Post by Platypus on Oct 23, 2024 14:15:08 GMT
Stace McLaren (21.01.1965 - )
Assiciated Acts Razor
Vocal Range: C♯3 - C♯6
{Album Ranges}
Executioner's Song (1985): F♯3 - G5 - B5
Evil Invaders (1985): E♭3 - G♯4 - C♯6
Malicious Intent (1986): B♭3 - G♯4 - C6
Custom Killing (1987): F♯3 - G5 - B♭5
Violent Restitution (1988): C♯3 - A4 - B5
Executioner's Song (1985): F♯3 - G5 - B5
Evil Invaders (1985): E♭3 - G♯4 - C♯6
Malicious Intent (1986): B♭3 - G♯4 - C6
Custom Killing (1987): F♯3 - G5 - B♭5
Violent Restitution (1988): C♯3 - A4 - B5
Significant High Notes:
C♯6 ("Speed Merchants")
C6 ("Malicious Intent")
B5 ("Edge of the Razor", "The End", "Stand Before Kings")
B♭5 ("A.O.D.", "Challenge the Eagles", "Deathracel", "Grindstone", "Night Attack", "Rebel Onslaught", "Shootout", "Tear Me to Pieces")
A5 ("Below the Belt", "City of Damnation", "Edge of the Razor", "Escape the Fire", "Iron Hammer", "Snake Eyes", "Speed Merchants", "Stand Before Kings")
G♯5 ("Armed and Dangerous", "Ball and Chain", "Cage the Ragers", "Cross Me Fool", "Cut Throat", "Enforcer", "Eve of the Storm", "Hot Metal", "Hypertension", "K.M.A.", "Mosh", "Survival of the Fittest", "Tortured Skull", "Violent Restitution", "White Noise")
G5 ("City of Damnnation" 1984 demo version, "Distant Thunder", "Edge of the Razor", "Escape the Fire", "Evil Invaders", "Frost Bite", "Gatecrasher", "High Speed Metal", "Heavy Metal Attack", "I'll Only Say It Once", "Iron Hammer", "Killer Instinct", "Last Rites", "Legacy of Doom", "March of Death", "Night Attack", "Shootout", "Take This Torch")
F♯5 ("Armed and Dangerous", "Ball and Chain", "Challenge the Eagles", "City of Damnation", "Cut Throat", "Deathrace", "Hot Metal", "Instant Death", "The Marshall Arts", "Metal Avenger", "Ready for Action", "Snake Eyes", "Speed Merchants", "Survival of the Fittest", "Tortured Skull")
F5 ("Evil Invaders", "Iron Hammer", "Malicious Intent", "March of Death", "Thrashdance", "Tortured Skull")
E5 ("Armed and Dangerous", "Ball and Chain", "Below the Belt", "Enforcer", "Fast and Loud", "Forced Annihilation", "Gatecrasher", "Heavy Metal Attack", "Killer Instinct", "K.M.A.", "Ready for Action", "Shootout", "Take This Torch", "Time Bomb")
E♭5 ("Cage the Ragers", "Frost Bite", "Grindstone", "Legacy of Doom", "Malicious Intent", "Metal Avenger", "Rebel Onslaught")
D5 ("Killer Instinct", "Ready for Action", "Take This Torch", "Time Bomb")
C♯5 ("A.O.D.", "Escape the Fire", "Instant Death")
C5 ("Last Rites")
B4 ("Hot Metal", "Survival of the Fittest", "Time Bomb")
B♭4 ("Fast and Loud", "Heavy Metal Attack", "Killer Instinct", "Last Rites", "Shootout", "White Noise")
A4 ("Ball and Chain", "Distant Thunder", "Frost Bite", "Going Under", "Time Bomb", "Escape the Fire", "Hypertension", "Metal Avenger", "Survival of the Fittest", "Take This Torch", "Violent Restitution")
G♯4 ("Behind Bars", "Cross Me Fool", "Going Under", "I'll Only Say It Once", "Night Attack")
G4 ("Armed and Dangerous", "Deathrace", "Escape the Fire", "Fast and Loud", "Forced Annihilation", "Gatecrasher", "Hot Metal", "Malicious Intent", "Mosh", "Ready for Action", "Shootout", "Survival of the Fittest", "Tear Me to Pieces")
Significant Low Notes:
F♯3 ("Eve of the Storm", "Hot Metal", "Last Rites")
F3 ("Iron Hammer", "Speed Merchants")
E♭3 ("Evil Invaders")
C♯3 ("Eve of the Storm")
{Questionable Notes}D6 ("Legacy of Doom" [1])
C♯6 ("Rebel Onslaught" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................C♯6 ("Rebel Onslaught" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
