Post by dankapple on Apr 6, 2024 10:43:50 GMT
Matthew Davies-KreyeAssociated Acts: Funeral for a Friend (formerly January Thirst) (2001 - 2016, 2019 - 2023), This Is Menace (2005, as guest), The Secret Show (2006...hiatus), Struck a Nerve, Solo
Vocal Range: G2 - A5
Significant High Notes:
A5 ("Everyone's a Critic")
F♯5 ("Red Is the New Black" Casually Dressed version, "The System")
F5 ("10 Scene Points to the Winner", "After All These Years…Like a Lightbulb Going Off in My Head", "This Year's Most Open Heartbreak", "You Should Be Ashamed of Yourself")
E5 ("Bullet Theory")
E♭5 ("The Art of American Football", "Cover Girl Monument", "Energy Dome", "The Getaway Plan", "She Drove Me to Daytime Television")
C♯5 ("1%", "10 Scene Points to the Winner", "After All These Years…Like a Lightbulb Going Off in My Head", "Aftertaste", "Beneath the Burning Tree", "Built to Last", "Bullet Theory", "Constant Illuminations", "The Diary" live London Astoria 2007, "Donny", "Ghosts", "Hidden Track", "Kiss and Makeup (All Bets Are Off)", "Millionaire Typewriters / Saturday Fightlife", "Stand by Me for the Millionth Time", "The System", "This Is Selling Out", "This Year's Most Open Heartbreak", "Waterfront Dance Club", "Welcome Home Armageddon")
C5 ("The Art of American Football", "Conduit", "The Distance", "Elements", "Energy Dome", "Fashion Victims", "Grey", "High Castles", "Man Alive", "One for the Road", "Pick Up on South Street", "Red Is the New Black" Casually Dressed version, "Rookie of the Year", "Sun-Less", "You Should Be Ashamed of Yourself", "You Want Romance?")
B4 ("10.45 Amsterdam Conversations" live London 2016, "Aftertaste", "Beneath the Burning Tree", "Breaking Point", "Bullet in the Head", "Captains of Industry", "Constant Illuminations", "Cover Girl Monument", "Donny", "From the Starting Line", "I'm With You", "In a Manner of Sleep", "Into Oblivion (Reunion)", "Juneau" live Reading Festival 2009, "Maybe I Am?", "Out of Reach", "Owls (Are Watching", "Pick Up on South Street", "Sunday Bloody Sunday", "Waking Up", "Walk Away", "Wrench")
B♭4 ("1%", "All Hands on Deck, Pt. 2: Open Water", "All the Rage", "Alvarez", "Bend Your Arms to Look Like Wings", "Beneath the Burning Tree", "Building", "Built to Last", "Broken Foundation", "Can't Lose Out", "Charlie Don't Surf", "Conduit", "Damned If You Do, Dead If You Don't", "Death Comes to Us All", "The Diary", "The Distance", "Elements", "The End of Nothing", "Escape Artists Never Die" live Spilling Blood In 8mm, "Everything Dear or Nothing at All", "Fashion Victims", "Faster", "Front Row Seats to the End of the World", "The Getaway Plan", "Ghosts", "Grey", "Hidden Track", "High Castles", "Hospitality", "Inequality", "Lazarus (In the Wilderness)", "Man Alive", "Medicated", "Miracle of Christmas", "Modern Excuse of a Man", "Moments Forever Faded", "Nails", "Not Even as We Speak", "Old Hymns", "One for the Road", "Owls (Are Watching)", "Pencil Pusher", "Recovery", "Red Is the New Black", "Rise and Fall", "Roses for the Dead", "Rules and Games", "Sixteen", "Serpents in Solitude", "Someday the Fire...", "Spine", "Spinning Over the Island", "Stand by Me for the Millionth Time", "Streetcar", "Sunday Bloody Sunday", "Sun-Less", "This Is Selling Out", "To Die Like Mouchette", "Travelled", "Vultures", "Waterfront Dance Club", "Welcome Home Armageddon", "You Can't See the Forest for the Wolves", "Your Revolution Is a Joke", "You Should Be Ashamed of Yourself", "You've Got a Bad Case of the Religions")
A4 ("10 Scene Points to the Winner", "Africa", "Aftertaste", "All Hands on Deck, Pt. 1: Raise the Sail", "Best Friends and Hospital Beds", "Breaking Point", "Broken Foundation", "Brother", "Bullet Theory", "Can't Lose Out", "Constant Resurrections", "Cover Girl Monument", "Damned If You Do, Dead If You Don't", "Death Comes to Us All", "The Diary", "Donny", "The End of Nothing", "Everything Dear or Nothing at All", "From the Starting Line", "The Girl from Chapel Hill", "Green to Me", "Grey", "I Am the Arsonist", "I'm With You", "Into Oblivion (Reunion)", "Kicking and Screaming", "Kiss and Makeup (All Bets Are Off)", "Lovers", "Mañana", "Millionaire Typewriters / Saturday Fightlife", "Nails", "Not Even as We Speak", "Out of Reach", "Saving Grace", "Sonny", "The Space Between Us", "Stand by Me for the Millionth Time", "The Storm", "Sun-Less", "The Sweetest Wave", "The System", "This Letter", "This Year's Most Open Heartbreak", "Two Drowned Rats in the Desert", "Waking Up", "Walk Away", "We Blaze a Trail", "You Can't See the Forest for the Wolves")
G♯4 ("10.45 Amsterdam Conversations", "After All These Years…Like a Lightbulb Going Off in My Head", "All Hands on Deck, Pt. 1: Raise the Sail", "All Hands on Deck, Pt. 2: Open Water", "All the Rage", "The Art of American Football", "Bend Your Arms to Look Like Wings", "The Boys Are Back in Town", "Breaking Point", "Building", "Built to Last", "Captains of Industry", "Charlie Don't Surf", "Constant Illuminations", "Constant Resurrections", "Crash and Burn", "The Diary", "The Duke", "The End of Nothing", "Escape Artists Never Die", "Everyone's a Critic", "Fashion Victims", "Faster", "Front Row Seats to the End of the World", "The Getaway Plan", "Ghosts", "The Great Wide Open", "Heidi's Song", "Hidden Track", "History", "In a Manner of Sleep", "Inequality", "Into Oblivion (Reunion)", "The Jade Tree Years Were My Best", "Join Us", "Juneau", "Kiss and Makeup (All Bets Are Off)", "Lazarus (In the Wilderness)", "Maybe I Am?", "Millionaire Typewriters / Saturday Fightlife", "Miracle of Christmas", "Moments Forever Faded", "Monsters", "No Honour Among Thieves", "Novella", "Old Hymns", "One for the Road", "On a Wire", "Out of Reach", "Pirate Song", "Recovery", "Red Is the New Black", "Rules and Games", "Rookie of the Year", "She Drove Me to Daytime Television", "Sixteen", "Someday the Fire...", "Sonny", "Spinning Over the Island", "Stand by Me for the Millionth Time", "Storytelling", "Streetcar", "Sunday Bloody Sunday", "The Sweetest Wave", "The System", "This Is Selling Out", "This Year's Most Open Heartbreak", "To Die Like Mouchette", "Travelled", "Vultures", "Waking Up", "Waterfront Dance Club", "Welcome Home Armageddon", "Wrench", "You Can't See the Forest for the Wolves", "You Should Be Ashamed of Yourself", "You've Got a Bad Case of the Religions", "You Want Romance?")
Significant Low Notes:
F3 ("Beneath the Burning Tree", "Blueprint for a Happy Ending", "Charlie Don't Surf", "Drive", "Everything Dear or Nothing at All", "Hospitality", "I Am the Arsonist", "Novella", "The Space Between Us", "Welcome Home Armageddon", "Your Revolution Is a Joke", "You've Got a Bad Case of the Religions" acoustic)
E3 ("10.45 Amsterdam Conversations", "Africa", "Constant Illuminations", "Donny", "The Duke", "From the Starting Line", "Heidi's Song", "I Am the Arsonist", "Into Oblivion (Reunion)", "Kiss and Makeup (All Bets Are Off)", "Mañana", "Monsters", "Old Blacktop", "Sonny", "The System", "Waking Up")
E♭3 ("1%", "After All These Years…Like a Lightbulb Going Off in My Head", "Bend Your Arms to Look Like Wings", "Building", "Built to Last", "Bullet Theory", "Charlie Don't Surf", "Damned If You Do, Dead If You Don't", "The Diary", "Donny", "Faster", "Juneau", "Realigned", "Rise and Fall", "Your Revolution Is a Joke", "You Can't See the Forest for the Wolves")
D3 ("Building", "Impressionist Road Map of the West", "I'm With You", "Kicking and Screaming", "The One That I Love", "This Letter", "Tornado Warning", "Two Drowned Rats in the Desert")
C♯3 ("10.45 Amsterdam Conversations", "After All These Years…Like a Lightbulb Going Off in My Head", "Bullet in the Head", "Bullet Theory", "Heidi's Song", "I'm With You", "Into Oblivion (Reunion)", "Miracle of Christmas", "No Honour Among Thieves", "Old Blacktop", "Rookie of the Year", "You Can't See the Forest for the Wolves")
C3 ("The One That I Love")
B2 ("Cover Girl Monument", "Heidi's Song", "Tornado Warning")
B♭2 ("Realigned")
A2 ("The One That I Love")
G2 ("The System")
{Questionable Notes}E♭5 ("Novella"[2])
C♯5 ("Medicated"[2])
E♭3 ("Drive"[1])
C3 ("The Sweetest Wave"[1])
G2 ("The Storm"[1])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
C♯5 ("Medicated"[2])
E♭3 ("Drive"[1])
C3 ("The Sweetest Wave"[1])
G2 ("The Storm"[1])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
{Discography}Funeral for a Friend:
Between Order and Model (2002): C♯3 - C5 - E♭5
Four Ways to Scream Your Name (2003): E3 - C♯5 - F5
Seven Ways to Scream Your Name (2003): C♯3 - C♯5 - F5
The Young and Defenceless (2010): E♭3 - B♭4
Casually Dressed & Deep In Conversation (2003): C♯3 - E5 - F♯5
Hours (2005): E3 - B♭4
Tales Don't Tell Themselves (2007): C♯3 - C5
Memory and Humanity (2008): C♯3 - C♯5
Welcome Home Armageddon (2011): E♭3 - C♯5
Conduit (2013): G3 - C5
Chapter and Verse (2015): C♯3 - C♯5 - F5
The Secret Show:
The Jersey Girl EP (2015): F3 - A4
Impressionist Road Map Of The West (2006): A2 - A4 - A4 - A5
Struck a Nerve:
Struck a Nerve (2011): B♭3 - C♯5
Breaking Point (2020): C♯4 - C5 only 2 tracks available?
Solo:
Reflections (2008): B2 - B4
Untitled (2008): N/A (unavailable)
Neighbours (2020): N/A (instrumental)
Axis (2022): N/A (instrumental)
Between Order and Model (2002): C♯3 - C5 - E♭5
Four Ways to Scream Your Name (2003): E3 - C♯5 - F5
Seven Ways to Scream Your Name (2003): C♯3 - C♯5 - F5
The Young and Defenceless (2010): E♭3 - B♭4
Casually Dressed & Deep In Conversation (2003): C♯3 - E5 - F♯5
Hours (2005): E3 - B♭4
Tales Don't Tell Themselves (2007): C♯3 - C5
Memory and Humanity (2008): C♯3 - C♯5
Welcome Home Armageddon (2011): E♭3 - C♯5
Conduit (2013): G3 - C5
Chapter and Verse (2015): C♯3 - C♯5 - F5
The Secret Show:
The Jersey Girl EP (2015): F3 - A4
Impressionist Road Map Of The West (2006): A2 - A4 - A4 - A5
Struck a Nerve:
Struck a Nerve (2011): B♭3 - C♯5
Breaking Point (2020): C♯4 - C5 only 2 tracks available?
Solo:
Reflections (2008): B2 - B4
Untitled (2008): N/A (unavailable)
Neighbours (2020): N/A (instrumental)
Axis (2022): N/A (instrumental)
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• Blue marks falsetto or whistle notes.
• Green marks harsh/distorted screams.
• Bold marks outstanding passages.
• Italics mark non-melodic or spoken notes.
• Underlines mark obscured or background notes.