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Post by Osmosis on Mar 27, 2023 10:17:03 GMT
F#4
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boog2021
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Post by boog2021 on Apr 29, 2023 4:13:31 GMT
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velocd
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Post by velocd on Jun 20, 2023 17:53:20 GMT
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Post by queenfan11 on Sept 18, 2023 23:50:04 GMT
Is the F#3 section really necessary? His low range doesn't seem especially strong, but I don't think it's Jon Anderson levels or anything.
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Post by PerhapsXarb on Oct 1, 2023 18:30:37 GMT
So doing a quick check of songs here suggests that Billie literally did not go above F#4 in melodic chest notes with 2 exceptions— a "hey" in Homecoming and some harmonies in Whatsername that to my ears could be Dirnt— between Dookie and American Idiot. Before and afterwards he seemed totally capable of going up to A4, but that 10 year drought suggests that maybe F4 could be worth adding. But moreso it just shows how he never pushed his range for basically 5 albums in a row lol
Also fwiw the Longview in Berlin 2012 goes up to C#5 in chest voice
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boog2021
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Post by boog2021 on Oct 5, 2023 14:24:30 GMT
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Post by Macca on Oct 24, 2023 15:33:54 GMT
New song out with a new album called Saviours coming out January 19th
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avi
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Post by avi on Nov 4, 2023 13:36:45 GMT
The Longshot EPs (Bullets, Razor Baby, Return to Sender) have some really cool stuff. A Million Miles Away has some really strong G4s, Razor Baby has a very clear (and probably boldable) B2, and I'm 75% sure I Am Rock has a G2 (along with some pretty good C3s)
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Puro
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Post by Puro on Dec 9, 2023 18:32:50 GMT
Very prominent usage of A#4 vocal fry on Green Day's latest single "Dillema". Might be worth noting even if it's not particularly impressive relative to his past performances.
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avi
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Post by avi on Dec 10, 2023 0:08:25 GMT
Very prominent usage of A#4 vocal fry on Green Day's latest single "Dillema". Might be worth noting even if it's not particularly impressive relative to his past performances. I'm not sure if I hear a Bb4 in this, though some of those notes stray pretty close to it, I'd probably just count A4 for this song. Totally agree that these are some really good notes, though, maybe could be included as one of the examples of his higher register. Also, any updates on if the Longshot EPs are being added? |
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Post by Osmosis on Dec 10, 2023 15:24:48 GMT
A4s there for sure
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dankapple
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Post by dankapple on Dec 26, 2023 9:24:26 GMT
Yeah he was aiming for A4 pretty sure, and a few changes maybe :)
- there are See the Light harmonies, Bb4 and Ab4
- he hits G4 on The Static Age after key change
- I can confirm in Whatsername Mike is doing the harmonies so there doesn't seem to be G4
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Post by senatorsenpai on Jan 19, 2024 11:54:32 GMT
Just listened through the new Green Day record, it's their best work in a long time IMO! It has a few interesting bits, note-wise, too:
Singing A4 a few times on each chorus of "Bobby Sox".
Final chorus with key change in "Goodnight Adeline", he sings A4 quite a bit and B4 occasionally.
Backing vocal down to G♯2 in "Corvette Summer".
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dankapple
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Post by dankapple on Jan 20, 2024 6:02:06 GMT
I notice the OP hasn't been active recently so i tried my best trying to notewatch this project (thanks to users above for finding notes too):
The American Dream Is Killing Me: G#4, F#4
Look Ma, No Brains!: F#4
Bobby Sox: A4, G#4, F#4, E3, B2, B4, C#5
One Eyed Bastard: A4, F#4, G#4
Dilemma: F#4, G4, A4, D3, E3
1981: F#4
Goodnight Adeline: A4, B4, F#4, G4, G#4, E3 as well (deserves bolds imo)
Coma City: nothing notable. theres always one song where billie does nothing in every green day album
Corvette Summer: Ab4, Gb4, Ab2
Suzie Chapstick: F3, G4
Strange Days Are Here to Stay: E3, F#4
Living in the '20s: Ab4, Bb4, C5 (bold-worthy?)
Father to a Son: D3, E3
Saviors: F#4, G#4, A4
Fancy Sauce: F#4, G#4, A4, B4, C#5 (mike?)
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Post by PerhapsXarb on Jan 20, 2024 7:17:45 GMT
I agree, i was so shocked when billie hit those notes. I'd put it 4th in my album ranking. Also some notewatching, correct if wrong :) The American Dream Is Killing Me: G#4, F#4, A#4 Look Ma, No Brains!: F#4, G4, A4Bobby Sox: A4 yeah, G#4, F#4, E3, B2, B4, C#5 (billie singing the ooh-oohs?) One Eyed Bastard: A4, F#4, G#4 Dilemma: F#4, G4, A4, D3, E3 1981: F#4 Goodnight Adeline: A4, B4 yes, F#4, G4, G#4, E3 as well (deserves bolds imo) Coma City: nothing notable Corvette Summer: Ab4, Gb4, Ab2 (great spot!), D#3, C#3, A#2Suzie Chapstick: F3, F4, G4Strange Days Are Here to Stay: E3, F#4 (G#4, A4 are mike i believe) Living in the '20s: Ab4, Bb4, C5 (bold-worthy?) Father to a Son: D3, E3 Saviors: F#4, G#4, A4 Fancy Sauce: F#4, G#4, A4, B4, C#5 I would bold the ending Bb4 on Living in the '20s rather than the relatively brief C5. Also here are a G#5 and Bb5 I found from live perfomances of Father of All... |
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Post by Osmosis on Jan 20, 2024 11:40:51 GMT
At the least, the last chorus in "Goodnight Adeline" should get a bold.
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avi
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Post by avi on Jan 20, 2024 23:39:04 GMT
Are we counting a C5 in Living in the 20s? It sounds like he's just shooting for Bb4 and being intentionally messy with the pitch. I'd put that C5 on the same level of questionability as a B4 in Dilemma. The Bb4 should 1000% get a bold though.
Also, Bobby Sox live has Billie Joe, Mike, and Jason all singing the "ooh-oohs", so it's probably safe to count it. If not, at least count live performances.
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Post by PerhapsXarb on Jan 21, 2024 4:36:37 GMT
Are we counting a C5 in Living in the 20s? It sounds like he's just shooting for Bb4 and being intentionally messy with the pitch. I'd put that C5 on the same level of questionability as a B4 in Dilemma. The Bb4 should 1000% get a bold though. Also, Bobby Sox live has Billie Joe, Mike, and Jason all singing the "ooh-oohs", so it's probably safe to count it. If not, at least count live performances. I think the C5 at 1:20 is def countable imo, although I didn't notice it until it was brought up here lol. The B4 on Dilemma seems much less intentional |
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Post by Osmosis on Jan 21, 2024 21:40:44 GMT
I agree that C5 is absolutely countable.
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avi
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Post by avi on Jan 24, 2024 20:29:22 GMT
youtu.be/L_8RXuQlcug?si=RBQjdv3JTKyBAY8j Japanese bonus track just dropped with some really solid B2s and a backing G#4 I believe. Not the best song but definitely a good showcase of his lower register and worth counting. Together with Corvette Summer, Razor Baby and I Am Rock, the next update to the thread could really fluff up his lower range catalog
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dankapple
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Post by dankapple on Feb 11, 2024 13:42:05 GMT
not sure if this counts but Billie hums bassline for a brief moment and hits A2 |
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Post by dankapple on Mar 16, 2024 14:08:59 GMT
sorry for the double post but here is a F5 in "Stop Drop and Roll"
I would maybe bold the C3 in Last Night on Earth (live) and I think there's C#3s in Father of All... not sure why they're marked as [1]
edit: it seems like theres A4 in Last Night on Earth (studio) and Bb4 in Restless Heart Syndrome, I can't see how they're not Billie
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