Post by Electric Mami on Jan 31, 2024 15:00:05 GMT
Photo taken by Keiko Tanabe at Hanyuushi Sangyou Bunka Hall on May 13, 2022
Full name: 松本貴之 / Matsumoto Takayuki
Stage name: ルキ / Ruki
Birth date and place: February 1st, 1982 in Kanagawa Prefecture, Japan
Associated acts:
2000/06-2001/03: 魅琴 / Mikoto (as 楓 / Kaede, on drums)
2001/04-2001/10: Ma’die Küsse (as 霧緋 / Kirihi, on drums)
2001/10-2002/01: L’ie:Chris (as 霧緋 / Kirihi, on drums), later became Kar+te=zyAnose (as 切茜 / Kirua, on vocals)
2002/01-Present: the GazettE (as ルキ / Ruki, on vocals)
Vocal range and voice type: A1 - C6 (4 octaves and 3 semitones) / DOGMATIC TENOR
Stage name: ルキ / Ruki
Birth date and place: February 1st, 1982 in Kanagawa Prefecture, Japan
Associated acts:
2000/06-2001/03: 魅琴 / Mikoto (as 楓 / Kaede, on drums)
2001/04-2001/10: Ma’die Küsse (as 霧緋 / Kirihi, on drums)
2001/10-2002/01: L’ie:Chris (as 霧緋 / Kirihi, on drums), later became Kar+te=zyAnose (as 切茜 / Kirua, on vocals)
2002/01-Present: the GazettE (as ルキ / Ruki, on vocals)
Vocal range and voice type: A1 - C6 (4 octaves and 3 semitones) / DOGMATIC TENOR
{Vocal Summary}
Out of all bands and artists in Japan, few really stand out both as national treasures and well-known, respected acts internationally. the GazettE definitely is one of these, and they are a driving force of the visual kei scene they proudly stand for, firstly as an alternative and groove metal, kind of glam rock orientated band genre-wise. They little by little started moving to more nu metal influenced works, darkening and cranking up the heaviness of their music, incorporating electronic elements, and rapidly moving into the metalcore genre by the early-mid 2010s, which they had already been hinting at in the late 2000s. They always kept this captivating ability to range from poignant and moving ballads, to dark and heavy numbers that make you wince and sigh in satisfaction. Ruki has been the band’s vocalist, lyricist and very often their composer since they formed in early 2002.
Before diving deeper into the intricacies of this vocalist’s abilities, I would like to thank kuyashii for letting me redo this thread, and mention that parts of this vocal summary in italic (that is, other than releases titles) come from kuyashii’s own vocal summary on his old thread. In my opinion, he had very relevant references and points that I thought I’d use as well. Also, some songs tend to have quite a few notes close to each other, and more rarely 3-4 semitones one after the other (like “Last bouquet”). This isn’t due to a lack of attention nor intentional overinclusion to bump up the thread’s size, but rather a choice of trying to accurately represent how Ruki writes his melodies and screams. The linked songs below refer to precise timestamps, so don’t hesitate to click them to have an auditory representation of this vocal summary’s points.
The singer had a lighter voice in his early and mid twenties and was more obviously a tenor back then, between 2002 and 2005. He liked to use a high larynx placement to get a signature nasal, “whiny”, and childish-sounding tone, similar in style to Kiyoharu from Kuroyume and SADS (see “Sentimental na Onigokko” and “MAD MARBLE HELL VISION” for good examples). Ruki eventually dropped this style by the release of DISORDER, and nowadays only uses it in a more healthy and controlled way when performing old songs like “Dorodarake no Seishun” Makuhari Messe 2012/03/10 and “舐～zetsu～” Yoyogi National Stadium First Gymnasium 2017/03/10. The contrast with his normal vocals therefore compliments the use of this old style better. Early on, he already had a well-controlled use of distortion (“Ruder”) that he kept refining along the years (“DISTORTED DAYTIME”), which led him to be great at controlling the pitch of his screams as well, for instance in “BEFORE I DECAY” and “GABRIEL ON THE GALLOWS”. He has always been great at low larynx singing (“Oni no Men”), now being his go to style. Adding up to that, he has a strong vibrato that may occasionally sound a little exaggerated (“THE PALE”).
His low register is particularly wealthy, warm (“Kare Uta”), and easy-sounding down to the bottom of the second octave (“WITHOUT A TRACE”, “VORTEX”) while barely if not relying on vocal fry, which makes it nearly frustrating that he doesn’t use it more. He doesn’t quite have the weight of a baritone though, but is very convincing at sounding like one. You can watch the March 31, 2014 performance of “Baretta” at Shibuya-AX for a good representation of it. He therefore is a truly low placed tenor. His voice started deepening towards NIL (“D.L.N”, “Hyena”), and even more past 2010 (“PLEDGE”). Due to the heaviness and thickness of his chest register even at its bottom, he can nicely blend it with a hint of fry seamlessly, especially on the low spoken/non-melodic parts that he loves to use (“Baretta”), as the amount of italic notes in the lows section implies. As for pure fry, he doesn’t have many instances of these as he will either slightly rely on it as previously stated, or create a creaky and rather weak in tone noise to serve the atmosphere of a passage rather than attempting to sing melodically with it (“Toguro”, “UNDYING”). It is nonetheless part of his style and is worth acknowledging in the thread.
Now moving on to his mid and high register, Ruki thrives in his chest register, especially in the mid and upper fourth octave, where he belts with fantastic, heavy tone, great agility, sustain ability and no real struggle. If anything, he just had a rare and slight huskiness on certain live performances (“LOSS” Yokohama Arena 2014/01/11). Speaking of concerts, he mainly uses his mix register when interacting with the crowd or shouting lyrics, especially between 2007 and 2011 (“Filth in the beauty” Yoyogi National Stadium First Gymnasium 2008/04/20, “AGONY” INAZUMA ROCK FES. 2011/09/18). It could be observed that his shouts became more and more distorted as a concert went, though (“Ruder” Tokyo Dome 2010/12/26). This could lead to thinking that he decided to heavily reduce these shouts to prevent vocal damage.
His falsetto is pretty breathy and rather seldom used but well controlled, mostly for short lines or flips to soften a passage (“Miseinen”), occasional back vocals in the lower and mid fifth octave, sustained rolled r’s (“Psychedelic Heroine”), or woo’s in live performances (which compose most of the highs in the questionable notes section by the way). He has been using his falsetto more on NINTH and MASS (“Falling”, “MOMENT”) in particular. Speaking of these two albums, he coincidentally used his low register much less on them, with only three out of the ten sung songs from the latter having significant low notes. Time will tell whether it was a preference for these two albums only or if it will become his style to use his low register less, despite how strong it is.
Due to the GazettE gradually evolving to a more metalcore sound and how they were always metal-influenced to begin with, Ruki quickly developed his Corey Taylor-inspired false cord screams (“[DIS]”). He also heavily used distortion on his microphone in early live performances, probably to serve his raw approach and his vision of visual kei (“Beautiful 5 [shit]ers” Shibuya-AX 2004/01/16). His screams started getting stronger and more distorted in the fifth octave in 2007, notably with the single Hyena (“BURIAL APPLICANT”), and in the fourth octave in 2009 especially with the release of DISTRESS AND COMA (“OGRE”). His live growls were more overtoney mid-range screams than actual growls for quite some time (“13STAIRS[-]1” Saitama Super Arena 2009/09/05), but he eventually gained the ability to growl properly by 2012. Starting from 2013 and even more obviously since DOGMA, his screams became even more ferocious (“DOGMA”, “UGLY”). He incorporated in his style short screams in the mid fifth octave right in the middle of sung sentences (“Uragiru Bero”), which gives a really incisive approach to his vocal lines and is coherent with the tight musicianship of his bandmates. As years passed, his screams lowered from mid (and a few occurrences of upper) fifth octave, to finally sit in the mid and upper fourth octave most of the time now (“HOLD”).
As for fry screams, he likes to switch to them at the end of passages or long notes since DOGMA, to darken the atmosphere of a moment, in “DEUX” or the remake of “D.L.N” for example. Probably inspired by Kyo, who’s known for his heavy use of whistle fry, Ruki seems to have tried learning this technique in early 2009 by doing the famous B5 in “HEADACHE MAN”, however with unimpressive tone. That being said, he made more overtone-y fry screams engaged with strong tone and great control (“The $ocial riot machine$” Shibuya-AX 2014/03/31) in 2014. That could lead to thinking he actually knows how to use whistle fry, but chooses not to make it part of his range of techniques and signature style. On the other hand, in live performances between 2015 and 2017, his screams seemed to have weakened slightly (despite gaining in distortion) with a few occurrences of distortion loss (“DEUX” Yoyogi National Stadium First Gymnasium 2016/02/28). Thankfully, he gained back full control and power on his screams by 2018 (“Falling” Yokohama Arena 2019/09/23).
Probably due to long term chainsmoking, overuse, and repeated shouting when interacting with the crowd, his voice’s deepness seems to have been affected. It is easy to realise it by just hearing him talk in interviews or documentary footage, where he regularly dips in the first octave with a rather creaky voice (curiously, he doesn’t sound like this when talking to the crowd, though). However, some early instances of his low larynx singing, in 2004 live performances for instance, show a tone that’s fairly close to his current (“Anata no Tame no Kono Inochi.” Shibuya O-EAST 2004/04/23 vs Yokohama Arena 2019/09/23), which implies he hasn’t really gone through a voice change, but rather found his style and what fits him best as durable technique through the band’s evolution. Coincidentally, as he mastered better breath support and balance in his larynx placement and healthier ways to play around with it without sounding strained, his voice sounded heavier even in his high register, and he got increasingly better and consistent live by the late 2000s, even on concerts of 2 hours and longer. He dealt with vocal fatigue in Fall 2021, most likely due to the band not performing live for 2 years, but thankfully got back on track very quickly to deliver solid performances once again. He admittedly is a little pitchy live, partially due to how pronounced his vibrato can get, but technique wise, he is a really tight singer with cleans and screams that are stronger than ever (“BLINDING HOPE” Tokyo Garden Theater 2021/12/23).
As a performer, Ruki has a commanding and engaging stage presence that’s always really pleasant to witness, with emotional vocal efforts, gestures to accompany his interpretations, such as falling on his knees, hitting and scratching his stand, hitting his chest, walking a certain way, doing furis (choreographies/movements done by fans in the visual kei scene), and so on. He is undeniably a very passionate artist who usually stays in his comfort zone but can effortlessly switch between multiple techniques and tones as he wishes to. Being one of the most charismatic figures of the Japanese music landscape for over 20 years now, Ruki still has beautiful years to come in his career to make us dream.
Before diving deeper into the intricacies of this vocalist’s abilities, I would like to thank kuyashii for letting me redo this thread, and mention that parts of this vocal summary in italic (that is, other than releases titles) come from kuyashii’s own vocal summary on his old thread. In my opinion, he had very relevant references and points that I thought I’d use as well. Also, some songs tend to have quite a few notes close to each other, and more rarely 3-4 semitones one after the other (like “Last bouquet”). This isn’t due to a lack of attention nor intentional overinclusion to bump up the thread’s size, but rather a choice of trying to accurately represent how Ruki writes his melodies and screams. The linked songs below refer to precise timestamps, so don’t hesitate to click them to have an auditory representation of this vocal summary’s points.
The singer had a lighter voice in his early and mid twenties and was more obviously a tenor back then, between 2002 and 2005. He liked to use a high larynx placement to get a signature nasal, “whiny”, and childish-sounding tone, similar in style to Kiyoharu from Kuroyume and SADS (see “Sentimental na Onigokko” and “MAD MARBLE HELL VISION” for good examples). Ruki eventually dropped this style by the release of DISORDER, and nowadays only uses it in a more healthy and controlled way when performing old songs like “Dorodarake no Seishun” Makuhari Messe 2012/03/10 and “舐～zetsu～” Yoyogi National Stadium First Gymnasium 2017/03/10. The contrast with his normal vocals therefore compliments the use of this old style better. Early on, he already had a well-controlled use of distortion (“Ruder”) that he kept refining along the years (“DISTORTED DAYTIME”), which led him to be great at controlling the pitch of his screams as well, for instance in “BEFORE I DECAY” and “GABRIEL ON THE GALLOWS”. He has always been great at low larynx singing (“Oni no Men”), now being his go to style. Adding up to that, he has a strong vibrato that may occasionally sound a little exaggerated (“THE PALE”).
His low register is particularly wealthy, warm (“Kare Uta”), and easy-sounding down to the bottom of the second octave (“WITHOUT A TRACE”, “VORTEX”) while barely if not relying on vocal fry, which makes it nearly frustrating that he doesn’t use it more. He doesn’t quite have the weight of a baritone though, but is very convincing at sounding like one. You can watch the March 31, 2014 performance of “Baretta” at Shibuya-AX for a good representation of it. He therefore is a truly low placed tenor. His voice started deepening towards NIL (“D.L.N”, “Hyena”), and even more past 2010 (“PLEDGE”). Due to the heaviness and thickness of his chest register even at its bottom, he can nicely blend it with a hint of fry seamlessly, especially on the low spoken/non-melodic parts that he loves to use (“Baretta”), as the amount of italic notes in the lows section implies. As for pure fry, he doesn’t have many instances of these as he will either slightly rely on it as previously stated, or create a creaky and rather weak in tone noise to serve the atmosphere of a passage rather than attempting to sing melodically with it (“Toguro”, “UNDYING”). It is nonetheless part of his style and is worth acknowledging in the thread.
Now moving on to his mid and high register, Ruki thrives in his chest register, especially in the mid and upper fourth octave, where he belts with fantastic, heavy tone, great agility, sustain ability and no real struggle. If anything, he just had a rare and slight huskiness on certain live performances (“LOSS” Yokohama Arena 2014/01/11). Speaking of concerts, he mainly uses his mix register when interacting with the crowd or shouting lyrics, especially between 2007 and 2011 (“Filth in the beauty” Yoyogi National Stadium First Gymnasium 2008/04/20, “AGONY” INAZUMA ROCK FES. 2011/09/18). It could be observed that his shouts became more and more distorted as a concert went, though (“Ruder” Tokyo Dome 2010/12/26). This could lead to thinking that he decided to heavily reduce these shouts to prevent vocal damage.
His falsetto is pretty breathy and rather seldom used but well controlled, mostly for short lines or flips to soften a passage (“Miseinen”), occasional back vocals in the lower and mid fifth octave, sustained rolled r’s (“Psychedelic Heroine”), or woo’s in live performances (which compose most of the highs in the questionable notes section by the way). He has been using his falsetto more on NINTH and MASS (“Falling”, “MOMENT”) in particular. Speaking of these two albums, he coincidentally used his low register much less on them, with only three out of the ten sung songs from the latter having significant low notes. Time will tell whether it was a preference for these two albums only or if it will become his style to use his low register less, despite how strong it is.
Due to the GazettE gradually evolving to a more metalcore sound and how they were always metal-influenced to begin with, Ruki quickly developed his Corey Taylor-inspired false cord screams (“[DIS]”). He also heavily used distortion on his microphone in early live performances, probably to serve his raw approach and his vision of visual kei (“Beautiful 5 [shit]ers” Shibuya-AX 2004/01/16). His screams started getting stronger and more distorted in the fifth octave in 2007, notably with the single Hyena (“BURIAL APPLICANT”), and in the fourth octave in 2009 especially with the release of DISTRESS AND COMA (“OGRE”). His live growls were more overtoney mid-range screams than actual growls for quite some time (“13STAIRS[-]1” Saitama Super Arena 2009/09/05), but he eventually gained the ability to growl properly by 2012. Starting from 2013 and even more obviously since DOGMA, his screams became even more ferocious (“DOGMA”, “UGLY”). He incorporated in his style short screams in the mid fifth octave right in the middle of sung sentences (“Uragiru Bero”), which gives a really incisive approach to his vocal lines and is coherent with the tight musicianship of his bandmates. As years passed, his screams lowered from mid (and a few occurrences of upper) fifth octave, to finally sit in the mid and upper fourth octave most of the time now (“HOLD”).
As for fry screams, he likes to switch to them at the end of passages or long notes since DOGMA, to darken the atmosphere of a moment, in “DEUX” or the remake of “D.L.N” for example. Probably inspired by Kyo, who’s known for his heavy use of whistle fry, Ruki seems to have tried learning this technique in early 2009 by doing the famous B5 in “HEADACHE MAN”, however with unimpressive tone. That being said, he made more overtone-y fry screams engaged with strong tone and great control (“The $ocial riot machine$” Shibuya-AX 2014/03/31) in 2014. That could lead to thinking he actually knows how to use whistle fry, but chooses not to make it part of his range of techniques and signature style. On the other hand, in live performances between 2015 and 2017, his screams seemed to have weakened slightly (despite gaining in distortion) with a few occurrences of distortion loss (“DEUX” Yoyogi National Stadium First Gymnasium 2016/02/28). Thankfully, he gained back full control and power on his screams by 2018 (“Falling” Yokohama Arena 2019/09/23).
Probably due to long term chainsmoking, overuse, and repeated shouting when interacting with the crowd, his voice’s deepness seems to have been affected. It is easy to realise it by just hearing him talk in interviews or documentary footage, where he regularly dips in the first octave with a rather creaky voice (curiously, he doesn’t sound like this when talking to the crowd, though). However, some early instances of his low larynx singing, in 2004 live performances for instance, show a tone that’s fairly close to his current (“Anata no Tame no Kono Inochi.” Shibuya O-EAST 2004/04/23 vs Yokohama Arena 2019/09/23), which implies he hasn’t really gone through a voice change, but rather found his style and what fits him best as durable technique through the band’s evolution. Coincidentally, as he mastered better breath support and balance in his larynx placement and healthier ways to play around with it without sounding strained, his voice sounded heavier even in his high register, and he got increasingly better and consistent live by the late 2000s, even on concerts of 2 hours and longer. He dealt with vocal fatigue in Fall 2021, most likely due to the band not performing live for 2 years, but thankfully got back on track very quickly to deliver solid performances once again. He admittedly is a little pitchy live, partially due to how pronounced his vibrato can get, but technique wise, he is a really tight singer with cleans and screams that are stronger than ever (“BLINDING HOPE” Tokyo Garden Theater 2021/12/23).
As a performer, Ruki has a commanding and engaging stage presence that’s always really pleasant to witness, with emotional vocal efforts, gestures to accompany his interpretations, such as falling on his knees, hitting and scratching his stand, hitting his chest, walking a certain way, doing furis (choreographies/movements done by fans in the visual kei scene), and so on. He is undeniably a very passionate artist who usually stays in his comfort zone but can effortlessly switch between multiple techniques and tones as he wishes to. Being one of the most charismatic figures of the Japanese music landscape for over 20 years now, Ruki still has beautiful years to come in his career to make us dream.
Significant High Notes (821)
C6 (“Kantou Dogeza Kumiai” Shibuya O-EAST 2004/04/23)
B5 (“HEADACHE MAN”, “LINDA～candydive Pinky heaven～”)
A5 (“AGONY” Yoyogi National Stadium First Gymnasium 2008/04/20, “Dorodarake no Seishun” Shibuya-AX 2004/01/16, “Ruder” Tokyo Dome 2010/12/26, “The $ocial riot machine$” Shibuya-AX 2014/03/31)
G♯5 (“32 Koukei no Kenjuu”, “Akai Kodou” Yoyogi National Stadium First Gymnasium 2008/04/20, “Akai One Piece” Yokohama Arena 2007/03/11, “Anti pop” Shibuya-AX 2014/03/31, “Bite to All”, “BIZARRE” Q House 2016/05/21, “DIM SCENE” Shinkiba STUDIO COAST 2014/08/04, “Filth in the beauty” Various Live Performances, “HEADACHE MAN” Tokyo Dome 2010/12/26, “Kar+te=zyAnose Unknown Live Track 4”, “Miseinen” Tokyo Dome 2010/12/26, “MY DEVIL ON THE BED” Toyosu PIT 2014/12/03, “Nausea & Shudder” Nippon Budokan 2010/07/22, “Oni no Men”, “Psychedelic Heroine” Yokohama Arena 2007/03/11, “Ruder”, “Taion” Yokohama Arena 2007/03/11)
G5 (“Akai One Piece” Various Live Performances, “COCKROACH” Various Live Performances, “DERANGEMENT” Tonhalle 2016/06/08, “DISCHARGE” Shibuya-AX 2014/03/31, “[DIS]” Yoyogi National Stadium First Gymnasium 2008/04/20, “HESITATING MEANS DEATH” Tokyo Dome 2010/12/26, “INSIDE BEAST” Various Live Performances, “Kantou Dogeza Kumiai” Various Live Performances, “LINDA～candydive Pinky heaven～” Yokohama Arena 2007/03/11, “MAD MARBLE HELL VISION” Shibuya O-EAST 2004/04/23, “Maggots” Yokohama Arena 2007/03/11, “SLUDGY CULT” Toyosu PIT 2014/12/03, “SWALLOWTAIL ON THE DEATH VALLEY” Yoyogi National Stadium First Gymnasium 2008/04/20)
F♯5 (“AGONY” Various Live Performances, “Akai One Piece”, “Back drop Junkie [nancy]”, “Beautiful 5 [shit]ers”, “☆BEST FRIENDS☆”, “BURIAL APPLICANT”, “COCKROACH” Various Live Performances, “DISCHARGE” Nippon Budokan 2010/07/22, “GABRIEL ON THE GALLOWS” Various Live Performances, “GO TO HELL” Nippon Budokan 2006/05/07, “HEADACHE MAN” Nippon Budokan 2010/07/22, “HESITATING MEANS DEATH” Nippon Budokan 2010/07/22, “HOLE”, “Hyena” Various Live Performances, “INCUBUS” Yokohama Arena 2019/09/23, “INSIDE BEAST” Yoyogi National Stadium First Gymnasium 2016/02/28, “Juuyonsai no Knife” Yonago BELIER 2006/02/27, “Kar+te=zyAnose Unknown Live Track 4”, “LEECH” Saitama Super Arena 2009/09/05, “LINDA～candydive Pinky heaven～” Yoyogi National Stadium First Gymnasium 2008/04/20, “LUCY” Yoyogi National Stadium First Gymnasium 2016/02/28, “Maggots” Various Live Performances, “Maximum Impulse” Shibuya-AX 2014/03/31, “THE MURDER’S TV” Shibuya-AX 2004/01/16, “Psychedelic Heroine”, “Rich Excrement” Yokohama Arena 2007/03/11, “Ruder” Nippon Budokan 2006/05/07, “THE SUICIDE CIRCUS” PlayStation Theater 2016/04/29, “TOMORROW NEVER DIES” Wiltern Theater 2016/05/03, “VENOMOUS SPIDER’S WEB” Yoyogi National Stadium First Gymnasium 2016/02/28, “Wife” Shibuya O-EAST 2004/04/23, “Worthless War”)
F5 (“13STAIRS[-]1” Nippon Budokan 2010/07/22, “Anti pop” club-G Gifu 2006/02/24, “ATTITUDE” Yoyogi National Stadium First Gymnasium 2016/02/28, “BARBARIAN”, “BIZARRE” Various Live Performances, “Black Spangle Gang”, “CIRCLE OF SWINDLER” Yoyogi National Stadium First Gymnasium 2008/04/20, “COCKROACH” Various Live Performances, “D.L.N” Fuji-Q Conifer Forest 2008/08/30, “DAWN” Toyosu PIT 2017/10/30, “Defective Tragedy”, “DIM SCENE” Tokyo Dome 2010/12/26, “Filth in the beauty” Fuji-Q Conifer Forest 2017/08/19, “GABRIEL ON THE GALLOWS” Fuji-Q Conifer Forest 2017/08/19, “GUSH” Yokohama Arena 2019/09/23, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Various Live Performances, “HEADACHE”, “INSIDE BEAST” Yoyogi National Stadium First Gymnasium 2022/03/10, “Kantou Dogeza Kumiai”, “Kar+te=zyAnose Unknown Live Track 2”, “LAST SONG”, “LEECH” Fuji-Q Conifer Forest 2008/08/30 / Nippon Budokan 2009/01/03, “MAD MARBLE HELL VISION”, “MOB 136 BARS”, “Psychedelic Heroine” Shibuya-AX 2014/03/31, “RAGE” Yoyogi National Stadium First Gymnasium 2016/02/28, “RUTHLESS DEED” Toyosu PIT 2014/12/03, “SxDxR” Shibuya-AX 2014/03/31, “SLUDGY CULT” Kishidan Banpaku 2014/09/14, “The $ocial riot machine$” Nippon Budokan 2010/07/22, “THE STUPID TINY INSECT”, “Taion” Nippon Budokan 2006/05/07, “Toguro” Yoyogi National Stadium First Gymnasium 2017/03/10, “TOMORROW NEVER DIES” Various Live Performances, “UGLY” Kishidan Banpaku 2018/09/16, “UNFINISHED” Yokohama Arena 2019/09/23, “VENOMOUS SPIDER’S WEB” Various Live Performances, “VERMIN” Yoyogi National Stadium First Gymnasium 2016/02/28, “VORTEX” INAZUMA ROCK FES. 2011/09/18, “Wife” Gozen Zeroji no Trauma Radio version)
E5 (“13STAIRS[-]1” Toyosu PIT 2017/10/30, “Akai One Piece”, “Anti pop” Aomori Quarter 2006/03/25, “ATTITUDE” Toyosu PIT 2014/12/03, “BABYLON’S TABOO”, “Back drop Junkie [nancy]” Shibuya-AX 2004/01/16, “BURIAL APPLICANT”, “DAWN”, “Defective Tragedy”, “DOGMA” Toyosu PIT 2017/10/30, “GO TO HELL” Yokohama Arena 2007/03/11, “Kantou Dogeza Kumiai”, “Kugutsue”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “INCUBUS”, “Juunanasai” Shibuya O-EAST 2004/04/23, “Hyena” Saitama Super Arena 2009/09/05, “IN THE MIDDLE OF CHAOS” Fuji-Q Conifer Forest 2017/08/19, “LAST SONG” Nippon Budokan 2023/07/15, “Machibouke no Kouen de…” Gozen Zeroji no Trauma Radio version, “Maximum Impulse” Yokohama Arena 2007/03/11, “Miseinen” Various Live Performances, “MOB 136 BARS”, “Naraku”, “NINTH ODD SMELL”, “NOX” Nippon Budokan 2023/07/15, “OGRE” Saitama Super Arena 2009/09/05, “Okuribi” Yougenkyou ～moon～ -mirrors of new generation- version, “PARALYSIS”, “RAGE” Toyosu PIT 2017/10/31, “ROLLIN’” Nippon Budokan 2023/07/15, “Ruder” Yoyogi National Stadium First Gymnasium 2008/04/20, “RUTHLESS DEED”, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ” Shibuya-AX 2014/03/31, “The $ocial riot machine$” Yokohama Arena 2007/03/11, “VERMIN” Various Live Performances, “VORTEX” Various Live Performances, “WASTELAND”, “舐～zetsu～” Yoyogi National Stadium First Gymnasium 2017/03/10)
E♭5 (“ABHOR GOD” Nippon Budokan 2023/07/15, “Akai One Piece”, “Anata no Tame no Kono Inochi.” Yokohama Arena 2019/09/23, “Anti pop”, “Back drop Junkie [nancy]”, “Bath Room”, “Beautiful 5 [shit]ers” / “Beautiful 5 [shit]ers” Shibuya-AX 2004/01/16, “BEFORE I DECAY” José Cuervo Salón 2013/09/06, “BLEMISH” Fuji-Q Conifer Forest 2017/08/19, “Chizuru” Izvestiya Hall 2016/06/12, “DEPRAVITY”, “DERANGEMENT” Toyosu PIT 2014/12/03, “DOGMA”, “Dorodarake no Seishun”, “Falling” Yoyogi National Stadium First Gymnasium 2022/03/10, “Filth in the beauty” Yoyogi National Stadium First Gymnasium 2008/04/20, “FORBIDDEN BEAVER”, “GUSH”, “Hyena”, “THE INVISIBLE WALL”, “Kugutsue” Yoyogi National Stadium First Gymnasium 2008/04/20, “LEECH”, “LUCY” Sun City Koshigaya City Hall 2015/10/04, “MAD MARBLE HELL VISION”, “MOB 136 BARS” Yoyogi National Stadium First Gymnasium 2008/04/20, “THE MORTAL” Various Live Performances, “THE MURDER’S TV” Shibuya O-EAST 2004/04/23, “MY DEVIL ON THE BED”, “NINTH ODD SMELL” / “NINTH ODD SMELL” Nippon Budokan 2023/07/15, “OMINOUS” Wiltern Theater 2016/05/03, “PSYCHOPATH” Toyosu PIT 2014/12/03, “REQUIRED MALFUNCTION” Toyosu PIT 2014/12/03, “ROLLIN’” Sun Plaza Hall 2022/06/05 + Nippon Budokan 2023/07/15, “SLUDGY CULT” JAPAN NIGHT in Taipei 2015/05/23, “Sono Koe wa Moroku”, “Sugar Pain” Yoyogi National Stadium First Gymnasium 2017/03/10, “THE SUICIDE CIRCUS” Zepp Nagoya 2018/11/21, “UGLY” Izvestiya Hall 2016/06/12, “UNCERTAIN SENSE”, “UNDYING” Yoyogi National Stadium First Gymnasium 2016/02/28, “UNFINISHED” Various Live Performances, “Wife” Shibuya-AX 2004/01/16, “Zakurogata no Yuuutsu”)
D5 (“AGONY”, “Anata no Tame no Kono Inochi.” Saitama Super Arena 2009/09/05, “Chizuru”, “CIRCLE OF SWINDLER”, “CLEVER MONKEY” Various Live Performances, “Daku” Nippon Budokan 2023/07/15, “Defective Tragedy”, “[DIS]”, “DISCHARGE” Various Live Performances, “Dorodarake no Seishun”, “FRENZY” Nippon Budokan 2023/07/15, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HOLD” Nippon Budokan 2023/07/15, “IN THE MIDDLE OF CHAOS” Saitama Super Arena 2009/09/05, “Kantou Dogeza Kumiai” Yokohama Arena 2014/01/11, “MAD MARBLE HELL VISION”, “Maggots”, “A MOTH UNDER THE SKIN”, “Nausea & Shudder” Fuji-Q Conifer Forest 2017/08/19, “NO.[666]” Shibuya O-EAST 2004/04/23, “Okuribi” Japanesque Rock Collectionz version, “THE PALE” Nippon Budokan 2023/07/15, “Red” Toyosu PIT 2014/12/03, “ROLLIN’”, “Ruder”, “THE STUPID TINY INSECT”, “Sugar Pain”, “TWO OF A KIND” Yokohama Arena 2019/09/23, “UGLY” Toyosu PIT 2017/10/31 + Nippon Budokan 2023/07/15, “Uragiru Bero”, “UNTIL IT BURNS OUT” Yokohama Arena 2014/01/11, “舐～zetsu～”)
C♯5 (“13STAIRS[-]1”, “Akai Kodou”, “Akai One Piece” Nippon Budokan 2006/05/07, “Anti pop”, “Back drop Junkie [nancy]”, “BARBARIAN” / “BARBARIAN” Nippon Budokan 2023/07/15, “BLEMISH”, “BLINDING HOPE”, “BURIAL APPLICANT”, “DEUX” Toyosu PIT 2017/10/30, “DEVOURING ONE ANOTHER”, “DISTORTED DAYTIME”, “DOGMA”, “Falling”, “HOLD” Nippon Budokan 2023/07/15, “THE INVISIBLE WALL”, “Kugutsue”, “Juuyonsai no Knife” Yoyogi National Stadium First Gymnasium 2017/03/10, “LEECH”, “Maximum Impulse” Shibuya Koukaidou 2005/04/17, “Miseinen”, “A MOTH UNDER THE SKIN”, “「Mourou」”, “NINTH ODD SMELL”, “NOX”, “RUTHLESS DEED”, “SxDxR”, “The $ocial riot machine$”, “Sono Koe wa Moroku” Various Live Performances, “UNCERTAIN SENSE”, “VENOMOUS SPIDER’S WEB” Various Live Performances, “Wife” Gozen Zeroji no Trauma Radio version)
C5 (“ABHOR GOD” PlayStation Theater 2019/05/06, “Anti pop”, “BABYLON’S TABOO”, “BARBARIAN”, “Beautiful 5 [shit]ers”, “BEFORE I DECAY” Various Live Performances, “Carry?” OSAKA BIG-CAT 2004/12/27, “Chijou”, “COCKROACH”, “C.Y.HEAD”, “DERACINE”, “DEUX” Yoyogi National Stadium First Gymnasium 2016/02/28, “[DIS]” Shibuya-AX 2004/01/16, “DISCHARGE”, “DRIPPING INSANITY”, “FADELESS” Fuji-Q Conifer Forest 2017/08/19, “Filth in the beauty”, “FRENZY”, “GABRIEL ON THE GALLOWS” / “GABRIEL ON THE GALLOWS” Yokohama Arena 2019/09/23, “GRUDGE”, “Hedoro” Saitama Super Arena 2013/03/10, “HESITATING MEANS DEATH”, “IN BLOSSOM”, “INSIDE BEAST”, “Kantou Dogeza Kumiai”, “Karasu” Yokohama Arena 2014/01/11, “Kawareta Haru, Kawarenu Haru”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “Machibouke no Kouen de…” Otoko Danketsu Shuri version, “MAD MARBLE HELL VISION”, “MOB 136 BARS”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nausea & Shudder” Shibuya-AX 2014/03/31, “NINTH ODD SMELL”, “Psychedelic Heroine”, “PSYCHOPATH”, “Ray”, “REDO”, “REQUIRED MALFUNCTION”, “ROLLIN’”, “Saraba”, “SxDxR” Shibuya-AX 2014/03/31, “Sentimental na Onigokko” Yoyogi National Stadium First Gymnasium 2017/03/10, “THE SUICIDE CIRCUS” Kanagawa Kenmin Hall 2015/09/14, “Taion” TRACES VOL.2 version, “The $ocial riot machine$”, “Sumire”, “Toguro”, “UNDYING”, “VACANT”, “WASTELAND”, “Wife”)
B4 (“Akai Kodou”, “ATTITUDE” Nippon Budokan 2015/03/10, “Back drop Junkie [nancy]”, “Beautiful 5 [shit]ers”, “BEFORE I DECAY”, “☆BEST FRIENDS☆” Shibuya-AX 2004/01/16, “Bite to All”, “BLEMISH”, “Carry?” / “Carry?” Shibuya Koukaidou 2005/04/17, “Cassis”, “Chigire”, “COCKROACH”, “Daku”, “DAWN” Nippon Budokan 2023/07/15, “DISCHARGE”, “Falling”, “GRUDGE”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “Hedoro”, “Ibitsu”, “THE INVISIBLE WALL”, “Ito”, “Kantou Dogeza Kumiai”, “Katherine in the trunk”, “「Kore de Yokattan Desu...」”, “Kuroku Sunda Sora to Zangai to Kataba” Yokohama Arena 2014/01/11, “LAST SONG”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “Maximum Impulse”, “MOMENT”, “Nakigahara”, “NOX”, “PARALYSIS”, “Psychedelic Heroine”, “QUIET”, “reila”, “Ruder”, “SxDxR”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SILLY GOD DISCO”, “SLUDGY CULT” Asahikawa Civic Culture Hall 2016/01/07, “The $ocial riot machine$”, “Sono Koe wa Moroku”, “Sugar Pain”, “Taion” TRACES VOL.2 version, “UNDYING”, “UNFINISHED”, “UNTIL IT BURNS OUT”, “Uragiru Bero”, “Worthless War”, “舐～zetsu～”)
B♭4 (“ABHOR GOD”, “Baretta”, “BLINDING HOPE”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “Chijou”, “CLEVER MONKEY” Yokohama Arena 2019/09/23, “Crucify Sorrow”, “Daku” / “Daku” Nippon Budokan 2023/07/15, “DAWN”, “Defective Tragedy”, “DEPRAVITY”, “DERANGEMENT”, “DEUX”, “DISTRESS AND COMA”, “DOGMA”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “GABRIEL ON THE GALLOWS”, “HEADACHE MAN”, “HESITATING MEANS DEATH”, “IN BLOSSOM”, “INCUBUS”, “INSIDE BEAST”, “Katherine in the trunk”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “LAST HEAVEN”, “LEECH”, “LUCY”, “Maggots”, “A MOTH UNDER THE SKIN”, “Nakigahara”, “NINTH ODD SMELL”, “OMINOUS”, “THE PALE”, “RAGE”, “Red”, “REQUIRED MALFUNCTION” Saitama Super Arena 2013/03/10, “Rich Excrement”, “ROLLIN’”, “RUTHLESS DEED”, “TOMORROW NEVER DIES”, “TWO OF A KIND”, “UGLY”, “UNCERTAIN SENSE”, “UNDYING”, “UNFINISHED”, “UNTITLED” TOXIC version / TRACES VOL.2 version, “UNTIL IT BURNS OUT”, “Uragiru Bero”, “Utsu Semi”, “Wakaremichi”, “Wife” Gozen Zeroji no Trauma Radio version / Akuyuukai version, “Yoin”)
A4 (“ABHOR GOD”, “AGONY” Various Live Performances, “Akai Kodou”, “Anata no Tame no Kono Inochi.”, “ATTITUDE”, “BABYLON’S TABOO”, “BARBARIAN”, “☆BEST FRIENDS☆”, “Bite to All”, “BIZARRE”, “Black Spangle Gang”, “BLINDING HOPE”, “BURIAL APPLICANT”, “CALM ENVY”, “Carry?”, “Cassis” Single and NIL versions / TRACES VOL.2 version, “Chigire”, “Chizuru”, “CIRCLE OF SWINDLER”, “Crucify Sorrow”, “COCKROACH”, “C.Y.HEAD”, “D.L.N”, “DERACINE”, “DIM SCENE”, “[DIS]”, “Dorodarake no Seishun”, “Falling”, “FORBIDDEN BEAVER”, “GO TO HELL” Nippon Budokan 2006/05/07, “GODDESS”, “GRUDGE”, “Hanakotoba”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HEADACHE”, “HEADACHE MAN”, “Hedoro”, “HESITATING MEANS DEATH”, “HOLE”, “Hyena”, “IN THE MIDDLE OF CHAOS”, “THE INVISIBLE WALL”, “Ito”, “Juunanasai”, “Kage Fumi”, “Kago no Sanagi”, “Kar+te=zyAnose Unknown Live Track 4”, “Karasu”, “Kare Uta”, “Kawareta Haru, Kawarenu Haru”, “Kugutsue”, “Kyomu no Owari Hakozume no Mokushi”, “Kuroku Sunda Sora to Zangai to Kataba”, “Last bouquet”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “Maggots”, “MALUM”, “Miseinen”, “MOB 136 BARS”, “THE MORTAL”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nausea & Shudder”, “NINTH ODD SMELL” DEMO, “NO.[666]”, “OGRE”, “Okuribi”, “THE PALE”, “PARALYSIS”, “QUIET”, “RAGE”, “Red MoteL”, “REDO”, “Ruder”, “Saraba”, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SHAKIN’ LOVE”, “Shiawase na Hibi”, “Shichigatsu Youka”, “Shunsetsu no Koro”, “SILLY GOD DISCO”, “The $ocial riot machine$”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Sumire”, “Taion” TRACES VOL.2 version, “TO DAZZLING DARKNESS”, “TOMORROW NEVER DIES”, “TWO OF A KIND”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “UNDYING”, “Uragiru Bero”, “Uzuku Aza to Igamu Ura”, “VACANT”, “VOICELESS FEAR”, “VORTEX”, “Wife” Akuyuukai version, “WITHOUT A TRACE”, “Zakurogata no Yuuutsu”, “舐～zetsu～”)
G♯4 (“ABHOR GOD”, “AGONY”, “Akai One Piece”, “Anti pop”, “Bath Room”, “BEFORE I DECAY”, “BLEMISH”, “BLINDING HOPE”, “BREAK ME”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “Chijou”, “CLEVER MONKEY”, “Daku”, “D.L.N”, “DAWN”, “DEPRAVITY”, “DERANGEMENT”, “DEUX”, “DISTRESS AND COMA”, “DOGMA”, “DRIPPING INSANITY” Toyosu PIT 2017/10/30, “FADELESS”, “Falling”, “Filth in the beauty” Various Live Performances, “FRENZY”, “GODDESS”, “Guren” TRACES VOL.2 version, “HEADACHE”, “Hedoro”, “HESITATING MEANS DEATH”, “HOLD”, “Hyena”, “IN BLOSSOM”, “Ibitsu”, “IN THE MIDDLE OF CHAOS”, “INCUBUS”, “Ito”, “Kage Fumi”, “Karasu”, “Katherine in the trunk”, “Last bouquet”, “LAST HEAVEN”, “LAST SONG”, “LIVE IN SUMMER 17 BURST INTO A BLAZE 3 SE”, “LUCY”, “Mayakashi”, “Miseinen”, “MOMENT”, “THE MORTAL”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nakigahara”, “Naraku”, “NINTH ODD SMELL”, “NOX”, “OGRE”, “OMINOUS”, “PSYCHOPATH”, “Red”, “REMEMBER THE URGE”, “REQUIRED MALFUNCTION”, “Rich Excrement”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SHAKIN’ LOVE”, “Shichigatsu Youka”, “Shunsetsu no Koro”, “SLUDGY CULT”, “Sono Koe wa Moroku”, “THE STUPID TINY INSECT”, “THE SUICIDE CIRCUS”, “Sumire”, “TOMORROW NEVER DIES”, “Toguro”, “THE TRUE MURDEROUS INTENT”, “TWO OF A KIND”, “UGLY”, “AN UNBEARABLE FACT”, “UNDYING”, “UNFINISHED”, “UNTIL IT BURNS OUT”, “UNTITLED”, “Uragiru Bero”, “Utsu Semi”, “Uzuku Aza to Igamu Ura”, “VENOMOUS SPIDER’S WEB”, “VORTEX”, “Wakaremichi”, “Worthless War”, “Yoin”)
G4 (“13STAIRS[-]1”, “32 Koukei no Kenjuu”, “AGONY”, “Akai Kodou”, “Anata no Tame no Kono Inochi.”, “ATTITUDE”, “BABYLON’S TABOO”, “Back drop Junkie [nancy]”, “BARBARIAN”, “Baretta”, “BEFORE I DECAY”, “BIZARRE”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “☆BEST FRIENDS☆”, “Bite to All”, “BURIAL APPLICANT”, “Carry?”, “Cassis”, “Chigire”, “Chijou”, “Chizuru”, “CLEVER MONKEY”, “Crucify Sorrow”, “C.Y.HEAD”, “D.L.N”, “DAWN”, “Defective Tragedy”, “DERACINE”, “DERANGEMENT”, “DIM SCENE”, “DISTORTED DAYTIME”, “DISTRESS AND COMA”, “Falling”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “FRENZY”, “GABRIEL ON THE GALLOWS”, “Ganges ni Akai Bara”, “GENTLE LIE”, “GRUDGE”, “GUSH”, “Hanakotoba”, “Hedoro”, “HOLD”, “HOLE”, “IN BLOSSOM”, “INSIDE BEAST”, “Ito”, “Juunanasai”, “Juuyonsai no Knife”, “Kago no Sanagi”, “Kar+te=zyAnose Unknown Live Track 2”, “Kare Uta” Verwelktes Gedicht version / TRACES VOL.2 version, “Kawareta Haru, Kawarenu Haru”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “MALUM”, “Maximum Impulse”, “MY DEVIL ON THE BED”, “Nausea & Shudder”, “Okuribi”, “Oni no Men”, “THE PALE”, “PARALYSIS”, “PLEDGE”, “QUIET”, “RAGE”, “Ray”, “REDO”, “REGRET”, “reila” Single version / TRACES VOL.2 version, “REMEMBER THE URGE”, “ROLLIN’”, “RUTHLESS DEED”, “Saraba”, “SxDxR”, “Sentimental na Onigokko”, “SHAKIN’ LOVE”, “Shiawase na Hibi”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “SHIVER”, “THE STUPID TINY INSECT”, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion” NIL version / TRACES VOL.2 version, “TO DAZZLING DARKNESS”, “TOMORROW NEVER DIES” / “TOMORROW NEVER DIES” Nakano Sun Plaza 2022/07/14, “Toukyou Shinjuu”, “THE TRUE MURDEROUS INTENT”, “TWO OF A KIND”, “UGLY”, “UNTIL IT BURNS OUT”, “Uzuku Aza to Igamu Ura”, “UNCERTAIN SENSE”, “UNFINISHED”, “VACANT”, “VOICELESS FEAR”, “Wakaremichi”, “WASTELAND”, “Wife” Akuyuukai version, “WITHOUT A TRACE”, “Worthless War”, “Yoin”, “Zakurogata no Yuuutsu”)
F♯4 (“13STAIRS[-]1”, “32 Koukei no Kenjuu”, “99.999”, “ABHOR GOD”, “AGONY”, “Akai One Piece”, “ATTITUDE”, “BEFORE I DECAY”, “☆BEST FRIENDS☆”, “Black Spangle Gang”, “BLEMISH”, “BLINDING HOPE”, “BREAK ME”, “CALM ENVY”, “Carry?”, “Chizuru”, “CIRCLE OF SWINDLER”, “COCKROACH”, “C.Y.HEAD”, “Daku”, “DEPRAVITY”, “DERACINE”, “DEVOURING ONE ANOTHER”, “DIM SCENE”, “DISCHARGE”, “DISTORTED DAYTIME”, “DOGMA”, “Dorodarake no Seishun”, “FADELESS”, “GO TO HELL” Various Live Performances, “GRUDGE”, “Guren”, “GUSH”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HEADACHE”, “HEADACHE MAN”, “HOLE”, “Ibitsu”, “IN THE MIDDLE OF CHAOS”, “INCUBUS”, “THE INVISIBLE WALL”, “Juuyonsai no Knife”, “Karasu”, “「Kore de Yokattan Desu...」”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “LAST HEAVEN”, “LAST SONG”, “LEECH”, “LOSS”, “LUCY”, “Maggots”, “MALUM”, “Maximum Impulse”, “Miseinen” Various Live Performances, “MOB 136 BARS”, “MOMENT”, “THE MORTAL”, “A MOTH UNDER THE SKIN”, “Nakigahara”, “Namaatatakai Ame to Zaratsuita Jounetsu”, “Naraku”, “NO.[666]”, “NOX”, “OMINOUS”, “PARALYSIS”, “PSYCHOPATH”, “QUIET”, “RAGE”, “Red MoteL”, “Red”, “reila”, “REMEMBER THE URGE”, “REQUIRED MALFUNCTION”, “SxDxR”, “Shiawase na Hibi”, “SHIVER”, “Shunsetsu no Koro”, “SLUDGY CULT”, “Sono Koe wa Moroku”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Taion” NIL version, “TO DAZZLING DARKNESS”, “Toguro”, “TOMORROW NEVER DIES”, “Toukyou Shinjuu”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “Utsu Semi”, “VENOMOUS SPIDER’S WEB”, “VERMIN”, “VORTEX”, “Wife” Gozen Zeroji no Trauma Radio version, “舐～zetsu～”)
Significant Low Notes (367)
C♯3 (“BREAK ME”, “CALM ENVY”, “Carry?”, “Cassis”, “Daku”, “DRIPPING INSANITY”, “Ganges ni Akai Bara” Tokyo Dome 2010/12/26, “Guren”, “GUSH”, “Happy Birthday to Aoi” Wakayama Municipal Auditorium 2016/01/23, “Hyena”, “Kage Fumi”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “LAST HEAVEN”, “LAST SONG”, “LEECH”, “LUCY”, “Mayakashi”, “Miseinen”, “Naraku”, “NINTH ODD SMELL”, “A MOTH UNDER THE SKIN”, “OMINOUS”, “REMEMBER THE URGE”, “SHADOW Ⅵ Ⅱ Ⅰ”, “Sono Koe wa Moroku”, “Toguro”, “AN UNBEARABLE FACT”, “UNFINISHED”, “UNTITLED”, “Wakaremichi” Various Live Performances)
C3 (“ATTITUDE”, “BABYLON’S TABOO”, “Baretta”, “Bath Room”, “BIZARRE”, “Chigire”, “COCKROACH”, “Crucify Sorrow”, “D.L.N”, “DAWN”, “DERANGEMENT”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “GENTLE LIE”, “IN BLOSSOM”, “INSIDE BEAST”, “Ito”, “Kar+te=zyAnose Unknown Live Track 2”, “Kare Uta”, “LINDA～candydive Pinky heaven～” Makuhari Messe 2012/03/10, “Mayakashi”, “Nausea & Shudder”, “Oni no Men”, “PSYCHOPATH”, “REDO”, “Sentimental na Onigokko”, “THE STUPID TINY INSECT”, “THE TRUE MURDEROUS INTENT”, “Wife” Akuyuukai version, “Yoin”, “Zakurogata no Yuuutsu”)
B2 (“13STAIRS[-]1”, “Akai Kodou”, “Akai One Piece”, “ATTITUDE”, “Back drop Junkie [nancy]”, “BREAK ME”, “BURIAL APPLICANT”, “Carry?”, “COCKROACH”, “C.Y.HEAD”, “DEVOURING ONE ANOTHER”, “DIM SCENE”, “Falling”, “GODDESS”, “HOLE”, “Ito” TRACES VOL.2 version, “Juuyonsai no Knife”, “Kage Fumi” Toyosu PIT 2014/12/03, “Kago no Sanagi”, “Kantou Dogeza Kumiai”, “Kugutsue” Yoyogi National Stadium First Gymnasium 2008/04/20, “LOSS”, “LUCY”, “Machibouke no Kouen de…” Gozen Zeroji no Trauma Radio version, “Maggots”, “A MOTH UNDER THE SKIN”, “OGRE” Shinkiba STUDIO COAST 2014/08/04, “Okuribi”, “REGRET”, “reila”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “Shunsetsu no Koro”, “SILLY GOD DISCO”, “Sugar Pain”, “Taion” TRACES VOL.2 version, “Toguro”, “TOMORROW NEVER DIES”, “Toukyou Shinjuu”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “VACANT”, “WASTELAND”, “WITHOUT A TRACE”, “[XI]”, “舐～zetsu～”)
B♭2 (“Chijou”, “Daku”, “DEPRAVITY”, “DERANGEMENT”, “FADELESS”, “Kar+te=zyAnose Unknown Live Track 4”, “Last bouquet”, “LAST HEAVEN”, “LEECH”, “THE MORTAL”, “OMINOUS”, “Oni no Men”, “Psychedelic Heroine” Yokohama Arena 2007/03/11, “REQUIRED MALFUNCTION”, “RUTHLESS DEED”, “THE TRUE MURDEROUS INTENT”, “UGLY”, “VOICELESS FEAR”, “VORTEX”, “Yoin”)
A2 (“13STAIRS[-]1”, “AGONY”, “Akai Kodou”, “Akai One Piece”, “Anata no Tame no Kono Inochi.”, “Baretta”, “BEFORE I DECAY”, “☆BEST FRIENDS☆”, “Back drop Junkie [nancy]”, “Black Spangle Gang”, “BURIAL APPLICANT”, “Cassis”, “Chigire”, “Chizuru”, “Crucify Sorrow”, “C.Y.HEAD”, “DEVOURING ONE ANOTHER”, “[DIS]”, “FRENZY”, “FROM THE DISTORTED CITY” Live SE, “GENTLE LIE”, “GRUDGE”, “Hanakotoba”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Various Live Performances, “HOLE”, “INCUBUS”, “Ito” TRACES VOL.2 version, “Juunanasai” Sanjuunisai Dokushin version, “Juunanasai” 2006 version, “Kago no Sanagi”, “Kare Uta”, “「Kore de Yokattan Desu...」”, “Kyomu no Owari Hakozume no Mokushi”, “MAD MARBLE HELL VISION”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Okuribi” Yougenkyou ～moon～ -mirrors of new generation- version, “Psychedelic Heroine” Makuhari Messe 2012/03/10, “RAGE”, “reila”, “Ruder”, “RUTHLESS DEED”, “Saraba”, “Sentimental na Onigokko”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “SILLY GOD DISCO”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Sumire”, “Toukyou Shinjuu”, “UNDYING”, “Uzuku Aza to Igamu Ura”, “VORTEX”, “Wakaremichi” Single version, “WASTELAND”, “WITHOUT A TRACE”)
G♯2 (“ART DRAWN BY VOMIT”, “CALM ENVY”, “Chijou” Yokohama Arena 2012/01/14, “DISCHARGE”, “DAWN”, “DOGMA”, “Filth in the beauty” Kishidan Banpaku 2012/09/17, “GODDESS”, “Guren”, “Hyena”, “IN THE MIDDLE OF CHAOS”, “Kyomu no Owari Hakozume no Mokushi”, “LEECH”, “Maggots”, “Miseinen”, “Nakigahara”, “NINTH ODD SMELL”, “PLEDGE” Single and TOXIC versions, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ” Shibuya-AX 2014/03/31, “THE SUICIDE CIRCUS”, “Toguro”, “UGLY” Yokohama Arena 2019/09/23, “UNTITLED”, “VERMIN”)
G2 (“ATTITUDE” Nippon Budokan 2023/07/15, “Bite to All”, “BABYLON’S TABOO” Yokohama Arena 2019/09/23, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “D.L.N” NIL version / TRACES VOL.2 version, “DERANGEMENT”, “DISTRESS AND COMA”, “Dorodarake no Seishun”, “Defective Tragedy”, “THE END”, “GODDESS” Yoyogi National Stadium First Gymnasium 2016/02/28, “IN BLOSSOM”, “INSIDE BEAST”, “intro” DISORDER, “Juunanasai” 2006 version, “Juuyonsai no Knife”, “Kare Uta” TRACES VOL.2 version, “「Kore de Yokattan Desu...」”, “Last bouquet”, “Nausea & Shudder”, “Okuribi” Japanesque Rock Collectionz version, “PARALYSIS”, “REDO”, “The $ocial riot machine$” Saitama Super Arena 2009/09/05, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion”, “THE TRUE MURDEROUS INTENT”, “UGLY” Nippon Budokan 2023/07/15, “Uragiru Bero” Yokohama Arena 2019/09/23, “Uzuku Aza to Igamu Ura”, “VENOMOUS SPIDER’S WEB” Saitama Super Arena 2013/03/10, “Wakaremichi” Makuhari Messe 2012/03/10, “Zakurogata no Yuuutsu”)
F♯2 (“32 Koukei no Kenjuu”, “AGONY”, “BIZARRE”, “BREAK ME”, “CALM ENVY”, “Carry?”, “Cassis”, “CODA”, “COCKROACH”, “Defective Tragedy”, “DERACINE”, “DEVOURING ONE ANOTHER”, “DIM SCENE” Saitama Super Arena 2009/09/05, “DOGMA”, “GENTLE LIE”, “HESITATING MEANS DEATH”, “HOLE”, “Ibitsu”, “Kago no Sanagi” Saitama Super Arena 2013/03/10, “Kantou Dogeza Kumiai”, “Kugutsue”, “LINDA～candydive Pinky heaven～”, “Maximum Impulse”, “Nakigahara” Saitama Super Arena 2009/09/05, “Naraku” Nippon Budokan 2010/07/22, “NINTH ODD SMELL” DEMO, “OGRE”, “OMEGA”, “PARALYSIS”, “PSYCHOPATH”, “SHADOW Ⅵ Ⅱ Ⅰ”, “Shichigatsu Youka”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Taion” TRACES VOL.2 version, “TWO OF A KIND”, “Uragiru Bero”, “VERMIN” Toyosu PIT 2014/12/03, “Zakurogata no Yuuutsu”)
F2 (“Bath Room”, “BEFORE I DECAY”, “DAWN”, “DIM SCENE” Tokyo Dome 2010/12/26, “[DIS]”, “Disorder heaven”, “GABRIEL ON THE GALLOWS”, “Guren” Single and DIM versions, “Kyomu no Owari Hakozume no Mokushi”, “Maggots”, “Machibouke no Kouen de…” Gozen Zeroji Trauma Radio version, “MAD MARBLE HELL VISION”, “THE MURDER’S TV”, “Red”, “Saraba”, “Shiroki Yuuutsu” TRACES VOL.2 version, “Toukyou Shinjuu”, “Worthless War”)
E2 (“ART DRAWN BY VOMIT”, “ATTITUDE” Saitama Super Arena 2013/03/10, “BABYLON’S TABOO”, “Bath Room” Tokyo Dome 2010/12/26, “Beautiful 5 [shit]ers”, “CALM ENVY”, “C.Y.HEAD”, “Disorder heaven”, “DRIPPING INSANITY” Toyosu PIT 2017/10/30, “HEADACHE MAN”, “intro” DISORDER, “Juuyonsai no Knife”, “MALUM”, “REGRET”, “RUTHLESS DEED”, “Shiroki Yuuutsu” Saitama Super Arena 2009/09/05, “SLUDGY CULT”, “AN UNBEARABLE FACT”, “WITHOUT A TRACE” Demo and DISTRESS AND COMA versions / TRACES VOL.2 version)
E♭2 (“Akai Kodou”, “CLEVER MONKEY”, “DERANGEMENT”, “DOGMA”, “Guren” Single and DIM versions, “Ibitsu”, “THE INVISIBLE WALL”, “LINDA～candydive Pinky heaven～”, “A MOTH UNDER THE SKIN”, “OMINOUS”, “RUTHLESS DEED”, “TOUR 11 TWO CONCEPT EIGHT NIGHTS ABYSS / LUCY SE”, “舐～zetsu～”)
D2 (“GABRIEL ON THE GALLOWS”, “Ganges ni Akai Bara” Yoyogi National Stadium First Gymnasium 2022/03/10, “HEADACHE MAN” Tokyo Dome 2010/12/26, “INFUSE INTO”, “Kyomu no Owari Hakozume no Mokushi”, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion” NIL version, “WITHOUT A TRACE” DISTRESS AND COMA version)
C♯2 (“13STAIRS[-]1”, “CODA”, “THE END”, “GABRIEL ON THE GALLOWS”, “THE INVISIBLE WALL” Saitama Super Arena 2009/09/05, “RUTHLESS DEED” Yokohama Arena 2012/01/14, “SHIVER”, “VENOMOUS SPIDER’S WEB”, “UNDYING”, “VORTEX”)
C2 (“DEVOURING ONE ANOTHER”, “FROM THE DISTORTED CITY” Live SE, “INSIDE BEAST”, “MALFORMED BOX”, “PARALYSIS”, “TOUR 11 TWO CONCEPT EIGHT NIGHTS ABYSS / LUCY SE”)
B1 (“13STAIRS[-]1”, “Carry?”, “DEVOURING ONE ANOTHER”, “CLEVER MONKEY”, “Sugar Pain”)
B♭1 (“FORBIDDEN BEAVER”, “OMINOUS” Yoyogi National Stadium First Gymnasium 2016/02/28, “VERMIN”)
A1 (“Baretta”, “WASTELAND”)
C6 (“Kantou Dogeza Kumiai” Shibuya O-EAST 2004/04/23)
B5 (“HEADACHE MAN”, “LINDA～candydive Pinky heaven～”)
A5 (“AGONY” Yoyogi National Stadium First Gymnasium 2008/04/20, “Dorodarake no Seishun” Shibuya-AX 2004/01/16, “Ruder” Tokyo Dome 2010/12/26, “The $ocial riot machine$” Shibuya-AX 2014/03/31)
G♯5 (“32 Koukei no Kenjuu”, “Akai Kodou” Yoyogi National Stadium First Gymnasium 2008/04/20, “Akai One Piece” Yokohama Arena 2007/03/11, “Anti pop” Shibuya-AX 2014/03/31, “Bite to All”, “BIZARRE” Q House 2016/05/21, “DIM SCENE” Shinkiba STUDIO COAST 2014/08/04, “Filth in the beauty” Various Live Performances, “HEADACHE MAN” Tokyo Dome 2010/12/26, “Kar+te=zyAnose Unknown Live Track 4”, “Miseinen” Tokyo Dome 2010/12/26, “MY DEVIL ON THE BED” Toyosu PIT 2014/12/03, “Nausea & Shudder” Nippon Budokan 2010/07/22, “Oni no Men”, “Psychedelic Heroine” Yokohama Arena 2007/03/11, “Ruder”, “Taion” Yokohama Arena 2007/03/11)
G5 (“Akai One Piece” Various Live Performances, “COCKROACH” Various Live Performances, “DERANGEMENT” Tonhalle 2016/06/08, “DISCHARGE” Shibuya-AX 2014/03/31, “[DIS]” Yoyogi National Stadium First Gymnasium 2008/04/20, “HESITATING MEANS DEATH” Tokyo Dome 2010/12/26, “INSIDE BEAST” Various Live Performances, “Kantou Dogeza Kumiai” Various Live Performances, “LINDA～candydive Pinky heaven～” Yokohama Arena 2007/03/11, “MAD MARBLE HELL VISION” Shibuya O-EAST 2004/04/23, “Maggots” Yokohama Arena 2007/03/11, “SLUDGY CULT” Toyosu PIT 2014/12/03, “SWALLOWTAIL ON THE DEATH VALLEY” Yoyogi National Stadium First Gymnasium 2008/04/20)
F♯5 (“AGONY” Various Live Performances, “Akai One Piece”, “Back drop Junkie [nancy]”, “Beautiful 5 [shit]ers”, “☆BEST FRIENDS☆”, “BURIAL APPLICANT”, “COCKROACH” Various Live Performances, “DISCHARGE” Nippon Budokan 2010/07/22, “GABRIEL ON THE GALLOWS” Various Live Performances, “GO TO HELL” Nippon Budokan 2006/05/07, “HEADACHE MAN” Nippon Budokan 2010/07/22, “HESITATING MEANS DEATH” Nippon Budokan 2010/07/22, “HOLE”, “Hyena” Various Live Performances, “INCUBUS” Yokohama Arena 2019/09/23, “INSIDE BEAST” Yoyogi National Stadium First Gymnasium 2016/02/28, “Juuyonsai no Knife” Yonago BELIER 2006/02/27, “Kar+te=zyAnose Unknown Live Track 4”, “LEECH” Saitama Super Arena 2009/09/05, “LINDA～candydive Pinky heaven～” Yoyogi National Stadium First Gymnasium 2008/04/20, “LUCY” Yoyogi National Stadium First Gymnasium 2016/02/28, “Maggots” Various Live Performances, “Maximum Impulse” Shibuya-AX 2014/03/31, “THE MURDER’S TV” Shibuya-AX 2004/01/16, “Psychedelic Heroine”, “Rich Excrement” Yokohama Arena 2007/03/11, “Ruder” Nippon Budokan 2006/05/07, “THE SUICIDE CIRCUS” PlayStation Theater 2016/04/29, “TOMORROW NEVER DIES” Wiltern Theater 2016/05/03, “VENOMOUS SPIDER’S WEB” Yoyogi National Stadium First Gymnasium 2016/02/28, “Wife” Shibuya O-EAST 2004/04/23, “Worthless War”)
F5 (“13STAIRS[-]1” Nippon Budokan 2010/07/22, “Anti pop” club-G Gifu 2006/02/24, “ATTITUDE” Yoyogi National Stadium First Gymnasium 2016/02/28, “BARBARIAN”, “BIZARRE” Various Live Performances, “Black Spangle Gang”, “CIRCLE OF SWINDLER” Yoyogi National Stadium First Gymnasium 2008/04/20, “COCKROACH” Various Live Performances, “D.L.N” Fuji-Q Conifer Forest 2008/08/30, “DAWN” Toyosu PIT 2017/10/30, “Defective Tragedy”, “DIM SCENE” Tokyo Dome 2010/12/26, “Filth in the beauty” Fuji-Q Conifer Forest 2017/08/19, “GABRIEL ON THE GALLOWS” Fuji-Q Conifer Forest 2017/08/19, “GUSH” Yokohama Arena 2019/09/23, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Various Live Performances, “HEADACHE”, “INSIDE BEAST” Yoyogi National Stadium First Gymnasium 2022/03/10, “Kantou Dogeza Kumiai”, “Kar+te=zyAnose Unknown Live Track 2”, “LAST SONG”, “LEECH” Fuji-Q Conifer Forest 2008/08/30 / Nippon Budokan 2009/01/03, “MAD MARBLE HELL VISION”, “MOB 136 BARS”, “Psychedelic Heroine” Shibuya-AX 2014/03/31, “RAGE” Yoyogi National Stadium First Gymnasium 2016/02/28, “RUTHLESS DEED” Toyosu PIT 2014/12/03, “SxDxR” Shibuya-AX 2014/03/31, “SLUDGY CULT” Kishidan Banpaku 2014/09/14, “The $ocial riot machine$” Nippon Budokan 2010/07/22, “THE STUPID TINY INSECT”, “Taion” Nippon Budokan 2006/05/07, “Toguro” Yoyogi National Stadium First Gymnasium 2017/03/10, “TOMORROW NEVER DIES” Various Live Performances, “UGLY” Kishidan Banpaku 2018/09/16, “UNFINISHED” Yokohama Arena 2019/09/23, “VENOMOUS SPIDER’S WEB” Various Live Performances, “VERMIN” Yoyogi National Stadium First Gymnasium 2016/02/28, “VORTEX” INAZUMA ROCK FES. 2011/09/18, “Wife” Gozen Zeroji no Trauma Radio version)
E5 (“13STAIRS[-]1” Toyosu PIT 2017/10/30, “Akai One Piece”, “Anti pop” Aomori Quarter 2006/03/25, “ATTITUDE” Toyosu PIT 2014/12/03, “BABYLON’S TABOO”, “Back drop Junkie [nancy]” Shibuya-AX 2004/01/16, “BURIAL APPLICANT”, “DAWN”, “Defective Tragedy”, “DOGMA” Toyosu PIT 2017/10/30, “GO TO HELL” Yokohama Arena 2007/03/11, “Kantou Dogeza Kumiai”, “Kugutsue”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “INCUBUS”, “Juunanasai” Shibuya O-EAST 2004/04/23, “Hyena” Saitama Super Arena 2009/09/05, “IN THE MIDDLE OF CHAOS” Fuji-Q Conifer Forest 2017/08/19, “LAST SONG” Nippon Budokan 2023/07/15, “Machibouke no Kouen de…” Gozen Zeroji no Trauma Radio version, “Maximum Impulse” Yokohama Arena 2007/03/11, “Miseinen” Various Live Performances, “MOB 136 BARS”, “Naraku”, “NINTH ODD SMELL”, “NOX” Nippon Budokan 2023/07/15, “OGRE” Saitama Super Arena 2009/09/05, “Okuribi” Yougenkyou ～moon～ -mirrors of new generation- version, “PARALYSIS”, “RAGE” Toyosu PIT 2017/10/31, “ROLLIN’” Nippon Budokan 2023/07/15, “Ruder” Yoyogi National Stadium First Gymnasium 2008/04/20, “RUTHLESS DEED”, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ” Shibuya-AX 2014/03/31, “The $ocial riot machine$” Yokohama Arena 2007/03/11, “VERMIN” Various Live Performances, “VORTEX” Various Live Performances, “WASTELAND”, “舐～zetsu～” Yoyogi National Stadium First Gymnasium 2017/03/10)
E♭5 (“ABHOR GOD” Nippon Budokan 2023/07/15, “Akai One Piece”, “Anata no Tame no Kono Inochi.” Yokohama Arena 2019/09/23, “Anti pop”, “Back drop Junkie [nancy]”, “Bath Room”, “Beautiful 5 [shit]ers” / “Beautiful 5 [shit]ers” Shibuya-AX 2004/01/16, “BEFORE I DECAY” José Cuervo Salón 2013/09/06, “BLEMISH” Fuji-Q Conifer Forest 2017/08/19, “Chizuru” Izvestiya Hall 2016/06/12, “DEPRAVITY”, “DERANGEMENT” Toyosu PIT 2014/12/03, “DOGMA”, “Dorodarake no Seishun”, “Falling” Yoyogi National Stadium First Gymnasium 2022/03/10, “Filth in the beauty” Yoyogi National Stadium First Gymnasium 2008/04/20, “FORBIDDEN BEAVER”, “GUSH”, “Hyena”, “THE INVISIBLE WALL”, “Kugutsue” Yoyogi National Stadium First Gymnasium 2008/04/20, “LEECH”, “LUCY” Sun City Koshigaya City Hall 2015/10/04, “MAD MARBLE HELL VISION”, “MOB 136 BARS” Yoyogi National Stadium First Gymnasium 2008/04/20, “THE MORTAL” Various Live Performances, “THE MURDER’S TV” Shibuya O-EAST 2004/04/23, “MY DEVIL ON THE BED”, “NINTH ODD SMELL” / “NINTH ODD SMELL” Nippon Budokan 2023/07/15, “OMINOUS” Wiltern Theater 2016/05/03, “PSYCHOPATH” Toyosu PIT 2014/12/03, “REQUIRED MALFUNCTION” Toyosu PIT 2014/12/03, “ROLLIN’” Sun Plaza Hall 2022/06/05 + Nippon Budokan 2023/07/15, “SLUDGY CULT” JAPAN NIGHT in Taipei 2015/05/23, “Sono Koe wa Moroku”, “Sugar Pain” Yoyogi National Stadium First Gymnasium 2017/03/10, “THE SUICIDE CIRCUS” Zepp Nagoya 2018/11/21, “UGLY” Izvestiya Hall 2016/06/12, “UNCERTAIN SENSE”, “UNDYING” Yoyogi National Stadium First Gymnasium 2016/02/28, “UNFINISHED” Various Live Performances, “Wife” Shibuya-AX 2004/01/16, “Zakurogata no Yuuutsu”)
D5 (“AGONY”, “Anata no Tame no Kono Inochi.” Saitama Super Arena 2009/09/05, “Chizuru”, “CIRCLE OF SWINDLER”, “CLEVER MONKEY” Various Live Performances, “Daku” Nippon Budokan 2023/07/15, “Defective Tragedy”, “[DIS]”, “DISCHARGE” Various Live Performances, “Dorodarake no Seishun”, “FRENZY” Nippon Budokan 2023/07/15, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HOLD” Nippon Budokan 2023/07/15, “IN THE MIDDLE OF CHAOS” Saitama Super Arena 2009/09/05, “Kantou Dogeza Kumiai” Yokohama Arena 2014/01/11, “MAD MARBLE HELL VISION”, “Maggots”, “A MOTH UNDER THE SKIN”, “Nausea & Shudder” Fuji-Q Conifer Forest 2017/08/19, “NO.[666]” Shibuya O-EAST 2004/04/23, “Okuribi” Japanesque Rock Collectionz version, “THE PALE” Nippon Budokan 2023/07/15, “Red” Toyosu PIT 2014/12/03, “ROLLIN’”, “Ruder”, “THE STUPID TINY INSECT”, “Sugar Pain”, “TWO OF A KIND” Yokohama Arena 2019/09/23, “UGLY” Toyosu PIT 2017/10/31 + Nippon Budokan 2023/07/15, “Uragiru Bero”, “UNTIL IT BURNS OUT” Yokohama Arena 2014/01/11, “舐～zetsu～”)
C♯5 (“13STAIRS[-]1”, “Akai Kodou”, “Akai One Piece” Nippon Budokan 2006/05/07, “Anti pop”, “Back drop Junkie [nancy]”, “BARBARIAN” / “BARBARIAN” Nippon Budokan 2023/07/15, “BLEMISH”, “BLINDING HOPE”, “BURIAL APPLICANT”, “DEUX” Toyosu PIT 2017/10/30, “DEVOURING ONE ANOTHER”, “DISTORTED DAYTIME”, “DOGMA”, “Falling”, “HOLD” Nippon Budokan 2023/07/15, “THE INVISIBLE WALL”, “Kugutsue”, “Juuyonsai no Knife” Yoyogi National Stadium First Gymnasium 2017/03/10, “LEECH”, “Maximum Impulse” Shibuya Koukaidou 2005/04/17, “Miseinen”, “A MOTH UNDER THE SKIN”, “「Mourou」”, “NINTH ODD SMELL”, “NOX”, “RUTHLESS DEED”, “SxDxR”, “The $ocial riot machine$”, “Sono Koe wa Moroku” Various Live Performances, “UNCERTAIN SENSE”, “VENOMOUS SPIDER’S WEB” Various Live Performances, “Wife” Gozen Zeroji no Trauma Radio version)
C5 (“ABHOR GOD” PlayStation Theater 2019/05/06, “Anti pop”, “BABYLON’S TABOO”, “BARBARIAN”, “Beautiful 5 [shit]ers”, “BEFORE I DECAY” Various Live Performances, “Carry?” OSAKA BIG-CAT 2004/12/27, “Chijou”, “COCKROACH”, “C.Y.HEAD”, “DERACINE”, “DEUX” Yoyogi National Stadium First Gymnasium 2016/02/28, “[DIS]” Shibuya-AX 2004/01/16, “DISCHARGE”, “DRIPPING INSANITY”, “FADELESS” Fuji-Q Conifer Forest 2017/08/19, “Filth in the beauty”, “FRENZY”, “GABRIEL ON THE GALLOWS” / “GABRIEL ON THE GALLOWS” Yokohama Arena 2019/09/23, “GRUDGE”, “Hedoro” Saitama Super Arena 2013/03/10, “HESITATING MEANS DEATH”, “IN BLOSSOM”, “INSIDE BEAST”, “Kantou Dogeza Kumiai”, “Karasu” Yokohama Arena 2014/01/11, “Kawareta Haru, Kawarenu Haru”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “Machibouke no Kouen de…” Otoko Danketsu Shuri version, “MAD MARBLE HELL VISION”, “MOB 136 BARS”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nausea & Shudder” Shibuya-AX 2014/03/31, “NINTH ODD SMELL”, “Psychedelic Heroine”, “PSYCHOPATH”, “Ray”, “REDO”, “REQUIRED MALFUNCTION”, “ROLLIN’”, “Saraba”, “SxDxR” Shibuya-AX 2014/03/31, “Sentimental na Onigokko” Yoyogi National Stadium First Gymnasium 2017/03/10, “THE SUICIDE CIRCUS” Kanagawa Kenmin Hall 2015/09/14, “Taion” TRACES VOL.2 version, “The $ocial riot machine$”, “Sumire”, “Toguro”, “UNDYING”, “VACANT”, “WASTELAND”, “Wife”)
B4 (“Akai Kodou”, “ATTITUDE” Nippon Budokan 2015/03/10, “Back drop Junkie [nancy]”, “Beautiful 5 [shit]ers”, “BEFORE I DECAY”, “☆BEST FRIENDS☆” Shibuya-AX 2004/01/16, “Bite to All”, “BLEMISH”, “Carry?” / “Carry?” Shibuya Koukaidou 2005/04/17, “Cassis”, “Chigire”, “COCKROACH”, “Daku”, “DAWN” Nippon Budokan 2023/07/15, “DISCHARGE”, “Falling”, “GRUDGE”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “Hedoro”, “Ibitsu”, “THE INVISIBLE WALL”, “Ito”, “Kantou Dogeza Kumiai”, “Katherine in the trunk”, “「Kore de Yokattan Desu...」”, “Kuroku Sunda Sora to Zangai to Kataba” Yokohama Arena 2014/01/11, “LAST SONG”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “Maximum Impulse”, “MOMENT”, “Nakigahara”, “NOX”, “PARALYSIS”, “Psychedelic Heroine”, “QUIET”, “reila”, “Ruder”, “SxDxR”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SILLY GOD DISCO”, “SLUDGY CULT” Asahikawa Civic Culture Hall 2016/01/07, “The $ocial riot machine$”, “Sono Koe wa Moroku”, “Sugar Pain”, “Taion” TRACES VOL.2 version, “UNDYING”, “UNFINISHED”, “UNTIL IT BURNS OUT”, “Uragiru Bero”, “Worthless War”, “舐～zetsu～”)
B♭4 (“ABHOR GOD”, “Baretta”, “BLINDING HOPE”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “Chijou”, “CLEVER MONKEY” Yokohama Arena 2019/09/23, “Crucify Sorrow”, “Daku” / “Daku” Nippon Budokan 2023/07/15, “DAWN”, “Defective Tragedy”, “DEPRAVITY”, “DERANGEMENT”, “DEUX”, “DISTRESS AND COMA”, “DOGMA”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “GABRIEL ON THE GALLOWS”, “HEADACHE MAN”, “HESITATING MEANS DEATH”, “IN BLOSSOM”, “INCUBUS”, “INSIDE BEAST”, “Katherine in the trunk”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “LAST HEAVEN”, “LEECH”, “LUCY”, “Maggots”, “A MOTH UNDER THE SKIN”, “Nakigahara”, “NINTH ODD SMELL”, “OMINOUS”, “THE PALE”, “RAGE”, “Red”, “REQUIRED MALFUNCTION” Saitama Super Arena 2013/03/10, “Rich Excrement”, “ROLLIN’”, “RUTHLESS DEED”, “TOMORROW NEVER DIES”, “TWO OF A KIND”, “UGLY”, “UNCERTAIN SENSE”, “UNDYING”, “UNFINISHED”, “UNTITLED” TOXIC version / TRACES VOL.2 version, “UNTIL IT BURNS OUT”, “Uragiru Bero”, “Utsu Semi”, “Wakaremichi”, “Wife” Gozen Zeroji no Trauma Radio version / Akuyuukai version, “Yoin”)
A4 (“ABHOR GOD”, “AGONY” Various Live Performances, “Akai Kodou”, “Anata no Tame no Kono Inochi.”, “ATTITUDE”, “BABYLON’S TABOO”, “BARBARIAN”, “☆BEST FRIENDS☆”, “Bite to All”, “BIZARRE”, “Black Spangle Gang”, “BLINDING HOPE”, “BURIAL APPLICANT”, “CALM ENVY”, “Carry?”, “Cassis” Single and NIL versions / TRACES VOL.2 version, “Chigire”, “Chizuru”, “CIRCLE OF SWINDLER”, “Crucify Sorrow”, “COCKROACH”, “C.Y.HEAD”, “D.L.N”, “DERACINE”, “DIM SCENE”, “[DIS]”, “Dorodarake no Seishun”, “Falling”, “FORBIDDEN BEAVER”, “GO TO HELL” Nippon Budokan 2006/05/07, “GODDESS”, “GRUDGE”, “Hanakotoba”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HEADACHE”, “HEADACHE MAN”, “Hedoro”, “HESITATING MEANS DEATH”, “HOLE”, “Hyena”, “IN THE MIDDLE OF CHAOS”, “THE INVISIBLE WALL”, “Ito”, “Juunanasai”, “Kage Fumi”, “Kago no Sanagi”, “Kar+te=zyAnose Unknown Live Track 4”, “Karasu”, “Kare Uta”, “Kawareta Haru, Kawarenu Haru”, “Kugutsue”, “Kyomu no Owari Hakozume no Mokushi”, “Kuroku Sunda Sora to Zangai to Kataba”, “Last bouquet”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “Maggots”, “MALUM”, “Miseinen”, “MOB 136 BARS”, “THE MORTAL”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nausea & Shudder”, “NINTH ODD SMELL” DEMO, “NO.[666]”, “OGRE”, “Okuribi”, “THE PALE”, “PARALYSIS”, “QUIET”, “RAGE”, “Red MoteL”, “REDO”, “Ruder”, “Saraba”, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SHAKIN’ LOVE”, “Shiawase na Hibi”, “Shichigatsu Youka”, “Shunsetsu no Koro”, “SILLY GOD DISCO”, “The $ocial riot machine$”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Sumire”, “Taion” TRACES VOL.2 version, “TO DAZZLING DARKNESS”, “TOMORROW NEVER DIES”, “TWO OF A KIND”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “UNDYING”, “Uragiru Bero”, “Uzuku Aza to Igamu Ura”, “VACANT”, “VOICELESS FEAR”, “VORTEX”, “Wife” Akuyuukai version, “WITHOUT A TRACE”, “Zakurogata no Yuuutsu”, “舐～zetsu～”)
G♯4 (“ABHOR GOD”, “AGONY”, “Akai One Piece”, “Anti pop”, “Bath Room”, “BEFORE I DECAY”, “BLEMISH”, “BLINDING HOPE”, “BREAK ME”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “Chijou”, “CLEVER MONKEY”, “Daku”, “D.L.N”, “DAWN”, “DEPRAVITY”, “DERANGEMENT”, “DEUX”, “DISTRESS AND COMA”, “DOGMA”, “DRIPPING INSANITY” Toyosu PIT 2017/10/30, “FADELESS”, “Falling”, “Filth in the beauty” Various Live Performances, “FRENZY”, “GODDESS”, “Guren” TRACES VOL.2 version, “HEADACHE”, “Hedoro”, “HESITATING MEANS DEATH”, “HOLD”, “Hyena”, “IN BLOSSOM”, “Ibitsu”, “IN THE MIDDLE OF CHAOS”, “INCUBUS”, “Ito”, “Kage Fumi”, “Karasu”, “Katherine in the trunk”, “Last bouquet”, “LAST HEAVEN”, “LAST SONG”, “LIVE IN SUMMER 17 BURST INTO A BLAZE 3 SE”, “LUCY”, “Mayakashi”, “Miseinen”, “MOMENT”, “THE MORTAL”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Nakigahara”, “Naraku”, “NINTH ODD SMELL”, “NOX”, “OGRE”, “OMINOUS”, “PSYCHOPATH”, “Red”, “REMEMBER THE URGE”, “REQUIRED MALFUNCTION”, “Rich Excrement”, “SHADOW Ⅵ Ⅱ Ⅰ”, “SHAKIN’ LOVE”, “Shichigatsu Youka”, “Shunsetsu no Koro”, “SLUDGY CULT”, “Sono Koe wa Moroku”, “THE STUPID TINY INSECT”, “THE SUICIDE CIRCUS”, “Sumire”, “TOMORROW NEVER DIES”, “Toguro”, “THE TRUE MURDEROUS INTENT”, “TWO OF A KIND”, “UGLY”, “AN UNBEARABLE FACT”, “UNDYING”, “UNFINISHED”, “UNTIL IT BURNS OUT”, “UNTITLED”, “Uragiru Bero”, “Utsu Semi”, “Uzuku Aza to Igamu Ura”, “VENOMOUS SPIDER’S WEB”, “VORTEX”, “Wakaremichi”, “Worthless War”, “Yoin”)
G4 (“13STAIRS[-]1”, “32 Koukei no Kenjuu”, “AGONY”, “Akai Kodou”, “Anata no Tame no Kono Inochi.”, “ATTITUDE”, “BABYLON’S TABOO”, “Back drop Junkie [nancy]”, “BARBARIAN”, “Baretta”, “BEFORE I DECAY”, “BIZARRE”, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “☆BEST FRIENDS☆”, “Bite to All”, “BURIAL APPLICANT”, “Carry?”, “Cassis”, “Chigire”, “Chijou”, “Chizuru”, “CLEVER MONKEY”, “Crucify Sorrow”, “C.Y.HEAD”, “D.L.N”, “DAWN”, “Defective Tragedy”, “DERACINE”, “DERANGEMENT”, “DIM SCENE”, “DISTORTED DAYTIME”, “DISTRESS AND COMA”, “Falling”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “FRENZY”, “GABRIEL ON THE GALLOWS”, “Ganges ni Akai Bara”, “GENTLE LIE”, “GRUDGE”, “GUSH”, “Hanakotoba”, “Hedoro”, “HOLD”, “HOLE”, “IN BLOSSOM”, “INSIDE BEAST”, “Ito”, “Juunanasai”, “Juuyonsai no Knife”, “Kago no Sanagi”, “Kar+te=zyAnose Unknown Live Track 2”, “Kare Uta” Verwelktes Gedicht version / TRACES VOL.2 version, “Kawareta Haru, Kawarenu Haru”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “Kyomu no Owari Hakozume no Mokushi”, “Last bouquet”, “LINDA～candydive Pinky heaven～”, “LOSS”, “Machibouke no Kouen de…”, “MALUM”, “Maximum Impulse”, “MY DEVIL ON THE BED”, “Nausea & Shudder”, “Okuribi”, “Oni no Men”, “THE PALE”, “PARALYSIS”, “PLEDGE”, “QUIET”, “RAGE”, “Ray”, “REDO”, “REGRET”, “reila” Single version / TRACES VOL.2 version, “REMEMBER THE URGE”, “ROLLIN’”, “RUTHLESS DEED”, “Saraba”, “SxDxR”, “Sentimental na Onigokko”, “SHAKIN’ LOVE”, “Shiawase na Hibi”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “SHIVER”, “THE STUPID TINY INSECT”, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion” NIL version / TRACES VOL.2 version, “TO DAZZLING DARKNESS”, “TOMORROW NEVER DIES” / “TOMORROW NEVER DIES” Nakano Sun Plaza 2022/07/14, “Toukyou Shinjuu”, “THE TRUE MURDEROUS INTENT”, “TWO OF A KIND”, “UGLY”, “UNTIL IT BURNS OUT”, “Uzuku Aza to Igamu Ura”, “UNCERTAIN SENSE”, “UNFINISHED”, “VACANT”, “VOICELESS FEAR”, “Wakaremichi”, “WASTELAND”, “Wife” Akuyuukai version, “WITHOUT A TRACE”, “Worthless War”, “Yoin”, “Zakurogata no Yuuutsu”)
F♯4 (“13STAIRS[-]1”, “32 Koukei no Kenjuu”, “99.999”, “ABHOR GOD”, “AGONY”, “Akai One Piece”, “ATTITUDE”, “BEFORE I DECAY”, “☆BEST FRIENDS☆”, “Black Spangle Gang”, “BLEMISH”, “BLINDING HOPE”, “BREAK ME”, “CALM ENVY”, “Carry?”, “Chizuru”, “CIRCLE OF SWINDLER”, “COCKROACH”, “C.Y.HEAD”, “Daku”, “DEPRAVITY”, “DERACINE”, “DEVOURING ONE ANOTHER”, “DIM SCENE”, “DISCHARGE”, “DISTORTED DAYTIME”, “DOGMA”, “Dorodarake no Seishun”, “FADELESS”, “GO TO HELL” Various Live Performances, “GRUDGE”, “Guren”, “GUSH”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.”, “HEADACHE”, “HEADACHE MAN”, “HOLE”, “Ibitsu”, “IN THE MIDDLE OF CHAOS”, “INCUBUS”, “THE INVISIBLE WALL”, “Juuyonsai no Knife”, “Karasu”, “「Kore de Yokattan Desu...」”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “LAST HEAVEN”, “LAST SONG”, “LEECH”, “LOSS”, “LUCY”, “Maggots”, “MALUM”, “Maximum Impulse”, “Miseinen” Various Live Performances, “MOB 136 BARS”, “MOMENT”, “THE MORTAL”, “A MOTH UNDER THE SKIN”, “Nakigahara”, “Namaatatakai Ame to Zaratsuita Jounetsu”, “Naraku”, “NO.[666]”, “NOX”, “OMINOUS”, “PARALYSIS”, “PSYCHOPATH”, “QUIET”, “RAGE”, “Red MoteL”, “Red”, “reila”, “REMEMBER THE URGE”, “REQUIRED MALFUNCTION”, “SxDxR”, “Shiawase na Hibi”, “SHIVER”, “Shunsetsu no Koro”, “SLUDGY CULT”, “Sono Koe wa Moroku”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Taion” NIL version, “TO DAZZLING DARKNESS”, “Toguro”, “TOMORROW NEVER DIES”, “Toukyou Shinjuu”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “Utsu Semi”, “VENOMOUS SPIDER’S WEB”, “VERMIN”, “VORTEX”, “Wife” Gozen Zeroji no Trauma Radio version, “舐～zetsu～”)
Significant Low Notes (367)
C♯3 (“BREAK ME”, “CALM ENVY”, “Carry?”, “Cassis”, “Daku”, “DRIPPING INSANITY”, “Ganges ni Akai Bara” Tokyo Dome 2010/12/26, “Guren”, “GUSH”, “Happy Birthday to Aoi” Wakayama Municipal Auditorium 2016/01/23, “Hyena”, “Kage Fumi”, “Kugutsue”, “Kuroku Sunda Sora to Zangai to Kataba”, “LAST HEAVEN”, “LAST SONG”, “LEECH”, “LUCY”, “Mayakashi”, “Miseinen”, “Naraku”, “NINTH ODD SMELL”, “A MOTH UNDER THE SKIN”, “OMINOUS”, “REMEMBER THE URGE”, “SHADOW Ⅵ Ⅱ Ⅰ”, “Sono Koe wa Moroku”, “Toguro”, “AN UNBEARABLE FACT”, “UNFINISHED”, “UNTITLED”, “Wakaremichi” Various Live Performances)
C3 (“ATTITUDE”, “BABYLON’S TABOO”, “Baretta”, “Bath Room”, “BIZARRE”, “Chigire”, “COCKROACH”, “Crucify Sorrow”, “D.L.N”, “DAWN”, “DERANGEMENT”, “Filth in the beauty”, “FORBIDDEN BEAVER”, “GENTLE LIE”, “IN BLOSSOM”, “INSIDE BEAST”, “Ito”, “Kar+te=zyAnose Unknown Live Track 2”, “Kare Uta”, “LINDA～candydive Pinky heaven～” Makuhari Messe 2012/03/10, “Mayakashi”, “Nausea & Shudder”, “Oni no Men”, “PSYCHOPATH”, “REDO”, “Sentimental na Onigokko”, “THE STUPID TINY INSECT”, “THE TRUE MURDEROUS INTENT”, “Wife” Akuyuukai version, “Yoin”, “Zakurogata no Yuuutsu”)
B2 (“13STAIRS[-]1”, “Akai Kodou”, “Akai One Piece”, “ATTITUDE”, “Back drop Junkie [nancy]”, “BREAK ME”, “BURIAL APPLICANT”, “Carry?”, “COCKROACH”, “C.Y.HEAD”, “DEVOURING ONE ANOTHER”, “DIM SCENE”, “Falling”, “GODDESS”, “HOLE”, “Ito” TRACES VOL.2 version, “Juuyonsai no Knife”, “Kage Fumi” Toyosu PIT 2014/12/03, “Kago no Sanagi”, “Kantou Dogeza Kumiai”, “Kugutsue” Yoyogi National Stadium First Gymnasium 2008/04/20, “LOSS”, “LUCY”, “Machibouke no Kouen de…” Gozen Zeroji no Trauma Radio version, “Maggots”, “A MOTH UNDER THE SKIN”, “OGRE” Shinkiba STUDIO COAST 2014/08/04, “Okuribi”, “REGRET”, “reila”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “Shunsetsu no Koro”, “SILLY GOD DISCO”, “Sugar Pain”, “Taion” TRACES VOL.2 version, “Toguro”, “TOMORROW NEVER DIES”, “Toukyou Shinjuu”, “AN UNBEARABLE FACT”, “UNCERTAIN SENSE”, “VACANT”, “WASTELAND”, “WITHOUT A TRACE”, “[XI]”, “舐～zetsu～”)
B♭2 (“Chijou”, “Daku”, “DEPRAVITY”, “DERANGEMENT”, “FADELESS”, “Kar+te=zyAnose Unknown Live Track 4”, “Last bouquet”, “LAST HEAVEN”, “LEECH”, “THE MORTAL”, “OMINOUS”, “Oni no Men”, “Psychedelic Heroine” Yokohama Arena 2007/03/11, “REQUIRED MALFUNCTION”, “RUTHLESS DEED”, “THE TRUE MURDEROUS INTENT”, “UGLY”, “VOICELESS FEAR”, “VORTEX”, “Yoin”)
A2 (“13STAIRS[-]1”, “AGONY”, “Akai Kodou”, “Akai One Piece”, “Anata no Tame no Kono Inochi.”, “Baretta”, “BEFORE I DECAY”, “☆BEST FRIENDS☆”, “Back drop Junkie [nancy]”, “Black Spangle Gang”, “BURIAL APPLICANT”, “Cassis”, “Chigire”, “Chizuru”, “Crucify Sorrow”, “C.Y.HEAD”, “DEVOURING ONE ANOTHER”, “[DIS]”, “FRENZY”, “FROM THE DISTORTED CITY” Live SE, “GENTLE LIE”, “GRUDGE”, “Hanakotoba”, “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Various Live Performances, “HOLE”, “INCUBUS”, “Ito” TRACES VOL.2 version, “Juunanasai” Sanjuunisai Dokushin version, “Juunanasai” 2006 version, “Kago no Sanagi”, “Kare Uta”, “「Kore de Yokattan Desu...」”, “Kyomu no Owari Hakozume no Mokushi”, “MAD MARBLE HELL VISION”, “THE MURDER’S TV”, “MY DEVIL ON THE BED”, “Okuribi” Yougenkyou ～moon～ -mirrors of new generation- version, “Psychedelic Heroine” Makuhari Messe 2012/03/10, “RAGE”, “reila”, “Ruder”, “RUTHLESS DEED”, “Saraba”, “Sentimental na Onigokko”, “Shichigatsu Youka”, “Shiroki Yuuutsu”, “SILLY GOD DISCO”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Sumire”, “Toukyou Shinjuu”, “UNDYING”, “Uzuku Aza to Igamu Ura”, “VORTEX”, “Wakaremichi” Single version, “WASTELAND”, “WITHOUT A TRACE”)
G♯2 (“ART DRAWN BY VOMIT”, “CALM ENVY”, “Chijou” Yokohama Arena 2012/01/14, “DISCHARGE”, “DAWN”, “DOGMA”, “Filth in the beauty” Kishidan Banpaku 2012/09/17, “GODDESS”, “Guren”, “Hyena”, “IN THE MIDDLE OF CHAOS”, “Kyomu no Owari Hakozume no Mokushi”, “LEECH”, “Maggots”, “Miseinen”, “Nakigahara”, “NINTH ODD SMELL”, “PLEDGE” Single and TOXIC versions, “Sentimental na Onigokko”, “SHADOW Ⅵ Ⅱ Ⅰ” Shibuya-AX 2014/03/31, “THE SUICIDE CIRCUS”, “Toguro”, “UGLY” Yokohama Arena 2019/09/23, “UNTITLED”, “VERMIN”)
G2 (“ATTITUDE” Nippon Budokan 2023/07/15, “Bite to All”, “BABYLON’S TABOO” Yokohama Arena 2019/09/23, “BRIDE OF THE COMA (ex,GREATFUL GRACE)”, “D.L.N” NIL version / TRACES VOL.2 version, “DERANGEMENT”, “DISTRESS AND COMA”, “Dorodarake no Seishun”, “Defective Tragedy”, “THE END”, “GODDESS” Yoyogi National Stadium First Gymnasium 2016/02/28, “IN BLOSSOM”, “INSIDE BEAST”, “intro” DISORDER, “Juunanasai” 2006 version, “Juuyonsai no Knife”, “Kare Uta” TRACES VOL.2 version, “「Kore de Yokattan Desu...」”, “Last bouquet”, “Nausea & Shudder”, “Okuribi” Japanesque Rock Collectionz version, “PARALYSIS”, “REDO”, “The $ocial riot machine$” Saitama Super Arena 2009/09/05, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion”, “THE TRUE MURDEROUS INTENT”, “UGLY” Nippon Budokan 2023/07/15, “Uragiru Bero” Yokohama Arena 2019/09/23, “Uzuku Aza to Igamu Ura”, “VENOMOUS SPIDER’S WEB” Saitama Super Arena 2013/03/10, “Wakaremichi” Makuhari Messe 2012/03/10, “Zakurogata no Yuuutsu”)
F♯2 (“32 Koukei no Kenjuu”, “AGONY”, “BIZARRE”, “BREAK ME”, “CALM ENVY”, “Carry?”, “Cassis”, “CODA”, “COCKROACH”, “Defective Tragedy”, “DERACINE”, “DEVOURING ONE ANOTHER”, “DIM SCENE” Saitama Super Arena 2009/09/05, “DOGMA”, “GENTLE LIE”, “HESITATING MEANS DEATH”, “HOLE”, “Ibitsu”, “Kago no Sanagi” Saitama Super Arena 2013/03/10, “Kantou Dogeza Kumiai”, “Kugutsue”, “LINDA～candydive Pinky heaven～”, “Maximum Impulse”, “Nakigahara” Saitama Super Arena 2009/09/05, “Naraku” Nippon Budokan 2010/07/22, “NINTH ODD SMELL” DEMO, “OGRE”, “OMEGA”, “PARALYSIS”, “PSYCHOPATH”, “SHADOW Ⅵ Ⅱ Ⅰ”, “Shichigatsu Youka”, “Sugar Pain”, “THE SUICIDE CIRCUS”, “Taion” TRACES VOL.2 version, “TWO OF A KIND”, “Uragiru Bero”, “VERMIN” Toyosu PIT 2014/12/03, “Zakurogata no Yuuutsu”)
F2 (“Bath Room”, “BEFORE I DECAY”, “DAWN”, “DIM SCENE” Tokyo Dome 2010/12/26, “[DIS]”, “Disorder heaven”, “GABRIEL ON THE GALLOWS”, “Guren” Single and DIM versions, “Kyomu no Owari Hakozume no Mokushi”, “Maggots”, “Machibouke no Kouen de…” Gozen Zeroji Trauma Radio version, “MAD MARBLE HELL VISION”, “THE MURDER’S TV”, “Red”, “Saraba”, “Shiroki Yuuutsu” TRACES VOL.2 version, “Toukyou Shinjuu”, “Worthless War”)
E2 (“ART DRAWN BY VOMIT”, “ATTITUDE” Saitama Super Arena 2013/03/10, “BABYLON’S TABOO”, “Bath Room” Tokyo Dome 2010/12/26, “Beautiful 5 [shit]ers”, “CALM ENVY”, “C.Y.HEAD”, “Disorder heaven”, “DRIPPING INSANITY” Toyosu PIT 2017/10/30, “HEADACHE MAN”, “intro” DISORDER, “Juuyonsai no Knife”, “MALUM”, “REGRET”, “RUTHLESS DEED”, “Shiroki Yuuutsu” Saitama Super Arena 2009/09/05, “SLUDGY CULT”, “AN UNBEARABLE FACT”, “WITHOUT A TRACE” Demo and DISTRESS AND COMA versions / TRACES VOL.2 version)
E♭2 (“Akai Kodou”, “CLEVER MONKEY”, “DERANGEMENT”, “DOGMA”, “Guren” Single and DIM versions, “Ibitsu”, “THE INVISIBLE WALL”, “LINDA～candydive Pinky heaven～”, “A MOTH UNDER THE SKIN”, “OMINOUS”, “RUTHLESS DEED”, “TOUR 11 TWO CONCEPT EIGHT NIGHTS ABYSS / LUCY SE”, “舐～zetsu～”)
D2 (“GABRIEL ON THE GALLOWS”, “Ganges ni Akai Bara” Yoyogi National Stadium First Gymnasium 2022/03/10, “HEADACHE MAN” Tokyo Dome 2010/12/26, “INFUSE INTO”, “Kyomu no Owari Hakozume no Mokushi”, “SWALLOWTAIL ON THE DEATH VALLEY”, “Taion” NIL version, “WITHOUT A TRACE” DISTRESS AND COMA version)
C♯2 (“13STAIRS[-]1”, “CODA”, “THE END”, “GABRIEL ON THE GALLOWS”, “THE INVISIBLE WALL” Saitama Super Arena 2009/09/05, “RUTHLESS DEED” Yokohama Arena 2012/01/14, “SHIVER”, “VENOMOUS SPIDER’S WEB”, “UNDYING”, “VORTEX”)
C2 (“DEVOURING ONE ANOTHER”, “FROM THE DISTORTED CITY” Live SE, “INSIDE BEAST”, “MALFORMED BOX”, “PARALYSIS”, “TOUR 11 TWO CONCEPT EIGHT NIGHTS ABYSS / LUCY SE”)
B1 (“13STAIRS[-]1”, “Carry?”, “DEVOURING ONE ANOTHER”, “CLEVER MONKEY”, “Sugar Pain”)
B♭1 (“FORBIDDEN BEAVER”, “OMINOUS” Yoyogi National Stadium First Gymnasium 2016/02/28, “VERMIN”)
A1 (“Baretta”, “WASTELAND”)
{Questionable Notes (103)}
G♯6 (“Beautiful 5 [shit]ers” Shibuya-AX 2004/01/16 [6], “THE MURDER’S TV” Shibuya-AX 2004/01/16 [6])
E6 (“Kantou Dogeza Kumiai” Shibuya O-EAST 2004/04/23 [6], “Maggots” [1], “Ruder” Shibuya Koukaidou 2005/04/17 [6])
E♭6 (“Black Spangle Gang” [4], “Taion” Yokohama Arena 2007/03/11 [3 - He’s pretty much cracking into the overtone in a way that I don’t think is controlled])
C6 (“DISCHARGE” [1], “Wife” Shibuya-AX 2004/01/16 [6])
B5 (“Ruder” Hibiya Yagai Ongakudou 2004/09/11 [1])
B♭5 (“☆BEST FRIENDS☆” Shibuya-AX 2004/01/16 [1], “DIM SCENE” Shinkiba STUDIO COAST 2014/08/04 [3 - Pitch is kinda all over the place until it gets down to G♯5, and since there’s another scream later on I preferred to count that one instead], “Ruder” Shibuya Koukaidou 2005/04/17 [1])
A5 (“Maximum Impulse” Shibuya Koukaidou 2005/04/17 [1])
G♯5 (“☆BEST FRIENDS☆” Yoyogi National Stadium First Gymnasium 2017/03/10 [1], “CLEVER MONKEY” Yokohama Arena 2019/09/23 [1], “DISCHARGE” [1], “DOGMA” Danforth Music Hall 2016/04/27 [1], “Juuyonsai no Knife” Nippon Budokan 2006/05/07 [1], “RAGE” São Paulo Audio 2016/04/22 [1], “SILLY GOD DISCO” Nippon Budokan 2006/05/07 [1], “TOMORROW NEVER DIES” Various Live Performances [1], “Wife” Shibuya Koukaidou 2005/04/17 [1])
G5 (“Dorodarake no Seishun” [1], “Kantou Dogeza Kumiai” [5], “LEECH” The Regency Ballroom 2016/05/01 [1], “NINTH ODD SMELL” Various Live Performances [1], “SHADOW Ⅵ Ⅱ Ⅰ” Fuji-Q Conifer Forest 2008/08/30 [1], “SxDxR” Shibuya Koukaidou 2005/04/17 [1], “SHIVER” São Paulo Audio 2019/05/19 [1], “THE SUICIDE CIRCUS” PlayStation Theater 2019/05/06 [1], “UGLY” Various Live Performances [1], “VORTEX” Various Live Performances [1], “Wife” Hibiya Yagai Ongakudou 2004/09/11 [5])
F♯5 (“ABHOR GOD” Various Live Performances [1], “Anata no Tame no Kono Inochi.” Yoyogi National Stadium First Gymnasium 2017/03/10 [1], “ATTITUDE” Various Live Performances [1], “DAWN” Danforth Music Hall 2016/04/27 [1], “DOGMA” The Regency Ballroom 2016/05/01 [1], “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” [1], “IN THE MIDDLE OF CHAOS” Various Live Performances [1], “Karasu” Yokohama Arena 2014/01/11 [1])
F5 (“ABHOR GOD” Backstage Werk 2019/06/18 [1], “BEFORE I DECAY” Various Live Performances [1], “Katherine in the trunk” [1], “LUCY” Yoyogi National Stadium First Gymnasium 2016/02/28 [1], “A MOTH UNDER THE SKIN” Various Live Performances [1], “Uragiru Bero” Yoyogi National Stadium First Gymnasium 2022/03/10 [1])
E5 (“Anata no Tame no Kono Inochi.” Saitama Super Arena 2009/09/05 [1], “[DIS]” [5 - It’s horrible lol], “Juunanasai” Sanjuunisai Dokushin version [1], “REGRET” Fuji-Q Conifer Forest 2017/08/19 [1])
E♭5 (“FRENZY” Nippon Budokan 2023/07/15 [1], “Uragiru Bero” Yokohama Arena 2019/09/23 [1])
D5 (“Anata no Tame no Kono Inochi.” [1])
C5 (“Ibitsu” [1])
A2 (“32 Koukei no Kenjuu” [1], “Shiawase na Hibi” Gozen Zeroji no Trauma Radio version [1])
G♯2 (“CIRCLE OF SWINDLER” [1])
G2 (“Psychedelic Heroine” Shibuya-AX 2014/03/31 [3])
F♯2 (“DIM SCENE” [1], “REQUIRED MALFUNCTION” [1], “TOMORROW NEVER DIES” [1])
F2 (“BURIAL APPLICANT” [1], “Nausea & Shudder” [1])
E2 (“GUSH” [1])
E♭2 (“BLEMISH” [1], “Daku” [1], “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Makuhari Messe 2012/03/10 [1])
D2 (“Kugutsue” [1], “Maximum Impulse” [1], “SILLY GOD DISCO” Nippon Budokan 2006/05/07 [5], “Sumire” [3])
C♯2 (“Guren” Single and DIM versions [3], “THE MORTAL” [1])
C2 (“Anata no Tame no Kono Inochi.” [5], “CALM ENVY” STACKED RUBBISH version [1], “COCKROACH” [5], “intro” DISORDER [1], “Hyena” [5], “Kyomu no Owari Hakozume no Mokushi” [1], “THE MURDER’S TV” [5], “Taion” TRACES VOL.2 version [5], “WITHOUT A TRACE” TRACES VOL.2 version [1])
B1 (“ATTITUDE” [3], “A MOTH UNDER THE SKIN” [1], “NO.[666]” [3], “舐～zetsu～” [5])
B♭1 (“Anti pop” Shibuya-AX 2014/03/31 [5], “C.Y.HEAD” [5], “DEVOURING ONE ANOTHER” [1])
A1 (“MY DEVIL ON THE BED” [5], “WITHOUT A TRACE” Demo version [1])
G♯1 (“Carry?” [3], “CLEVER MONKEY” [1], “DOGMA” [1], “Uragiru Bero” [5])
G1 (“IN BLOSSOM” Yokohama Arena 2014/01/11 [4 - Incidental subharmonic], “THE MURDER’S TV” [5], “WASTELAND” [5])
F♯1 (“LUCY” [1], “UNDYING” [5])
E♭1 (“Toguro” [5 - It’s more a noise than a note attempt or anything])
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don’t have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that have insufficient tone and/or little support (very throaty and weak sounding).
[6] marks notes produced via reverse phonation (inhaling).
E6 (“Kantou Dogeza Kumiai” Shibuya O-EAST 2004/04/23 [6], “Maggots” [1], “Ruder” Shibuya Koukaidou 2005/04/17 [6])
E♭6 (“Black Spangle Gang” [4], “Taion” Yokohama Arena 2007/03/11 [3 - He’s pretty much cracking into the overtone in a way that I don’t think is controlled])
C6 (“DISCHARGE” [1], “Wife” Shibuya-AX 2004/01/16 [6])
B5 (“Ruder” Hibiya Yagai Ongakudou 2004/09/11 [1])
B♭5 (“☆BEST FRIENDS☆” Shibuya-AX 2004/01/16 [1], “DIM SCENE” Shinkiba STUDIO COAST 2014/08/04 [3 - Pitch is kinda all over the place until it gets down to G♯5, and since there’s another scream later on I preferred to count that one instead], “Ruder” Shibuya Koukaidou 2005/04/17 [1])
A5 (“Maximum Impulse” Shibuya Koukaidou 2005/04/17 [1])
G♯5 (“☆BEST FRIENDS☆” Yoyogi National Stadium First Gymnasium 2017/03/10 [1], “CLEVER MONKEY” Yokohama Arena 2019/09/23 [1], “DISCHARGE” [1], “DOGMA” Danforth Music Hall 2016/04/27 [1], “Juuyonsai no Knife” Nippon Budokan 2006/05/07 [1], “RAGE” São Paulo Audio 2016/04/22 [1], “SILLY GOD DISCO” Nippon Budokan 2006/05/07 [1], “TOMORROW NEVER DIES” Various Live Performances [1], “Wife” Shibuya Koukaidou 2005/04/17 [1])
G5 (“Dorodarake no Seishun” [1], “Kantou Dogeza Kumiai” [5], “LEECH” The Regency Ballroom 2016/05/01 [1], “NINTH ODD SMELL” Various Live Performances [1], “SHADOW Ⅵ Ⅱ Ⅰ” Fuji-Q Conifer Forest 2008/08/30 [1], “SxDxR” Shibuya Koukaidou 2005/04/17 [1], “SHIVER” São Paulo Audio 2019/05/19 [1], “THE SUICIDE CIRCUS” PlayStation Theater 2019/05/06 [1], “UGLY” Various Live Performances [1], “VORTEX” Various Live Performances [1], “Wife” Hibiya Yagai Ongakudou 2004/09/11 [5])
F♯5 (“ABHOR GOD” Various Live Performances [1], “Anata no Tame no Kono Inochi.” Yoyogi National Stadium First Gymnasium 2017/03/10 [1], “ATTITUDE” Various Live Performances [1], “DAWN” Danforth Music Hall 2016/04/27 [1], “DOGMA” The Regency Ballroom 2016/05/01 [1], “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” [1], “IN THE MIDDLE OF CHAOS” Various Live Performances [1], “Karasu” Yokohama Arena 2014/01/11 [1])
F5 (“ABHOR GOD” Backstage Werk 2019/06/18 [1], “BEFORE I DECAY” Various Live Performances [1], “Katherine in the trunk” [1], “LUCY” Yoyogi National Stadium First Gymnasium 2016/02/28 [1], “A MOTH UNDER THE SKIN” Various Live Performances [1], “Uragiru Bero” Yoyogi National Stadium First Gymnasium 2022/03/10 [1])
E5 (“Anata no Tame no Kono Inochi.” Saitama Super Arena 2009/09/05 [1], “[DIS]” [5 - It’s horrible lol], “Juunanasai” Sanjuunisai Dokushin version [1], “REGRET” Fuji-Q Conifer Forest 2017/08/19 [1])
E♭5 (“FRENZY” Nippon Budokan 2023/07/15 [1], “Uragiru Bero” Yokohama Arena 2019/09/23 [1])
D5 (“Anata no Tame no Kono Inochi.” [1])
C5 (“Ibitsu” [1])
A2 (“32 Koukei no Kenjuu” [1], “Shiawase na Hibi” Gozen Zeroji no Trauma Radio version [1])
G♯2 (“CIRCLE OF SWINDLER” [1])
G2 (“Psychedelic Heroine” Shibuya-AX 2014/03/31 [3])
F♯2 (“DIM SCENE” [1], “REQUIRED MALFUNCTION” [1], “TOMORROW NEVER DIES” [1])
F2 (“BURIAL APPLICANT” [1], “Nausea & Shudder” [1])
E2 (“GUSH” [1])
E♭2 (“BLEMISH” [1], “Daku” [1], “Haru ni Chirikeri, Mi wa Kareru de Gozaimasu.” Makuhari Messe 2012/03/10 [1])
D2 (“Kugutsue” [1], “Maximum Impulse” [1], “SILLY GOD DISCO” Nippon Budokan 2006/05/07 [5], “Sumire” [3])
C♯2 (“Guren” Single and DIM versions [3], “THE MORTAL” [1])
C2 (“Anata no Tame no Kono Inochi.” [5], “CALM ENVY” STACKED RUBBISH version [1], “COCKROACH” [5], “intro” DISORDER [1], “Hyena” [5], “Kyomu no Owari Hakozume no Mokushi” [1], “THE MURDER’S TV” [5], “Taion” TRACES VOL.2 version [5], “WITHOUT A TRACE” TRACES VOL.2 version [1])
B1 (“ATTITUDE” [3], “A MOTH UNDER THE SKIN” [1], “NO.[666]” [3], “舐～zetsu～” [5])
B♭1 (“Anti pop” Shibuya-AX 2014/03/31 [5], “C.Y.HEAD” [5], “DEVOURING ONE ANOTHER” [1])
A1 (“MY DEVIL ON THE BED” [5], “WITHOUT A TRACE” Demo version [1])
G♯1 (“Carry?” [3], “CLEVER MONKEY” [1], “DOGMA” [1], “Uragiru Bero” [5])
G1 (“IN BLOSSOM” Yokohama Arena 2014/01/11 [4 - Incidental subharmonic], “THE MURDER’S TV” [5], “WASTELAND” [5])
F♯1 (“LUCY” [1], “UNDYING” [5])
E♭1 (“Toguro” [5 - It’s more a noise than a note attempt or anything])
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don’t have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that have insufficient tone and/or little support (very throaty and weak sounding).
[6] marks notes produced via reverse phonation (inhaling).
1291 notes / 52 bold notes (37 highs, 15 lows)
{Albums Ranges}
the GazettE
Albums
2004/10/13 - DISORDER: B1 - E2 - C5 - E♭5
2006/02/08 - NIL: A1 - C♯2 - B4 - C5 - E♭5
2007/07/04 - STACKED RUBBISH: D2 - E2 - D5 - F♯5
2009/07/15 - DIM: B1 - E♭5 - B5
2011/05/10 - TOXIC: C♯2 - B♭4 - E5
2012/08/29 - DIVISION: C♯2 - B4 - C5
2013/10/23 - BEAUTIFUL DEFORMITY: B1 - C2 - B4 - C5 - F5
2015/08/26 - DOGMA: A1 - B4 - E5 - E5
2018/06/13 - NINTH: E2 - B♭4 - B4 - C♯5 - E5
2021/05/26 - MASS: A2 - B♭2 - B4 - C♯5 - D5 - F5
EPs/Mini-Albums
2003/05/28 - COCKAYNE SOUP: E2 - E3 - C5 - G♯5
2003/06/25 - Akuyuukai: B♭2 - B♭4 - C5 - F♯5
2003/07/30 - Spermargarita: E♭2 - A2 - B♭4 - F5 - F♯5 - B5
2003/10/01 - Hankou Seimeibun: F2 - A4 - B4 - D5
2004/03/30 - 斑蠡〜MADARA〜: C2 - A2 - B4 - C5 - F5 - G♯5
2005/08/03 - Gama: B1 - G2 - B4 - C5 - D5
Singles
2002/04/30 - Wakaremichi: G♯2 - A2 - B2 - B♭4 - E♭5 - E5 - F♯5
2002/08/30 - Kichiku Kyoushi (Sanjuunisai Dokushin) no Nousatsu Kouza: F♯2 - B2 - A4 - D5 - E♭5 - F5
2002/09/20 - Gozen Zeroji no Trauma Radio: F2 - B2 - B♭4 - B4 - F5
2004/07/28 - Dainippon Itan Geisha Teki Noumiso Nakazuri Zecchou Zekkei Ongenshuu: E♭2 - G2 - B♭4 - D5 - E♭5
2005/03/09 - 【reila】: E♭2 - A2 - C♯5
2005/12/07 - Cassis: F♯2 - B4 - G♯5
2006/10/25 - REGRET: E2 - F2 - B2 - B4 - C5 - F♯5
2006/11/01 - Filth in the beauty: A2 - A4 - B♭4 - B♭4
2007/02/07 - Hyena: F♯2 - C♯3 - D5 - F5
2008/02/13 - Guren: D2 - F2 - A4 - B♭4 - C5 - E5
2008/12/11 - LEECH: F♯2 - A2 - E♭5 - F♯5
2009/03/xx - 2009.03 SINGLE DEMO: E2 - A4 - B♭4 - F5
2009/03/25 - DISTRESS AND COMA: D2 - A4 - B♭4 - B5
2009/10/07 - BEFORE I DECAY: F2 - A2 - G♯4 - B4
2010/07/21 - SHIVER: C♯2 - G♯2 - C♯3 - B♭4 - E5
2010/10/22 - Red: B♭1 - E2 - G♯2 - A4 - B♭4
2010/12/15 - PLEDGE: G2 - A4
2011/05/25 - VORTEX: C♯2 - A4 - B4 - E♭5
2011/08/31 - REMEMBER THE URGE: B1 - E♭2 - B♭4 - C5
2013/08/21 - FADELESS: B♭1 - B♭2 - B♭4 - B4 - E♭5
2015/11/18 - UGLY: G♯2 - B♭4 - E♭5
2016/04/27 - UNDYING: E2 - A4 - C5
Others
2017/03/08 - BALLAD BEST ALBUM TRACES VOL.2: E2 - B♭4 - B4 - B4 - C5
Albums
2004/10/13 - DISORDER: B1 - E2 - C5 - E♭5
2006/02/08 - NIL: A1 - C♯2 - B4 - C5 - E♭5
2007/07/04 - STACKED RUBBISH: D2 - E2 - D5 - F♯5
2009/07/15 - DIM: B1 - E♭5 - B5
2011/05/10 - TOXIC: C♯2 - B♭4 - E5
2012/08/29 - DIVISION: C♯2 - B4 - C5
2013/10/23 - BEAUTIFUL DEFORMITY: B1 - C2 - B4 - C5 - F5
2015/08/26 - DOGMA: A1 - B4 - E5 - E5
2018/06/13 - NINTH: E2 - B♭4 - B4 - C♯5 - E5
2021/05/26 - MASS: A2 - B♭2 - B4 - C♯5 - D5 - F5
EPs/Mini-Albums
2003/05/28 - COCKAYNE SOUP: E2 - E3 - C5 - G♯5
2003/06/25 - Akuyuukai: B♭2 - B♭4 - C5 - F♯5
2003/07/30 - Spermargarita: E♭2 - A2 - B♭4 - F5 - F♯5 - B5
2003/10/01 - Hankou Seimeibun: F2 - A4 - B4 - D5
2004/03/30 - 斑蠡〜MADARA〜: C2 - A2 - B4 - C5 - F5 - G♯5
2005/08/03 - Gama: B1 - G2 - B4 - C5 - D5
Singles
2002/04/30 - Wakaremichi: G♯2 - A2 - B2 - B♭4 - E♭5 - E5 - F♯5
2002/08/30 - Kichiku Kyoushi (Sanjuunisai Dokushin) no Nousatsu Kouza: F♯2 - B2 - A4 - D5 - E♭5 - F5
2002/09/20 - Gozen Zeroji no Trauma Radio: F2 - B2 - B♭4 - B4 - F5
2004/07/28 - Dainippon Itan Geisha Teki Noumiso Nakazuri Zecchou Zekkei Ongenshuu: E♭2 - G2 - B♭4 - D5 - E♭5
2005/03/09 - 【reila】: E♭2 - A2 - C♯5
2005/12/07 - Cassis: F♯2 - B4 - G♯5
2006/10/25 - REGRET: E2 - F2 - B2 - B4 - C5 - F♯5
2006/11/01 - Filth in the beauty: A2 - A4 - B♭4 - B♭4
2007/02/07 - Hyena: F♯2 - C♯3 - D5 - F5
2008/02/13 - Guren: D2 - F2 - A4 - B♭4 - C5 - E5
2008/12/11 - LEECH: F♯2 - A2 - E♭5 - F♯5
2009/03/xx - 2009.03 SINGLE DEMO: E2 - A4 - B♭4 - F5
2009/03/25 - DISTRESS AND COMA: D2 - A4 - B♭4 - B5
2009/10/07 - BEFORE I DECAY: F2 - A2 - G♯4 - B4
2010/07/21 - SHIVER: C♯2 - G♯2 - C♯3 - B♭4 - E5
2010/10/22 - Red: B♭1 - E2 - G♯2 - A4 - B♭4
2010/12/15 - PLEDGE: G2 - A4
2011/05/25 - VORTEX: C♯2 - A4 - B4 - E♭5
2011/08/31 - REMEMBER THE URGE: B1 - E♭2 - B♭4 - C5
2013/08/21 - FADELESS: B♭1 - B♭2 - B♭4 - B4 - E♭5
2015/11/18 - UGLY: G♯2 - B♭4 - E♭5
2016/04/27 - UNDYING: E2 - A4 - C5
Others
2017/03/08 - BALLAD BEST ALBUM TRACES VOL.2: E2 - B♭4 - B4 - B4 - C5
Black marks chest and mix notes.
Blue marks falsetto notes.
Green marks harsh, distorted vocals.
Grey marks fry notes.
Underlines mark backing vocal notes and notes obscured in the song mix.
Italics mark non-melodic and intentional spoken notes.
Boldface marks notes that are considered to be particularly notable examples of this person’s vocal capabilities.
Blue marks falsetto notes.
Green marks harsh, distorted vocals.
Grey marks fry notes.
Underlines mark backing vocal notes and notes obscured in the song mix.
Italics mark non-melodic and intentional spoken notes.
Boldface marks notes that are considered to be particularly notable examples of this person’s vocal capabilities.
