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Post by Macca on Feb 5, 2024 21:17:11 GMT
This for notes from singers that are hit in their mid-range but are Bold-worthy
John Linnell: C4 in Stomp Box, F3 in Someone Keeps Moving My Chair, G3 in Can't Keep Johnny Down
Rob Cantor: C4 in Haiku
Joe Hawley: C4 in Spring and a Storm
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Post by Homelander on Feb 5, 2024 21:54:02 GMT
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Post by Macca on Feb 7, 2024 22:04:52 GMT
More from John Linnell: A3 in Stomp Box, C4 in Man, It's So Loud In Here
Billie Joe Armstrong: F4 in 21 Guns, F4 in Holiday, G3 in Good Riddance (Time of Your Life), A3 in Kill the DJ
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Post by Yojojo on Feb 8, 2024 0:22:38 GMT
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Post by Goober on Feb 8, 2024 0:34:15 GMT
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Post by Yojojo on Feb 9, 2024 13:51:22 GMT
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Post by Homelander on Feb 9, 2024 19:03:36 GMT
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Post by PerhapsXarb on Feb 10, 2024 0:35:55 GMT
Elliott Smith: D4 from Plainclothes Man (although it was counted before his threshold was moved to E4; one of my favorite notes of his) I forget specifics but Gene Ween has quite a few in the E4 - F4 ballpark that kinda make me think his threshold might be too high lol |
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Dylan
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Post by Dylan on Feb 10, 2024 0:37:53 GMT
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Post by Osmosis on Feb 10, 2024 10:55:14 GMT
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Anacrusis
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Post by Anacrusis on Feb 11, 2024 0:53:03 GMT
I forget specifics but Gene Ween has quite a few in the E4 - F4 ballpark that kinda make me think his threshold might be too high lol I did that thread, and I totally agree. I'm thinking of seeing how fast I can go through his catalog soon to whip up an E & F section. Lmk if you have any bold suggestions. |
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Anacrusis
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Post by Anacrusis on Feb 11, 2024 0:54:06 GMT
Also, here's my list: Chester Bennington's F4's in "In The End". John Linnell's outro C#4 in "Doctor Worm". Coincidentally sung beneath a bold F#4 from Flansburgh. Danny Elfman's F#4's in "Dead Man's Party" aren't particularly flashy, but his consistent, smooth approach and the rate at which he does the note are really impressive to me. Rivers Cuomo's F4's in "Pink Triangle", beneath the F#, remind me of why he's a tenor. The G#4 in the 2nd verse is also one of the most beautiful things I've ever heard, but that's not mid-range. Thom Yorke's E4 in "Paranoid Android". Frankie Valli would hold out the intro E4 from "Let's Hang On" a lot in live shows, though sometimes down a half-step. This is my favorite from him. Sade's G4's in "Smooth Operator". The verses as a whole are also pretty representative, I think, of what boldable mid-range could mean. It's all in her mid-range, but it really drives the song. Grace Slick's bold A4 in "Somebody to Love", I think was mostly bolded b/c of the long F#4 leading up to it. |
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Post by Yojojo on Feb 11, 2024 2:12:18 GMT
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Post by Yojojo on Feb 12, 2024 14:51:16 GMT
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Post by Yojojo on Feb 13, 2024 20:05:18 GMT
I saw Dave Gahan's name pop up in a recent thread and God he probably has so fuckin' many of these
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Post by Seb on Feb 20, 2024 3:51:59 GMT
You could say so
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Post by jaredletoisbackagain on Feb 20, 2024 15:05:58 GMT
That shaky camera is doing a LOT of heavy lifting
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Post by blazejecar2 on Feb 21, 2024 12:54:49 GMT
Michael Mills 40 second F4
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Post by Homelander on Mar 2, 2024 22:24:46 GMT
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Post by Yojojo on Mar 2, 2024 22:33:02 GMT
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Post by Homelander on Mar 3, 2024 17:18:55 GMT
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Post by Yojojo on Mar 5, 2024 18:12:34 GMT
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Post by Osmosis on Apr 18, 2024 13:11:42 GMT
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Post by blazejecar2 on Apr 18, 2024 13:27:40 GMT
Would most of Bing Crosby's bolds also fit here? C4 maybe is a significant note in his discography, but do we really think C4 is actually a high note for his voice? |
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