Post by PerhapsXarb on Jan 10, 2024 23:46:26 GMT
Alexander Giannascoli (3 February 1993 — present)
Also Known As: (Sandy) Alex G (2017 — 2020)
Associated Acts: The Skin Cells (c. 2008 — 2013), Mother (c. 2008 — 2009)
Voice Type: Nostalgic
Vocal Range: E2 - B5
{Vocal Summary}
It’s been a month since your 20th birthday. You and your close friend from high school haven’t been speaking as much since starting junior college, which is quickly coming to an end, and you call them up to hang out on the biggest hill in your small suburban town. When you climb up there, in a field surrounded by woods with the hazy post-industrial skyline in the distance, you begin to think of things that have passed you by— some dark mental places, broken relationships and the like, but also the good times, moments like this when you could close your eyes and feel one with the evening sky, and one with your quickly slipping youth. Your friend is thinking much the same things, their shoulders pressed firmly against yours as you lay on the grass, but the feelings there are fully platonic… probably? You suddenly notice that the vape in your pocket is missing, but who cares— moments like these far surpass the fleeting chemical relief you’ve sought in the past. But seriously, where’s your vape? You know you brought it with you.
You sit up and look around to notice your friend’s 17-year-old sibling smoking at a bench, having tagged along this entire time and currently uploading a recap of the evening to TikTok with a musical accompaniment: "Pretend" by Alex G.
All joking aside, Alexander Giannascoli has steadily become one of the biggest names in the American indie circuit since the early 2010s, carving out a distinctly wistful sound commonly associated with the sort of situations I’ve described, connecting strongly with the psyche of disaffected Zoomers and younger millennials. More than that, though, he has shown skill in producing an eclectic variety of genres and moods throughout the years, making him one of the most well-rounded musicians in his scene.
As for his singing voice, Alex would likely admit that his technical ability is fairly limited. He is most comfortable throughout the 3rd and upper 2nd octaves, where his somewhat reedy, mid-range and frequently double-tracked voice (comparable to a somewhat darker-toned Elliott Smith) has the most control. Throughout the 4th octave he alternates between a lighter mixed voice, veering into falsetto as it rises towards the 5th, and a rather gritty and strained belting register, the latter demonstrated more often live than in the studio. His mid-to-lower 2nd octave, meanwhile, is actually quite comfortable sounding, though at times underutilized and not as strong in live settings. Also, he sometimes screams like a distressed animal, which is sure something to witness.
Nevertheless, Alex has shown a very impressive ability to chameleonically shift his voice between songs and albums. This is often done through pitch-shifting, and more recently autotune, but even beyond these effects, Alex has an uncanny ability to inhabit the characters he portrays in his songs— a first-time listener may struggle to distinguish that the decrepit lounge singer of "In Love", the hopeful repenter of "Forgive", and the regretful post-adolescendent of "Change" are all voiced by the same person (further compounding this is the fact that much of his most popular work was made as a teenager, before his vocal timbre had fully matured). He has also frequently enlisted female guest vocalists— Emily Yacina being his most frequent collaborator— whose harmonies and lead vocals blend and contrast well with Alex’s. Overall, I would definitely say his voice has improved through the years, and being as young as he is means more changes are bound to come down the pike.
Written by PerhapsXarb .
It’s been a month since your 20th birthday. You and your close friend from high school haven’t been speaking as much since starting junior college, which is quickly coming to an end, and you call them up to hang out on the biggest hill in your small suburban town. When you climb up there, in a field surrounded by woods with the hazy post-industrial skyline in the distance, you begin to think of things that have passed you by— some dark mental places, broken relationships and the like, but also the good times, moments like this when you could close your eyes and feel one with the evening sky, and one with your quickly slipping youth. Your friend is thinking much the same things, their shoulders pressed firmly against yours as you lay on the grass, but the feelings there are fully platonic… probably? You suddenly notice that the vape in your pocket is missing, but who cares— moments like these far surpass the fleeting chemical relief you’ve sought in the past. But seriously, where’s your vape? You know you brought it with you.
You sit up and look around to notice your friend’s 17-year-old sibling smoking at a bench, having tagged along this entire time and currently uploading a recap of the evening to TikTok with a musical accompaniment: "Pretend" by Alex G.
All joking aside, Alexander Giannascoli has steadily become one of the biggest names in the American indie circuit since the early 2010s, carving out a distinctly wistful sound commonly associated with the sort of situations I’ve described, connecting strongly with the psyche of disaffected Zoomers and younger millennials. More than that, though, he has shown skill in producing an eclectic variety of genres and moods throughout the years, making him one of the most well-rounded musicians in his scene.
As for his singing voice, Alex would likely admit that his technical ability is fairly limited. He is most comfortable throughout the 3rd and upper 2nd octaves, where his somewhat reedy, mid-range and frequently double-tracked voice (comparable to a somewhat darker-toned Elliott Smith) has the most control. Throughout the 4th octave he alternates between a lighter mixed voice, veering into falsetto as it rises towards the 5th, and a rather gritty and strained belting register, the latter demonstrated more often live than in the studio. His mid-to-lower 2nd octave, meanwhile, is actually quite comfortable sounding, though at times underutilized and not as strong in live settings. Also, he sometimes screams like a distressed animal, which is sure something to witness.
Nevertheless, Alex has shown a very impressive ability to chameleonically shift his voice between songs and albums. This is often done through pitch-shifting, and more recently autotune, but even beyond these effects, Alex has an uncanny ability to inhabit the characters he portrays in his songs— a first-time listener may struggle to distinguish that the decrepit lounge singer of "In Love", the hopeful repenter of "Forgive", and the regretful post-adolescendent of "Change" are all voiced by the same person (further compounding this is the fact that much of his most popular work was made as a teenager, before his vocal timbre had fully matured). He has also frequently enlisted female guest vocalists— Emily Yacina being his most frequent collaborator— whose harmonies and lead vocals blend and contrast well with Alex’s. Overall, I would definitely say his voice has improved through the years, and being as young as he is means more changes are bound to come down the pike.
Written by PerhapsXarb .
Significant High Notes:
B5 ("Runner")
G♯5 ("Look Out" live at the Echoplex 2016)
G5 ("Icehead" Pitchfork live 2017, "Youthinasia")
F♯5 ("Icehead" live in Brighton 2016)
F5 ("Animals" live, "Jumper" live*, "This Is My House")
E5 ("Bailey Needs Boots", "Gnaw", "In Love" live at Rough Trade NYC 2015, "Jack + Wife", "Screwy People")
E♭5 ("Scared", "Track 18 (Bye Bye Bye)")
D5 ("Gnaw", "Hold On, We’re Going Home" live in Toronto 2016, "Proud", "Take", "Written in Blood")
C♯5 ("2day Is the Day", "Boy", "Crime", "Do U", "I Was Here", "Joy", "Pretend", "Salt", "Sloth", "Tunnel")
C5 ("Animals", "Be Kind", "Clocks" live at Webster Hall 2021, "Colleen", "Cow", "Gretel", "In My Arms", "In My Blood", "Kong", "Know Now", "Losing a Whole Year" live*, "Tie Me Down" demo, "Track 10 (Halloween)", "Trash")
B4 ("Big Problems", "Black Hair", "Blessing", "Blleeee", "Change" live, "County" live at Primavera Sound 2018, "Deliver", "Fix", "Free", "Good", "Hope" live, "House", "I Wait for You", "It's All Coming Back to Me Now" live in Chicago 2022, "Kara", "Look Out" studio/live, "My Friend", "Narcolepsy" live in Philadelphia 2013, "Not So Tough", "Pretend", "Proud", "Rules", "Sally", "Salt" EP version, "Sarah", "Screwy People", "Semi-Charmed Life" live, "Sleeping", "Sloth", "Space Beetles", "Station" studio/live in Brighton 2016, "Taking" live, "Things to Do", "Too Long Here", "Track 18 (Bye Bye Bye)", "Walk Away" live, "Wish I Wuz", "Written in Blood", "Youthinasia")
B♭4 ("Change", "Cow", "Graduate" live*, "Hope", "I Wait for You", "In My Arms", "Leave the House", "Mission", "Promise", "Rejoyce" live, "Sportstar" live, "tourvid2", "Track 10 (Halloween)", "Walk Away" live)
A4 ("Advice", "All You Wanted" live on SiriusXMU 2022, "Animal Friends" live, "Animals", "Bad Man" video version, "Be Kind", "Big Problems", "Blessing", "Blew", "Boy", "Brick" live, "Bug" studio/Live at The Headroom, "Buhroke (3)" live, "Cold", "County", "Everybody Wants to Rule the World" live*, "Falls Apart", "Fay" live, "Fighting", "Fix" live, "Graduate" live*, "How's It Going to Be" live, "Hunger Strike" live*, "Hollow" studio/live, "House", "In Love", "In My Blood", "Jumper" live, "Life Is a Highway" live, "Magic Mirror", "Mary", "Monster Mash" live in Fort Worth 2022, "My Name Is Pierson", "Narcolepsy" live, "Not So Tough", "Screwy People", "Serpent Is Lord", "Snot", "So", "Southern Sky" live, "Station" live, "String", "SugarHouse (Live)", "Take", "Think", "Track 04 (Math Demo)", "Track 11", "Track 13 (Go On)", "Trade", "Wicked Boy", "Where Are You Going", "Wish I Wuz", "You’re Still the One" live on SiriusXMU 2019)
G♯4 ("Alina", "All You Wanted" live on SiriusXMU 2022, "Babylon", "Big Problems", "Black Hair", "Blew", "Blink" live, "Break", "Brite Boy" live, "Cards" studio/live at Shea Stadium 2013, "Change My Mind" live at Hard Rock Café, Philadelphia 2013, "Clocks" live, "Cow", "Do U", "Get Well/Dead" live, "Good", "He Never Feeds Me", "Hitting So Hard", "I Was Here", "Losing a Whole Year" live*, "Medication" live, "Molly", "Near", "People" studio/live in Tampa 2014, "Powerful Man", "Race", "Salt", "Sdfsdoifjoid", "Skating", "Skipper", "So", "Sorry", "Too Long Here", "Walk Away", "Yellow" live in Asheville 2022)
G4 ("Anne", "Babylon", "Be Kind", "Big World", "Brick", "Colleen", "Cow", "Cross the Sea", "The Cutie", "Don’t Make Me Chase After You", "Drive" live in Burlington 2018, "Falls Apart", "Fighting", "Free", "Go Away" alternate version, "Gretel" acoustic solo,"I’m Not Like the Other Girls", "Immunity" live, "I Remember You", "I Wait for You", "I Want My Life to Be a Story", "In My Arms" live, "Kara", "Kong", "Know Now", "Let it Go", "Light", "Mary" studio/live, "Mis", "Mission", "Monster Mash" live in Fort Worth 2022, "My Friend", "Not Anywhere", "Not Really", "Oh, Okay", "Ready", "Ready to Move", "Rules", "Screwy People", "Semi-Charmed Life" live, "Sleeping", "Snot" live, "Soflascent Memoreis", "Something 2 B", "Sum Secret", "Superman" live in Houston 2021, "Take", "Tie Me Down" live/demo, "Track 10 (Halloween)", "Track 11", "Track 13 (Go On)", "Track 16 (Exist/Wish I Wuz Demo)", "Trade", "Trick (acoustic)", "Wicked Boy")
F♯4 ("Animal Friends", "Bad Man", "Blew", "Bludd", "Bug" studio/live, "Buhroke (3)" alternate version, "Cards", "Change My Mind", "Cold", "Come Back", "Come Over After School", "County", "Do It", "Don’t Make Me Chase After You", "Down to the River", "Druglord Landlord", "Dust", "Early Morning Waiting", "East Coast", "Everybody Wants to Rule the World" live*, "Everything Is Okay", "Exist", "Fix" live, "Forgive", "Get Happy", "Get Well/Dead" live, "Good", "Graduate" live*, "Guilty", "Heaven" live 2019, "Hollow" studio/live, "Hope", "House", "Icehead" live, "In the Street" live at Hard Rock Café, Philadelphia 2013, "Joy", "Kara", "Miracles", "Mud" live at Rough Trade NYC 2015, "Muppet", "My Friend", "Mystery Machine", "No Bitterness", "Not Anywhere", "Not So Tough", "Near", "New", "Nothing", "Powerful Man" studio/live at Union Transfer 2019, "Rebecca", "Rules", "The Same", "Skipper" live, "So", "Southern Sky", "Spraypaint", "Stay Together for the Kids" live*, "Stop", "SugarHouse (Live)", "Sum Secret", "Tangled", "Think" studio/live, "Thorns", "tourvid2", "Track 06", "Track 12 (Morning)", "TV", "Walk Away", "Yellow" live in Asheville 2022, "You’re Still the One" live on SiriusXMU 2019)
F4 ("Be Kind", "Cow" live, "The Cutie", "End Song", "Explain", "Free Bird" live in Washington, D.C. 2021, "Gretel", "How's It Going to Be" live, "I Want My Life to Be a Story", "Jumper" live, "Light", "Magic Mirror", "Memory", "Mis", "Mission" studio/Live From Union Transfer, "Scared", "Sdfsdoifjoid", "Tie Me Down", "Track 13 (Go On)", "Track 16 (Exist/Wish I Wuz Demo)", "Witch" live)
E4 ("400" live 2013, "After Ur Gone", "All You Wanted" live on SiriusXMU 2022, "Anne", "Basket Case" live*, "Big World", "Bobby", "Boy", "Break", "Buhroke (3)", "Candy", "Change My Mind", "Cold", "Come Back", "Crab" live, "Cross the Sea", "Deliver", "Don’t Make Me Chase After You", "Druglord Landlord", "Falls Apart", "Fay" live, "Fighting", "Forever", "Free", "Gnaw", "Harvey", "He Never Feeds Me", "Higher" live*, "Hitting So Hard", "I Wait for You", "In Love", "In My Blood", "Joy", "Jumper" live, "Kicker", "Kong", "Let it Go", "Losing a Whole Year" live*, "Math", "Memory" live, "Miracles", "Mis", "Molly", "Mud", "Mystery Machine", "Nintendo 64", "No Bitterness" studio/Live From Union Transfer, "Not Really", "Not So Tough", "Nothing", "Oh Baby Baby", "Oh, Okay", "Pretend", "Proud", "Race", "Ready", "Ready to Move", "Remember" electric demo, "The Same", "Sarah", "Sdfsdoifjoid", "Serpent Is Lord", "Skating", "Sleeping", "Sorry", "Space Beetles", "Spiders", "Spraypaint", "String", "Superman" live in Houston 2021, "Tie Me Down", "Time/Space", "Too Long Here", "Track 07", "Track 11", "Trick (acoustic)", "Water", "Where Are You Going", "Wicked Boy", "The World Has Turned and Left Me Here" live in Lawrence, KS 2021, "Written in Blood", "You", "You Are Great", "You're as Tall as the Trees!", "Youthinasia" live in Havertown 2012)
Significant Low Notes:
D3 ("Advice", "After Ur Gone", "Animal Friends", "Animals" live at Suburbia 2014, "Bad Man", "Be Kind", "Big Fish", "Bobby", "Bug", "Buttercan", "Come Over After School", "County", "The Cult of Lord Jesus H. Christ", "Early Morning Waiting", "End Song", "Exist", "Falls Apart", "Fast Car" live in Birmingham 2021, "Fix", "Free Bird" live in Washington, D.C. 2021, "Freedom", "Get Happy", "Gnaw", "Hollow", "Holy Fuck (Shooting Star)", "House", "In My Arms", "Jumper" live at The Dog Morgue 2014, "Kicker", "Kong", "Kute", "Mary", "My Friend", "Mystery Machine", "Not Anywhere", "Oh Baby Baby", "Poison Root", "Proud", "Punk", "Ready", "Remember" Piss Couch Sessions, "Ride Home", "Rio", "Sandy", "Sarah", "Screwy People", "Shit", "Snot", "Station" live in Brooklyn 2015, "Stop", "SugarHouse" acoustic solo, "Tangled", "This Is Just My Place in Space", "Thorns", "Tie Me Down", "Time/Space", "Track 07", "Track 08", "Trouble", "Tunnel", "TV", Unfinished Song ("Not Afraid") live Rough Trade London 2022, "What Does it Mean", "Wicked Boy", "Written in Blood", "You Are Great", "You’re Still the One" live on SiriusXMU 2019, "Youthinasia")
C♯3 ("After All" live, "April Ha Ha", "Big Fish", "Bike", "Blew", "Come Back", "City Girl" live in Melbourne 2023, "Hit", "Hope", "Krying", "Memory", "Message", "Pretend", "Remember", "The Same", "So", "Sometimes", "Talking", "Whale", "Wichita, KA", "Zuicide")
C3 ("Advice", "The Cult of Lord Jesus H. Christ", "Doomoommommm", "Dreem Machine", "Fell", "Fighting", "Gnaw" Piss Couch Sessions, "Go Away", "Harvey", "Hole in the Ground", "I Remember You", "In My Blood", "Kara", "Library Lady", "Maybe Baby", "Mis", "Mud", "My Name Is Pierson", "Nuts", "Okay", "Punk", "Rio", "Screaming Laughing", "This Is My House", "Track 13 (Go On)", "Trade", "Trash", "Water", "Where Are You Going")
B2 ("After Ur Gone" acoustic demo, "Ain’t It Easy", "Bad Man", "Bailey Needs Boots", "Bees", "Cards", "Chinese Melodies", "Come Over After School", "Crab", "Crime", "Do It", "Don’t Make Me Chase After You", "Doomoommommm", "Down to the River", "Early Morning Waiting", "Forever", "High", "Hit", "Hitting So Hard", "Hold On, We’re Going Home" live in Toronto 2016, "Hollow", "I Was Here", "In Love", "Judge", "Kara", "Kong", "Krying", "Light", "Mary", "Message" Piss Couch Sessions, "Molly", "Nothing", "Okay", "People", "Powerful Man", "Pretend", "Race", "Remember", "Runner", "Sally", "The Same", "Skating", "Skull Love", "Slooptee", "Snot", "Soaker", "Sorry", "Spiders", "SugarHouse" acoustic solo, "Talking", "Thorns", "Too Long Here", "Tunnel", "Walk Away", "Water", "Where Are You Going", "Wish I Wuz", "World/Insured")
B♭2 ("City Girl" live in Melbourne 2023, "Fell", "Gretel", "Hope", "Leave the House", "Mission", "Soflascent Memoreis", "Track 16 (Exist/Wish I Wuz Demo)")
A2 ("Animal Friends", "Bees", "Buttercan", "Colleen", "Crab", "Crime", "Do It", "East Coast", "Fix", "Get Happy", "Joy", "My Name Is Pierson", "No Bitterness", "Not So Tough", "Nuts", "Poison Root", "Proud", "Ready to Move", "Sandy" live in Birmingham 2021, "Screwy People", "Slooptee", "Sugar", "SugarHouse" acoustic solo, "Track 03", "Track 05 (Home)", "Whale", "Uh", "World/Insured", "Youthinasia" demo)
G♯2 ("Bailey Needs Boots", "Early Morning Waiting" alternate version, "Go Away" alternate version, "Hit", "Krying", "Medication", "Runner", "Sally", "Scar Tattoo", "Soaker", "Track 02", "Walk Away")
G2 ("Bees", "Chinese Melodies", "Colleen", "Cross the Sea", "Go Away" alternate version, "I Remember You", "In My Blood", "Jack + Wife", "Leave the House", "Mission", "Okay", "Skull Love", "Sugar", "This Is My House", "Track 16 (Exist/Wish I Wuz Demo)", "Trade", "Trash", Unfinished Song ("Not Afraid") live Rough Trade London 2022, "World/Insured")
F♯2 ("High", "Mud" live at Rough Trade NYC 2015, "Skating", "Too Long Here", "Track 04 (Math Demo)")
F2 ("Leave the House", "Mission", "Uh")
E2 ("Cross the Sea", "Don’t Make Me Chase After You", "I Was Here", "Joy", "Medication", "Scar Tattoo")
{Questionable Notes}
D6 ("Down to the River" [3], "Sdfsdoifjoid" [3])
C6 ("Screwy People" [4a], "Youthinasia" demo [3])
A5 ("Animals" live [4a] (probably overtones from the F5s))
G5 ("Don’t Make Me Chase After You" [3], [4a], "Gnaw" [1], [3], "Tie Me Down" demo [5] (uncontrolled and bad quality))
E5 ("Bees" [4a], Falls Apart" [2], "Library Lady" [3], "Pretend" [2], "Ready To Move" [4a])
E♭5 ("Something 2 B" [4a])
D5 ("You've Got a Friend in Me" live* [3])
C♯5 ("Always" [2], "Big Problems" [4b], "Change" live in Brooklyn 2016 [3])
C5 ("Doomoommommm" [4a])
B4 ("In My Blood" [1], "Skull Love" [4a])
A4 ("After All" [2], [4a], "Guilty" [2], "Hole in the Ground" [4a], "Stay Together for the Kids" live* [2])
G♯4 ("Nintendo 64" [1])
E4 ("Blleeee" [3])
D3 ("Adam" [4b], "Free" [1])
B2 ("Tie Me Down" [1])
A2 ("Hole in the Ground" [4a], "Youthinasia" [3])
G2 ("This Is Just My Place in Space" [1])
F♯2 ("Hit" [1])
F2 ("Soflascent Memoreis" [4b])
E2 ("This Is My House" [4a])
D2 ("Blessing" [3], [5] (whispered fry), "My Name Is Pierson" [5] (semi-spoken fry), "Mud" live at Rough Trade NYC 2015 [5], "Track 04 (Math Demo)" [4b])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4a] marks notes that may have been pitch-shifted or possess uncertain pitch.
[4b] marks notes that are buried in the mix to the point that they may or may not actually exist.
[5] marks notes that may not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
D6 ("Down to the River" [3], "Sdfsdoifjoid" [3])
C6 ("Screwy People" [4a], "Youthinasia" demo [3])
A5 ("Animals" live [4a] (probably overtones from the F5s))
G5 ("Don’t Make Me Chase After You" [3], [4a], "Gnaw" [1], [3], "Tie Me Down" demo [5] (uncontrolled and bad quality))
E5 ("Bees" [4a], Falls Apart" [2], "Library Lady" [3], "Pretend" [2], "Ready To Move" [4a])
E♭5 ("Something 2 B" [4a])
D5 ("You've Got a Friend in Me" live* [3])
C♯5 ("Always" [2], "Big Problems" [4b], "Change" live in Brooklyn 2016 [3])
C5 ("Doomoommommm" [4a])
B4 ("In My Blood" [1], "Skull Love" [4a])
A4 ("After All" [2], [4a], "Guilty" [2], "Hole in the Ground" [4a], "Stay Together for the Kids" live* [2])
G♯4 ("Nintendo 64" [1])
E4 ("Blleeee" [3])
D3 ("Adam" [4b], "Free" [1])
B2 ("Tie Me Down" [1])
A2 ("Hole in the Ground" [4a], "Youthinasia" [3])
G2 ("This Is Just My Place in Space" [1])
F♯2 ("Hit" [1])
F2 ("Soflascent Memoreis" [4b])
E2 ("This Is My House" [4a])
D2 ("Blessing" [3], [5] (whispered fry), "My Name Is Pierson" [5] (semi-spoken fry), "Mud" live at Rough Trade NYC 2015 [5], "Track 04 (Math Demo)" [4b])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4a] marks notes that may have been pitch-shifted or possess uncertain pitch.
[4b] marks notes that are buried in the mix to the point that they may or may not actually exist.
[5] marks notes that may not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks soft falsetto or whistle notes.
Green marks harsh and/or distorted screamed notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
The indicator "live" is simply an abbreviation of "multiple live performances", so as to make this thread appear neater.
Asterisks on live performances ("live*") mark notes from Alex's delightfully drunk excursion as Third Eye Blind on Halloween 2018 in Rochester, New York.
{Album Ranges}
Solo:
Race (2010): G2 - G♯4 - E5
Salt EP (2011; distributed 2015-16): G♯2 - G4 - D5
Winner (2011): A2 - G♯4 - A4
Easy EP (2011): G2 - A4 - C5
Rules (2012): B2 - B4 - C5
Trick (2012): A2 - A4 - C5
DSU (2014): B2 - A4 - C♯5
C-Sides Compilation (2015): F♯2 - A4 - E♭5
Beach Music (2015): B2 - F♯4 - C♯5
Rocket (2017): A2 - G4 - D5
House of Sugar (2019): G2 - G♯4 - C♯5
God Save the Animals (2022): E2 - G4 - B♭4 - B5
The Skin Cells:
N1 / Dreem Machine (2010): F♯2 - B4 - E5
DEMO(H) Demo (2012): E2 - G4 - G5
(Both of these releases are semi-official and very limited in availability)
More unreleased songs can be found through unreleasedalexg.com, but keep in mind that this is not officially released material and does not compensate Alex financially.
Solo:
Race (2010): G2 - G♯4 - E5
Salt EP (2011; distributed 2015-16): G♯2 - G4 - D5
Winner (2011): A2 - G♯4 - A4
Easy EP (2011): G2 - A4 - C5
Rules (2012): B2 - B4 - C5
Trick (2012): A2 - A4 - C5
DSU (2014): B2 - A4 - C♯5
C-Sides Compilation (2015): F♯2 - A4 - E♭5
Beach Music (2015): B2 - F♯4 - C♯5
Rocket (2017): A2 - G4 - D5
House of Sugar (2019): G2 - G♯4 - C♯5
God Save the Animals (2022): E2 - G4 - B♭4 - B5
The Skin Cells:
N1 / Dreem Machine (2010): F♯2 - B4 - E5
DEMO(H) Demo (2012): E2 - G4 - G5
(Both of these releases are semi-official and very limited in availability)
More unreleased songs can be found through unreleasedalexg.com, but keep in mind that this is not officially released material and does not compensate Alex financially.
Top Vocal Performances:
1. "Miracles"
2. "In My Arms"
3. "Mission" (especially live)
4. "Runner"
5. "Sarah"
6. "Southern Sky"
7. "Bug" (live)
8. "Cow"
9. "Thorns"
10. "Joy"
11. "So"
12. "Black Hair"
13. "In Love"
14. "Medication"
15. "Pretend"
16. "Icehead" (live)
17. "Brick" (yes.)
18. "Space Beetles"
19. "I Was Here"
20. "The Same"
Thanks to sylvia!! and Bink for starting the research and Electric Mami for helping with some pitches.
