Post by Macca on Sept 4, 2024 16:48:55 GMT
Cecil Campbell: (9 October 1957 - Present)
Vocal Range: C♯2-G♯5
{Album Ranges}Ini Kamoze (1984) - A2-G♯4
Statement (1984) - A2-B♭4-B4
Pirate (1986) - C♯2-F♯2-A4-F♯5
Shocking Out (1988) - F♯2-C5-G♯5
Lyrical Gangsta (1995) - C♯2-A2-B♭4-G5
Statement (1984) - A2-B♭4-B4
Pirate (1986) - C♯2-F♯2-A4-F♯5
Shocking Out (1988) - F♯2-C5-G♯5
Lyrical Gangsta (1995) - C♯2-A2-B♭4-G5
Significant High Notes:
G♯5 ("Hole In The Pumpkin")
G5 ("Listen Me Tic")
F♯5 ("Betty Brown's Mother")
F5 ("Here Comes The Hotstepper")
E5 ("Clown Talking", "Kildatsounboy", "Listen Me Tic")
C5 ("Clown Talking", "Hot Stepper", "Respect Due")
B4 ("I Want It Ital")
B♭4 ("Betty Brown's Mother", "Come Now", "Girl "E"", "Hot Stepper", "King Selassie", "No Watch No Face", "Respect Due", "Settle With Me")
A4 ("Boss", "Burning", "Clown Talking", "Here Comes The Hotstepper", "Jump For Jah", "Pirate", "World Affairs")
G♯4 ("Gunshot", "Dream", "Taxi For Me", "Wings With Me")
G4 ("Call Di Police" Live, "Come Now", "Gunshot", "Jump For Jah", "Don't Burn Ya Bridge", "Hot Stepper", "Revolution", "Them Thing Deh", "We Run The Country", "Wings With Me")
F♯4 ("Betty Brown's Mother", "Boss", "Burning", "Call The Police", "Color Me Reggae (Spread Out)", "Cool It Off", "Don't Burn Ya Bridge", "Dream", "England Be Nice", "Girl "E"", "Here Comes The Hotstepper", "I Want It Ital", "Mer-Tel-Ler", "Queen Of My House", "Revolution", "Rough", "Stress", "Trouble You A Trouble Me" Live, "Who Goes There", "World-A-Music", "World Affairs")
Significant Low Notes:
E♭3 ("Betty Brown's Mother", "Dream", "General", "Hot Stepper Returns", "How U Livin", "Pull Up The Cork", "Shocking Out", "Stress", "Trouble You A Trouble Me")
D3 ("Ballistic Affair", "Call The Police", "Gunshot", "Hail Mi Idrin", "Hole In Ya Head", "Listen Me Tic", "Love Em Doe?", "Settle With Me", "Them Thing Deh", "We Run The Country", "Wings With Me")
C♯3 ("Babylon, Babylon", "Burning", "Call The Police" Debut version, "General", "Hole In The Pumpkin", "How U Livin", "Imagine ... In Dub", "Kildatsounboy", "Live A Little Love", "Trouble You A Trouble Me", "Turn Me On", "Who Goes There", "World-A-Music")
C3 ("Come Now", "Hot Stepper", "Pirate", "Taxi For Me", "Wings With Me")
B2 ("Ballistic Affair", "Boss", "Gunshot", "Listen Me Tic", "Live A Little Love", "No Watch No Face", "Rough")
B♭2 ("Betty Brown's Mother", "Don't Burn Ya Bridge", "Girl "E"", "How U Livin", "King Selassie", "Love Em Doe?", "Pull Up The Cork")
A2 ("Babylon, Babylon", "Ballistic Affair", "Clown Talking", "Hail Mi Idrin", "Here Comes The Hotstepper", "Hole In The Pumpkin", "Revolution")
G2 ("Come Now")
F♯2 ("Color Me Reggae (Spread Out)", "Imagine ... In Dub", "Queen Of My House", "Revolution", "Rough")
F2 ("Imagine ... In Dub", "Pirate")
E2 ("Gunshot")
D2 ("Gunshot", "Pirate")
C♯2 ("Betty Brown's Mother", "Imagine ... In Dub")
{Questionable Notes}E7 ("Kildatsounboy" [5] Just a squeak that I thought was funny)
A5 ("Call The Police" [2], "Revolution" [1])
F♯5 ("Who Goes There" [2])
B♭4 ("Imagine ... In Dub" [2][5])
B2 ("England Be Nice" [1], "Turn Me On" [5] Quite breathy)
F2 ("Pull Up The Cork" [6])
E2 ("Burning" [6], "Here Comes The Hotstepper" [6])
D2 ("Hail Mi Idrin" [2] May be Robbie Shakespeare)
C♯2 ("Color Me Reggae (Spread Out)" [6], "Kildatsounboy" [6])
B1 ("Rough" [6] could've sworn i heard this note)
B♭1 ("Betty Brown's Mother" [6])
A1 ("Babylon, Babylon" [5], "Trouble You A Trouble Me" [5])
G1 ("Settle With Me"[5])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes that may or may not exist.
A5 ("Call The Police" [2], "Revolution" [1])
F♯5 ("Who Goes There" [2])
B♭4 ("Imagine ... In Dub" [2][5])
B2 ("England Be Nice" [1], "Turn Me On" [5] Quite breathy)
F2 ("Pull Up The Cork" [6])
E2 ("Burning" [6], "Here Comes The Hotstepper" [6])
D2 ("Hail Mi Idrin" [2] May be Robbie Shakespeare)
C♯2 ("Color Me Reggae (Spread Out)" [6], "Kildatsounboy" [6])
B1 ("Rough" [6] could've sworn i heard this note)
B♭1 ("Betty Brown's Mother" [6])
A1 ("Babylon, Babylon" [5], "Trouble You A Trouble Me" [5])
G1 ("Settle With Me"[5])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes that may or may not exist.
.......................................................
Blue marks falsetto or whistle notes.
Grey marks fried notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
