Post by TheCMRecluse on Mar 22, 2024 5:29:36 GMT
Rebecca Éowyn Denee Krueger
Associated Acts: Éowyn (alias) (2006-present)
Vocal Range: B2-F♯5 (2 octaves, 7 notes)
Vocal Type: Page Burning Contralto
{Vocal Summary}
Solo artists in hard rock can have a decent career with them being the solo name for a certain project although sometimes bands are what get the most attention. Tennessee native, Rebecca Éowyn Denee Krueger are just Éowyn has had a unique career for what she had in her prime. Éowyn was well-known for her mix of hard rock with gothic and industrial elements which made her a stand out in Christian alternative rock. Éowyn’s voice can be described as a haunting contralto using a yodel-like lilt similar to singers like Dolores O’Riordan and with the same gothic passion like Amy Lee or Anneke Van Giersbergen. Éowyn’s earlier work consisted of a softer sound with her singing in a mid-range voice that didn’t demand much in terms of creativity and was all about mood. It wasn’t until her third album where she began to expand her singing chops and began belting more, using her head voice and while her low register was still used it was not the main focus as with old releases. The sound of her music also got a bit heavier and more expansive which changed her vocal dynamic. Her latest album showcases more of her falsetto skills sounding more comfortable than before which she sounded as if she strained a bit but now has become more comfortable going higher. Éowyn is a unique singer for any Christian goth looking for music to relate to their aesthetics and despite her not as active much anymore she still will remain one of the most unique women in Christian rock
Solo artists in hard rock can have a decent career with them being the solo name for a certain project although sometimes bands are what get the most attention. Tennessee native, Rebecca Éowyn Denee Krueger are just Éowyn has had a unique career for what she had in her prime. Éowyn was well-known for her mix of hard rock with gothic and industrial elements which made her a stand out in Christian alternative rock. Éowyn’s voice can be described as a haunting contralto using a yodel-like lilt similar to singers like Dolores O’Riordan and with the same gothic passion like Amy Lee or Anneke Van Giersbergen. Éowyn’s earlier work consisted of a softer sound with her singing in a mid-range voice that didn’t demand much in terms of creativity and was all about mood. It wasn’t until her third album where she began to expand her singing chops and began belting more, using her head voice and while her low register was still used it was not the main focus as with old releases. The sound of her music also got a bit heavier and more expansive which changed her vocal dynamic. Her latest album showcases more of her falsetto skills sounding more comfortable than before which she sounded as if she strained a bit but now has become more comfortable going higher. Éowyn is a unique singer for any Christian goth looking for music to relate to their aesthetics and despite her not as active much anymore she still will remain one of the most unique women in Christian rock
{Discography Checked}
Éowyn
Genre: Alternative metal-rock/post-grunge/gothic rock/hard rock/industrial rock/electro-pop
Studio albums
Shattered Illusions (2003) F3-D5-E5
Identity (2006) B2-E3-C♯5
Silent Screams (2008) F3-E♭5-F♯5
Beautiful Ashes (2011) F3-E♭5-F♯5
Just Believe (2018) F3-E♭5-E5-F♯5
Éowyn
Genre: Alternative metal-rock/post-grunge/gothic rock/hard rock/industrial rock/electro-pop
Studio albums
Shattered Illusions (2003) F3-D5-E5
Identity (2006) B2-E3-C♯5
Silent Screams (2008) F3-E♭5-F♯5
Beautiful Ashes (2011) F3-E♭5-F♯5
Just Believe (2018) F3-E♭5-E5-F♯5
Significant High Notes:
F♯5 ("To My Surprise", "Who Says?", "You Had To")
F5 ("Beautiful Ashes", "Burning Pages", "Cliché", "Closer", "Drenched", "Fully Alive", "Significant")
E5 ("Goodbye", "Mirage", "Set Free")
E♭5 ("Closer", "Dream", "Drenched", "Fail-Safe", "Life", "Safety")
D5 ("All I Need", "Alive", "Cliché", "Hands Of Time", "Hero", "I'm Ready", "I Need You", "More Than Yesterday", "Powerful", "You Had To")
C♯5 ("Abandon", "Believe", "Burning Pages", "Crashing", "Dream", "Drenched", "Escape", "Fully Alive", "I Need You", "Life", "Safety", "Take Me Away", "This Time", "To My Surprise", "Who Says?")
C5 ("All I Need", "Beautiful Ashes", "Break Free", "Closer", "Helpless", "Hero", "Hold Me", "I Don't Understand", "I Want You To Know", "More Than Yesterday", "Powerful", "Remedy", "Runaway", "Significant", "Silent Screams", "Time", "Worth", "You Saw Me")
B4 ("Crazy", "Draw Me", "Fail-Safe", "Goodbye", "Identity", "Locked Away", "Mirage", "Safety", "Saving Grace", "The Music Box", "Unfinished Memories")
B♭4 ("All I Need", "Believe", "Draw Me", "Dream", "I Need You", "So Faithful", "This Time", "You Had To")
A4 ("Abandon", "I'm Ready", "Identity", "Take Me Away", "Without You")
G♯4 ("Locked Away", "Mirage", "So Faithful")
Significant Low Notes:
B3 ("Fail-Safe", "Life", "Silent Screams", "Unfinished Memories")
B♭3 ("Burning Pages", "Dream", "Hands Of Time")
A3 ("Alive", "Crazy", "Goodbye", "Hands Of Time", "Helpless", "Hero", "Hold Me", "I Want You To Know", "I'm Ready", "Powerful", "Remedy", "Runaway", "So Faithful", "The Music Box")
G♯3 ("Alive", "Believe", "Crashing", "Dream", "Drenched", "Fail-Safe", "Fully Alive", "Locked Away", "More Than Yesterday", "Set Free", "Take Me Away", "This Time", "Worth", "You Saw Me")
G3 ("Beautiful Ashes", "Break Free", "Escape", "Fully Alive", "I Don't Understand", "I Want You To Know", "Remedy", "Significant", "Time")
F♯3 ("Abandon", "Escape", "Mirage", "Safety", "Take Me Away", "Who Says?")
F3 ("Closer", "Draw Me", "I Need You", "Saving Grace", "Without You", "You Had To")
E3 ("Identity")
B2 ("Identity")
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Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.