Post by TheCMRecluse on Aug 10, 2024 3:44:41 GMT
Tim Skipper
Associated Acts: Plan B (1996-1998), No Tagbacks (1998-2003), House Of Heroes (2003-present), Copperlily (2012-present)
Vocal Range: C♯2-G♯5 (3 octaves, 7 notes)
Vocal Type: Foolish King Tenor: Charmer Of Reds
{Vocal Summary}
Hailing from Columbus, Ohio, Tim Skipper of the ambitious rock band House Of Heroes has been one of the most acclaimed figures in Christian rock for his passionate vocals, stylistic guitar playing and lyrics that can go from quirky to impactful. Skipper's voice is described as very expressive and is known to be a master of textures with his youthful tenor voice that some have likened his voice to people like Billie Joe Armstrong or Rivers Cuomo. In all of his songs, Skipper tends to have a bit of playfulness especially when the songs lean into romantic and sarcastic viewpoints and going a bit more emotive in somber songs that tell a story of living in the suburbs of America especially in the late 40s. Skipper’s voice remains around the higher fourth octave while higher notes can be sung or have the use of falsetto that is very pop and soul inspired and is usually during the most idiosyncratic songs. His lower register while not as used especially in the earlier part of his career seemed to only gotten better with age as he seemed to use it during the moodier moments of songs. Skipper is one of the most unique figures of the late 2000s Christian rock scene and with such a unique take in the genre has made him stand out as a one of a kind artist.
Hailing from Columbus, Ohio, Tim Skipper of the ambitious rock band House Of Heroes has been one of the most acclaimed figures in Christian rock for his passionate vocals, stylistic guitar playing and lyrics that can go from quirky to impactful. Skipper's voice is described as very expressive and is known to be a master of textures with his youthful tenor voice that some have likened his voice to people like Billie Joe Armstrong or Rivers Cuomo. In all of his songs, Skipper tends to have a bit of playfulness especially when the songs lean into romantic and sarcastic viewpoints and going a bit more emotive in somber songs that tell a story of living in the suburbs of America especially in the late 40s. Skipper’s voice remains around the higher fourth octave while higher notes can be sung or have the use of falsetto that is very pop and soul inspired and is usually during the most idiosyncratic songs. His lower register while not as used especially in the earlier part of his career seemed to only gotten better with age as he seemed to use it during the moodier moments of songs. Skipper is one of the most unique figures of the late 2000s Christian rock scene and with such a unique take in the genre has made him stand out as a one of a kind artist.
{Discography Checked}
House Of Heroes
Genre: Alternative rock/pop punk/power pop/indie rock
EPs
House Of Heroes Meets The Beatles EP (2009) F3-A4-C♯5
The Christmas Classics EP (2009) D3-B4-E5
Smoke EP (2014) F2-A2-E5-F5
Hark! The House of Heroes Sing EP (2014) A2-A4-E5
Studio albums
What You Want Is Now (2003) D3-C5-D5
Say No More (2006) A2-E5
The End Is Not The End (2008) G♯2-C♯5-E5
Suburba (2010) F♯2-C3-C♯5-G♯5
Cold Hard Want (2012) A2-E5
Colors (2016) C♯2-C♯5-D5-G♯5
Copperlily
Genre: Indie pop
EPs
Love Is A Legend EP (2014) B♭2-B4-D5
Studio albums
Copperlily (2015) G2-B♭4
House Of Heroes
Genre: Alternative rock/pop punk/power pop/indie rock
EPs
House Of Heroes Meets The Beatles EP (2009) F3-A4-C♯5
The Christmas Classics EP (2009) D3-B4-E5
Smoke EP (2014) F2-A2-E5-F5
Hark! The House of Heroes Sing EP (2014) A2-A4-E5
Studio albums
What You Want Is Now (2003) D3-C5-D5
Say No More (2006) A2-E5
The End Is Not The End (2008) G♯2-C♯5-E5
Suburba (2010) F♯2-C3-C♯5-G♯5
Cold Hard Want (2012) A2-E5
Colors (2016) C♯2-C♯5-D5-G♯5
Copperlily
Genre: Indie pop
EPs
Love Is A Legend EP (2014) B♭2-B4-D5
Studio albums
Copperlily (2015) G2-B♭4
Significant High Notes:
G♯5 ("Galveston", "Matador")
F♯5 ("Matador")
F5 ("Infinite", "The Worst Kind Of Gods")
E5 ("All I Want For Christmas Is You" [Mariah Carey cover], "Angels Of Night", "Bottle Rocket", "Burn Me Down", "Christmas Morning", "Code Name: Raven", "Constant", "Dance (Blow It All Away)", "God Rest Ye Merry Gentlemen / Joy To The World", "New Moon", "Satisfied", "Serial Sleepers", "So Glad" by John Reuben, "Somebody Knows")
E♭5 ("Faces", "Friday Night")
D5 ("A Man Who's Not Afraid", "Angels In Top Hats", "Buckets For Bullet Wounds", "Color In You", "Disappear", "Field Of Daggers", ""Galveston", "In The End", "Katie Baby", "Love Is For The Middle Class", "O Holy Night", "Salt In The Sea", "She Mighty Mighty", "Your Casualty")
C♯5 ("Boomerang" by Relient K, "Christmas Morning", "Code Name: Raven", "Dance (Blow It All Away)", "Drown", "Feel", "Galveston", “God”, "God Save The Foolish Kings", ""Hide", "I Am A Symbol", "In The Valley Of The Dying Son", "Infinite", "Journey Into Space, Pt. One", "Kamikaze Baby", "Leave You Now", "Make A Face Like You Mean It (Vampires)", "Metaphor In Parentheses", "New Moon", "Nobody Loves No One", "Ob-La-Di, Ob-La-Da" [The Beatles cover], "Relentless", "Sahara" by Relient K, "She Mighty Mighty", "Voices")
C5 ("Baby's A Red", "Bottle Rocket", "Burn Me Down", "By Your Side", "Can't Buy Me Love" [The Beatles cover], "Choose Your Blade", "Disappear", "Elevator", "Field Of Daggers", "Forget And Not Slow Down" by Relient K, "Lose Control", "Map To Your Heart", "O Come, O Come Emmanuel", "Pioneer", "Rat", "Silent Night", "So Far Away", "So Glad" by John Reuben, "Stay", "The Cop", "The Drugs The Drugs", "The Invisible Hook", "The Worst Kind Of Gods", "The Young And The Brutal", "Uncomfortable (What You Want Is Now)", "Voices")
B4 ("All I Want For Christmas Is You" [Mariah Carey cover], "Angels In Top Hats", "Angels Of Night", "Barbara's Birthday", "Color In You", "Colors Die Out", "Comfort Trap", "Dangerous", "Day By Day" [DC Talk cover], "Faces", "Fast Enough", "Field Of Daggers", "Ghost", "Honesty", "If", "Independence Day For A Petty Thief", "Infinite", "It Won't Be Long" [The Beatles cover], "Journey Into Space, Pt. One", "Katie Baby", "Love Is For The Middle Class", "Make A Face Like You Mean It (Vampires)", "Mercedes Baby" (Say No More version), "Metaphor In Parentheses", "Out My Way", "New Moon", "Nobody Loves No One", "Pulling Back The Skin", "Satisfied", "Serial Sleepers", "Something Of An Optimist", "Sooner Or Later", "The Lead Role In The Cage", "Touch This Light", "Wake Up Screaming", "We Make Our Stars", "We Were Giants", "You Are The Judas Of The Cheerleading Squad", "Your Casualty")
B♭4 ("Broken World", "Buckets For Bullet Wounds", "By Your Side", "Leave You Now", "Shadows Glow", "Suspect", "The Nowhere" by Mark Lee Townsend)
A4 ("A Fire Only We Know", "A Lot To Learn", "A Man Who's Not Afraid", "All I Want For Christmas Is You" [Mariah Carey cover], "Baby's A Red", "Barbara's Birthday", "Bottle Rocket", "Christmas Morning", "Colors Die Out", "Comfort Trap", "Curtains", "Dangerous", "Drown", "Elevator", "Fast Enough", "Feel", "Flash Paper", "Get Away", “God”, "God Save The Foolish Kings", "Hide", "I Am A Symbol", "In The Valley Of The Dying Son", "Julia", "Kamikaze Baby", "Katie Baby", "Lazy With Love", "Love Is For The Middle Class", "Matador", "Mercedes Baby", "Metaphor In Parentheses", "Nobody Loves No One", "O Come, O Come Emmanuel", "Ob-La-Di, Ob-La-Da" [The Beatles cover], "Pioneer", "Rat", "Relentless", "Remember The Empire", "Salt In The Sea", "She Mighty Mighty", "Somebody Knows", "Sooner Or Later", "Stay", "Suicide Baby", "Tell Me", "The Beautiful Unseen", "The Invisible Hook", "The Lead Role In The Cage", "The Song Of You And Me", "The Worst Kind Of Gods", "The Young And The Brutal", "Touch This Light", "We Make Our Stars", "We Were Giants", "Wishing Well", "Your Wurlitzer")
G♯4 ("Angels Of Night", "Burn Me Down", "Constant", "Colors Run", "Every Chance I Get", "Malia's Song", "Silent Night", "The Young And The Brutal")
G4 ("All In All" by John Reuben, "Can't Buy Me Love" [The Beatles cover], "Dangerous", "God Rest Ye Merry Gentlemen / Joy To The World", "It Won't Be Long" [The Beatles cover], "Lazy With Love", "Letting Go" (Acoustic) by Stephanie Smith, "Map To Your Heart", "O Come, O Come Emmanuel", "Something Of An Optimist", "The Cop", "The Drugs The Drugs")
Significant Low Notes:
E3 ("Baby's A Red", "Code Name: Raven", "Constant", "Dance (Blow It All Away)", "Dangerous", "Drown", "Faces", "Field Of Daggers", "Galveston", "Ghost", "God Rest Ye Merry Gentlemen / Joy To The World", "If", "Independence Day For A Petty Thief", "Julia", "In The Valley Of The Dying Son", "Metaphor In Parentheses", "New Moon", "Pulling Back The Skin", "Satisfied", "Something Of An Optimist", "Stay", "Suicide Baby", "Touch This Light", "Uncomfortable (What You Want Is Now)", "We Make Our Stars")
E♭3 ("Every Chance I Get", "Malia's Song", "Salt In The Sea", "Serial Sleepers", "Silent Night", "You Are The Judas Of The Cheerleading Squad")
D3 ("All I Want For Christmas Is You" [Mariah Carey cover], "Day By Day" [DC Talk cover], "Faces", "Fast Enough", "Feel", "Flash Paper", "Get Away", "Lose Control", "Mercedes Baby", "Out My Way", "Something Of An Optimist", "Sooner Or Later", "Suspect", "The Nowhere" by Mark Lee Townsend, "The Song Of You And Me", "Voices", "Wake Up Screaming", "Wishing Well")
C♯3 ("A Lot To Learn", "Angels In Top Hats", "Christmas Morning", "Code Name: Raven", "Dance (Blow It All Away)", "God", "God Save The Foolish Kings", "Julia", "Rat")
C3 ("Burn Me Down", "Dangerous", "Shots Fired", "So Far Away")
B2 ("Day By Day" [DC Talk cover], "Fast Enough", "Hide", "In The Valley Of The Dying Son", "Love Is A Legend", "Matador")
B♭2 ("By Your Side", "Map To Your Heart", "Tell Me", "The Cop")
A2 ("Comfort Trap", "Feel", "God", "Infinite", "Ghost", "O Holy Night", "This City Is A Cage", "The Invisible Hook", "Wake Up Screaming")
G♯2 ("In The Valley Of The Dying Son")
G2 ("All In All" by John Reuben, "Lazy With Love", "Pioneer", "Winning Me Over")
F♯2 ("God Save The Foolish Kings")
F2 ("The Worst Kind Of Gods", "Matador")
C♯2 (“God”)
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Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.