Lewis Capaldi (2,214 views)

[Homelander]

Lewis Marc Capaldi (born October 7, 1996)
Vocal Range: E♭2 - C♯5
Voice Type: Broken By Desire to Be Tenorly Sent

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{Vocal Summary}Best singer ever.
Written by Homelander

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{Album Ranges}Divinely Uninspired to a Hellish Extent (2019): F♯2 - C♯5
Broken By Desire to Be Heavenly Sent (2023): G2 - C5

Significant High Notes

C♯5 ("Forever", "One", "Someone I Could Die For")
C5 ("Heavenly Kind of State of Mind", "How This Ends")
B4 ("Any Kind of Life", "Bruises", "Fade", "Forget Me", "Grace", "Maybe", "Mercy", "One", "Pointless", "The Pretender", "Someone I Could Die For")
B♭4 ("Any Kind of Life", "Before You Go", "Burning", "Fade", "Forget Me" Spotify Singles version, "Heavenly Kind of State of Mind", "Hollywood", "Leave Me Slowly", "Let It Roll", "Lost On You", "Love the Hell Out of You", "Mercy", "Pointless" piano acoustic / strings acoustic, "Rush", "Someone You Loved", "when the party's over" 3:08 / 3:30)
A4 ("The Ancient Art of Always Fucking Up", "A Cure For Minds Unwell", "Don't Get Me Wrong", "Fade", "How I'm Feeling Now", "Leaving My Love Behind", "Maybe", "Old Navy Blue", "One", "Pointless", "The Pretender", "Strangers")
G♯4 ("Any Kind of Life", "Before You Go", "Bruises", "Burning", "Dancing Queen", "Don't Get Me Wrong", "driver's license", "Forever", "Forget Me", "Grace", "Haven't You Ever Been In Love Before?", "Headspace", "Hold Me While You Wait", "How This Ends", "Let It Roll", "Little Too Late", "Love the Hell Out of You", "Maybe", "Pointless", "Rush", "Someone You Loved", "Tough", "Wish You the Best")
G4 ("The Ancient Art of Always Fucking Up", "Before You Go", "Burning", "A Cure For Minds Unwell", "Fade", "Forget Me" Spotify Singles version, "Heavenly Kind of State of Mind", "How I'm Feeling Now", "How This Ends", "Leave Me Slowly", "Lost On You" studio / live at Ziggo Dome, Amsterdam, 2023, "Pointless" piano acoustic / strings acoustic, "when the party's over", "Wish You the Best")
F♯4 ("The Ancient Art of Always Fucking Up", "Any Kind of Life", "A Cure For Minds Unwell", "Dancing Queen", "Don't Get Me Wrong", "Forever" studio / live from Edinburgh, "Grace", "Haven't You Ever Been In Love Before?", "Headspace", "Hold Me While You Wait", "Little Too Late", "Leaving My Love Behind", "Maybe", "Mercy", "Pointless", "Someone I Could Die For", "Tough")
F4 ("Burning", "Forever", "Haven't You Ever Been In Love Before?", "Heavenly Kind of State of Mind", "Hollywood", "How This Ends", "Leave Me Slowly", "Little Too Late", "Love the Hell Out of You", "Someone You Loved", "Tough", "Wish You the Best")
E4 ("The Ancient Art of Always Fucking Up", "Bruises", "Dancing Queen", "Don't Get Me Wrong", "driver's license", "Grace", "How I'm Feeling Now", "Leaving My Love Behind", "Maybe", "One", "Pointless", "Strangers")

Significant Low Notes

E3 ("Bruises", "Grace", "One", "The Pretender", "Someone I Could Die For", "Strangers")
E♭3 ("Before You Go", "Burning", "driver's license", "Forever", "Let It Roll", "Mercy", "Rush", "Someone You Loved")
D3 ("Bruises", "A Cure For Minds Unwell", "Dancing Queen", "Old Navy Blue", "when the party's over", "Wish You the Best")
C♯3 ("The Ancient Art of Always Fucking Up", "Any Kind of Life", "Dancing Queen", "Don't Get Me Wrong", "driver's license", "Forever" live from Edinburgh, "Forget Me", "Grace", "Haven't You Ever Been In Love Before?", "Leaving My Love Behind", "One", "Pointless", "The Pretender", "Tough")
C3 ("Heavenly Kind of State of Mind", "How I'm Feeling Now", "How This Ends", "Old Navy Blue", "Pointless" piano acoustic / strings acoustic)
B2 ("Bruises", "Dancing Queen", "driver's license", "Fade", "Forget Me", "Maybe", "One", "Strangers")
B♭2 ("Burning", "Forget Me" Spotify Singles version, "How This Ends", "Leave Me Slowly", "Leaving My Love Behind", "Lost On You", "Love the Hell Out of You", "when the party's over")
A2 ("The Ancient Art of Always Fucking Up", "A Cure For Minds Unwell", "Don't Get Me Wrong", "How I'm Feeling Now", "The Pretender")
G2 ("How This Ends")
F♯2 ("Hold Me While You Wait", "Let It Roll")
E♭2 ("Let It Roll")

SPOILER: Click to show

{Questionable Notes}E♭5 ("Pointless" piano acoustic [1])
C♯5 ("The Pretender" [2] [4])
C5 ("Wish You the Best" [1])

G♯2 ("Tough" [1])
E♭2 ("I Want It That Way" Unavailable)
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.

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Blue marks notes sung in head voice or falsetto.
Underlines mark notes that are obscured in the song mix or otherwise found in backing vocals.
Italics mark non-melodic or non-sung notes.
Bold marks notes that are considered to be particularly notable examples of this person's vocal capabilities.

[Osmosis]

Shallow Cover

[Bink]

Pretty confident there are E♭3s in "Someone You Loved"

[Gilad]

I'd ease up on the bolds here

[Homelander]

Jan 21, 2024 10:01:22 GMT Bink said:

Pretty confident there are E♭3s in "Someone You Loved"

Added the E♭3s from "Someone You Loved". Not sure how I missed those the first time, lol.

[Osmosis]

Jan 21, 2024 11:55:29 GMT Gilad said:

I'd ease up on the bolds here

I agree with this, some of the bolds you've linked have another bold within the same phrase, like "How I'm Feeling Now", you would probably be better just bolding the lowest note. Same with "Fade", I would just bold the B4. I think that would be a place to start with regards to being a little more selective.

Bolds are rather subjective, but I would say in the case of Capaldi, the Bb4 in "Someone You Loved" or the B4 in "Grace" are classic bolds for him, where as "The Pretender" isn't quite the same quality.

I hope this doesn't come off as dog piling

[Homelander]

Jan 22, 2024 17:16:55 GMT Osmosis said:

Jan 21, 2024 11:55:29 GMT Gilad said:

I'd ease up on the bolds here

I agree with this, some of the bolds you've linked have another bold within the same phrase, like "How I'm Feeling Now", you would probably be better just bolding the lowest note. Same with "Fade", I would just bold the B4. I think that would be a place to start with regards to being a little more selective.

Bolds are rather subjective, but I would say in the case of Capaldi, the Bb4 in "Someone You Loved" or the B4 in "Grace" are classic bolds for him, where as "The Pretender" isn't quite the same quality.

I hope this doesn't come off as dog piling

Fair enough, I guess. I'll admit, the C3 and G4 from "How I'm Feeling Now" and the A4 from "The Pretender" aren't that boldworthy by Capaldi's standards.