Italics mark non-melodic notes.
*Grey marks heavily fryish notes.


Best Vocal Performances:
Studio:
1. Love, Reign O'er Me
2. Free Me
3. Baba O'Riley
4. Say It Ain't So, Joe
5. Love Is Coming Down
6. Bargain
7. I'm Free
8. (Come and) Get Your Love
9. Rock and Roll
10. It’s a Hard Life

SPOILER: Click to show

{Album Ranges}The Who:
My Generation (Deluxe Edition) (1965) (F2 - C5 - F5)
A Quick One (1966) (B2 - A4)
The Who Sell Out (1967) (F♯2 - C♯5)
Tommy (1969) (G3 - C5)
Who's Next (1971) (A2 - G5)
Quadrophenia (1973) (E3 - E5)
The Who by Numbers (1975) (E3 - D5)
Who Are You (1978) (D2 - E♭5 - G5)
Face Dances (1981) (F♯2 - D5)
It's Hard (1982) (C3 - B4 - E5)
Endless Wire (2006) (G2 - A4 - B4)

Solo:
Daltrey (1973)
Ride a Rock Horse (1975)
One of the Boys (1977)
McVicar (1980)
Parting Should Be Painless (1984) (E♭2 - D5)
Under a Raging Moon (1985)
Can't Wait to See the Movie (1987)
Rocks in the Head (1992)

With Wilko Johnson:
Going Back Home (2014) (B♭2 - D5)

[BAZanine]

Grrr baritenor????? I'm gonna commit domestic terrorism!!!!!!!

[Bink]

Death by baritenor.

[Macca]

This thread version was originally by chillshaman

[CT]

Total Baritenor death

[acnyte]

Welcome to the baritenor hate zone💀💀

[Macca]

He's just a High Baritone, this thread was originally made on TRP3 when the Baritenor voice type was acceptable.

[Henny Macc]

Holsety isn't around anymore so baritenor is allowed again

[Macca]

Sept 18, 2023 4:35:29 GMT Henny Macc said:

Holsety isn't around anymore so baritenor is allowed again

And chillshaman the original thread maker for the TRP3 thread hasn't been around at all for TRP4 since he deleted his account later on in TRP3, I wonder whatever happened to him.

[Steingrim]

Sept 18, 2023 4:35:29 GMT Henny Macc said:

Holsety isn't around anymore so baritenor is allowed again

There's a voice type called "bass baritone". The idea seems to be that the natural range overlaps or even encompasses both. But maybe the real reason is that the true bass is so far removed from the mid-baritone that there is a need for a category in between. Which doesn't apply to the concept of the baritenor. Here in Norway the classical music buffs use terms like "tenor with low notes" and "baritone with high notes" instead. Literally translated "baritone with height".

[sylvia!!]

for the sake of Barechest Baritenor sounding really fucking awesome as a voice type i vote that baritenor be valid 

[CT]

Sept 18, 2023 12:59:36 GMT sylvia!! said:

for the sake of Barechest Baritenor sounding really fucking awesome as a voice type i vote that baritenor be valid 

More like… INVALID

[Macca]

Sept 18, 2023 13:26:13 GMT CT said:

Sept 18, 2023 12:59:36 GMT sylvia!! said:

for the sake of Barechest Baritenor sounding really fucking awesome as a voice type i vote that baritenor be valid 

More like… INVALID

This is a more fitting thread pic.

[IhateMana]

baritenor is for cowards who can't admit that some tenors can hit lowz and some baritones can belt C5s

[Homelander]

Sept 18, 2023 20:00:11 GMT IhateMana said:

baritenor is for cowards who can't admit that some tenors can hit lowz and some baritones can belt C5s

I agree. It's a completely made-up classification that only adds to the already very confusing discussion of voice types.

[Baronessa]

"I'm whatever you want me to be, baby."
- Roger Daltrey, probably

He's a tenor.

[darby]

he can bari his tenor with me anyda-

[Henny Macc]

In my opinion, each of the 3 kore members of The Whose vocal team reprezented a differrent vøice part! With Peter Townsend as the tenor, Roger Dalltrey as the baryton, and Jon Antwhistle as the bass

[EddieCheivz]

Agreed though I'm pretty sure Entwistle is just a baritone using his growl register, I'd say is pretty obvious his bass role on the band. For the vocals of most The Who songs they usually hold that organization similar to acapella groups, clear new examples are Home Free or Pentatonix, where each member gets a very clear role.

I'm very positive (having already listened to almost all Roger's discography) Daltrey is simply a clear baritone that always used his belt tecnhique. I don't see too many tenors characteristics on his awesome voice and in fact his voice really does not have a light timbre at all either.

POV: Though is pretty sure that C6 (remembering it as B5 by myself BTW) won't be countable anymore on next updated version of this thread, I bring back the joy to your souls because...

I think I found some time ago an C6...? countable?


B♭5, also cool G5 scream at 9:40

[ellie]

Sept 19, 2023 19:28:00 GMT Homelander said:

Sept 18, 2023 20:00:11 GMT IhateMana said:

baritenor is for cowards who can't admit that some tenors can hit lowz and some baritones can belt C5s

I agree. It's a completely made-up classification that only adds to the already very confusing discussion of voice types.

All voice types are made up 

[Osmosis]

memes.getyarn.io/yarn-clip/eee18eb3-428c-4b08-9020-3a3e0ae80d19

[Henny Macc]

Sept 19, 2023 22:26:53 GMT EddieCheivz said:

POV: Though is pretty sure that C6 (remembering it as B5 by myself BTW) won't be countable anymore on next updated version of this thread, I bring back the joy to your souls because...

I think I found some time ago an C6...? countable?


B♭5, also cool G5 scream at 9:40

In all seriousness though, good finds with these! I definitely agree that the C6 from "Rock and Roll" was more or less a shitty yelp that we shouldn't have been counting beyond TRP2 at the latest, so that's well overdue for removal. I think I do hear a legit C6 in that first link though, and the second one actually sounded like it got as high as B5 to my ears! Some crazy grit on those screams.