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Post by Yojojo on Jul 29, 2024 16:09:15 GMT
Experienced singer or not, high notes are way easier to screw up than lows. But is there any notable examples of lows getting butchered?
I have a few, and for some reason they're all tenor A2s.
Firstly, this example that's been shared on this forum before, a live performance of In Bloom. Kurt sounds like he's powering down.
Next, this example taken from one of my own threads. Chris put enough air into those A2s to blow up a balloon.
Finally, this note from Michael Bolton, perhaps the most micro A2 of all time.
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Post by Homelander on Jul 29, 2024 16:56:53 GMT
This F♯2 from Barry Gibb.
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Post by VocalDudeGuy on Jul 29, 2024 17:04:14 GMT
I believe In Bloom is being played a step down in that performance, so he screwed up a G#2.
Weak as frick F1 according to Electric Mami. Edit: Late but this F1 dosen't actually belong to Tad lmao
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Post by VocalDudeGuy on Jul 29, 2024 18:02:30 GMT
Brendan Maier on the struggle Bus for the Bleed the Freak Bb2, which is kinda funny cuz dude got banging C3s in his song "Out of Time"
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Steingrim
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Post by Steingrim on Jul 29, 2024 20:27:45 GMT
Guy Penrod is a study in going for awfully low chest notes live, including an F2. The studio F2 in his thread here isn't that awful. Check out the vocal range video, things pick up very slowly. By D3 he seems to be in command. There's a chest F5 at the end. This F♯2 from Barry Gibb. Compare to this F#2 from Prince : www.4shared.com/mp3/4DF2LbcBee/w8Kag_There_Is_Lonely_F2.html
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Post by Homelander on Jul 30, 2024 0:07:32 GMT
Sounds about similar quality, tbh.
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Steingrim
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Post by Steingrim on Jul 30, 2024 5:52:56 GMT
Sounds about similar quality, tbh. Barry Gibb's F#2 is a bit breathy and fades in volume. The entire melody line is sung breathily. Prince sounds like he's about to choke on that note, Barry Gibb probably has one or two more before that happens. Compared to Guy Penrod, they aren't very good at making that kind of note appear to work. Guy Penrod is a high tenor with easy C5s and higher. I suspect that the mentioned D3 in the Guy Penrod video is actually Bill Gaither, who's a baritone, hence the ease and power. Disregarding that note, he sounds allright at B2 at least.
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Post by CT on Sept 6, 2024 17:29:50 GMT
You know I had to bring him up
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Post by Homelander on Sept 6, 2024 17:51:42 GMT
You know I had to bring him up I challenge you to find a good low note of his.
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Post by Yojojo on Sept 6, 2024 18:28:01 GMT
You know I had to bring him up I challenge you to find a good low note of his. I'll do you one better, find a good note of his.
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Post by clem on Sept 8, 2024 23:28:27 GMT
I have no idea why Anders Friden chose to sing the intro of "Hallowed Be Thy Name" an octave lower than in the original. From about 1:15 on it's actually a pretty good melodeath cover of an Iron Maiden song, but he's really struggling through that first section.
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Post by Yojojo on Sept 9, 2024 20:07:52 GMT
Chris is back at it! Honestly, this sounds like it could be due to awful mixing, but these Bb2s are barely audible.
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Post by mushymarionette on Sept 17, 2024 13:54:11 GMT
It's hard to make low notes sound bad the same way as failed high notes which have that spectacular strained intensity and crack factor going on but those Cobain low notes truly are an example of bad lows lmao, he's struggling and it sounds just like that
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Post by Homelander on Sept 20, 2024 4:18:07 GMT
I like to forget this exists.
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Post by mushymarionette on Sept 20, 2024 15:30:16 GMT
I have no idea why Anders Friden chose to sing the intro of "Hallowed Be Thy Name" an octave lower than in the original. From about 1:15 on it's actually a pretty good melodeath cover of an Iron Maiden song, but he's really struggling through that first section. Damn, excellent choice! One of the worst truly
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Post by VocalDudeGuy on Sept 21, 2024 0:48:44 GMT
I have no idea why Anders Friden chose to sing the intro of "Hallowed Be Thy Name" an octave lower than in the original. From about 1:15 on it's actually a pretty good melodeath cover of an Iron Maiden song, but he's really struggling through that first section. Damn, excellent choice! One of the worst truly This is what happens when u make a tenor who hasn't slept for 30 hours try to sing like Peter Steele .
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Steingrim
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Post by Steingrim on Sept 21, 2024 8:25:50 GMT
I have no idea why Anders Friden chose to sing the intro of "Hallowed Be Thy Name" an octave lower than in the original. From about 1:15 on it's actually a pretty good melodeath cover of an Iron Maiden song, but he's really struggling through that first section. That was a little beyond "really struggling"...that was some of the most pitchy, completely mumbled low singing I've heard in a long time. Sounds like a pisstake rendition of the first verse that they recorded as a joke, and the engineer accidentally mixed up that track with the finished version and somehow it made it into the final cut. Honestly one of the more embarrassing things I've listened to in music in a while. That sounds like me trying to sing in fry voice below my useful chest range. In other words, a pathetic lack of control. I can get pleasing tone down to F#1 but the probability plummets when going down that octave.
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Post by brookesquatchy on Sept 21, 2024 10:36:30 GMT
i feel bad putting a guy from a video with like 500 views on blast but i saw this vid at some point somehow and my brain refuses to forget this note. no shade to him he's got like a decent C2 on some other song they did and the arrangement on this one is pretty alright but this moment is like etched into the code of my memory forever. it is like the auditory equivalent of a brillo pad
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Post by mushymarionette on Sept 24, 2024 15:22:56 GMT
I thought it was ok
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