Post by Platypus on Oct 21, 2019 17:06:42 GMT
![](https://upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Anaal_Nathrakh%2C_Dave_%E2%80%9EV.I.T.R.I.O.L.%E2%80%9C_Hunt_at_Party.San_Metal_Open_Air_2013_04.jpg/1280px-Anaal_Nathrakh%2C_Dave_%E2%80%9EV.I.T.R.I.O.L.%E2%80%9C_Hunt_at_Party.San_Metal_Open_Air_2013_04.jpg)
Dave Hunt
Associated Acts: Anaal Nathrakh, Mistress, Benediction
Vocal Range: B1 - C6
Signifcant High Notes:
C6 ("Genesis Of The Antichrist")
B5 ("The Blood-Dimmed", "Cataclysmic Nihilism")
B♭5 ("Anaal Nathrakh", "Desideratum", "Feeding The Beast", "Foring Towards The Sunset", "Powerslave", "Revaluation of All Values (Tractatus Alogino Misanthropicus", "...So We Can Die Happy", "Todos Somos Humanos")
A5 ("Between Shit and Piss We Are Born", "The Blood-Dimmed", "Cataclysmic Nihilism", "Do Not Speak", "Genesis Of The Antichrist", "In Coelo Quies, Tout Finis Ici Bas", "The Necrogeddon", "Of Fire, And Fucking Pigs", "Of Horror, And The Black Shawls", "...So We Can Die Happy", "The Surpreme Necrotic Audnance", "The Technogat")
G♯5 ("De Mysteriis Dom Sathanas", "Drug-Fucking Abomination", "Foring Towards The Sunset", "Hold Your Children Close And Pray For Oblivion", "Powerslave", "Procreation of the Wretched", "This Cannot Be The End")
G5 ("Bellum Omnium Contra Omnes", "Cataclysmic Nihilism", "Depravity Favours The Bold", "Drug-Fucking Abomination", "I Am The Wrath Of Gods And The Desolation of The Earth Music", "Ice Blasting Storm Winds", "Lama Sabachthani", "Shatter The Empyrean", "Timewave Zero", "Violenti Non Fit Iniuria")
F♯5 ("Between Shit and Piss We Are Born", "Castigation And Betrayal", "De Mysteriis Dom Sathanas", "Depravity Favours The Bold", "Der Hölle Rache Kocht In Meinem Herzen", "Do Not Speak", "The Lucifer Effect", "Procreation of the Wretched", "Satanarchrist", "...So We Can Die Happy", "The Surpreme Necrotic Audnance", "Swallow The World", "This Cannot Be The End", "Unleash", "Virus Bomb")
F5 ("Between Shit and Piss We Are Born", "Castigation And Betrayal", "The Destroying Angel", "Extravaganza!", "The Final Destruction Of Dignity (Die Letzen Tage Der Menschheit)", "Hold Your Children Close And Pray For Oblivion", "Lama Sabachthani", "Shatter The Empyrean", "This Cannot Be The End", "Until The World Stops Turning", "We Will Fucking Kill You", "When Fire Rains Down From The Sky, Mankind Will Reap As It Has Sown")
E5 ("Carnage", "In Coelo Quies, Tout Finis Ici Bas", "The Lucifer Effect", "The Necrogeddon", "The Unbearable Filth of the Soul", "Virus Bomb", "Waiting for the Barbarians", "Who Thinks Of The Executioner")
E♭5 ("The Joystream", "Necrodeath", "Oil Upon The Sores Of Lepers")
D5 ("In The Constellation Of The Black Widow", "Revaluation of All Values (Tractatus Alogino Misanthropicus", "Sanction Extremis (Kill Them All)", "Shatter The Empyrean", "Todos Somos Humanos")
C♯5 ("Between Shit and Piss We Are Born", "The Oblivion Gene", "Swallow The World", "Unleash")
C5 ("In Flagrante Delicto", "In The Constellation Of The Black Widow", "The Joystream", "Powerslave", "Rage, Rage Against The Dying Of The Light", "So Be It", "You Can't Save Me, So Stop Fucking Trying")
B4 ("The Final Destruction Of Dignity (Die Letzen Tage Der Menschheit)", "In Coelo Quies, Tout Finis Ici Bas", "Le Diabolique Est L'Ami Du Simplement Mal", "The Lucifer Effect", "Man at C&A", "More of Fire Than Blood", "The Oblivion Gene", "Post Traumatic Stress Euphoria", "Procreation of the Wretched", "Who Thinks Of The Executioner")
B♭4 ("Ashes Screaming Silence", "Bellum Omnium Contra Omnes", "Depravity Favours The Bold", "The Destroying Angel", "Drug-Fucking Abomination", "A Firm Foundation of Unyielding Depsair", "The Great Spectator", "Hold Your Children Close And Pray For Oblivion", "In Flagrante Delicto", "The Joystream", "Le Diabolique Est L'Ami Du Simplement Mal", "Locus Of Damnation", "Necrodeath", "Never Fucking Again", "Of Horror, And The Black Shawls", "Oil Upon The Sores Of Lepers", "On Being a Slave", "The One Thing Needful", "Powerslave", "Satanarchrist", "...So We Can Die Happy", "When The Lion Devours Both Dragon And Child")
A4 ("I Am the Disease", "Ita Mori", "A Metaphor for the Dead", "Never Fucking Again", "Organised Chaos", "Post Traumatic Stress Euphoria", "Procreation of the Wretched", "Revaluation of All Values (Tractatus Alogino Misanthropicus", "Sanction Extremis (Kill Them All)", "Stigmata", "Tortured Souls", "The Unbearable Filth of the Soul", "When Fire Rains Down From The Sky, Mankind Will Reap As It Has Sown", "The Yellow King", "You Can't Save Me, So Stop Fucking Trying")
G♯4 ("Der Hölle Rache Kocht In Meinem Herzen", "Desideratum", "Drug-Fucking Abomination", "Hold Your Children Close And Pray For Oblivion", "Idol", "In The Constellation Of The Black Widow", "More of Fire Than Blood", "Organised Chaos", "Paragon Pariah", "Sub Specie Aeterni (Of Maggots and Humanity)", "Suffering Feeds Me", "Suicide Rebellion")
G4 ("Charon", "De Mysteriis Dom Sathanas", "Don't Look In The Mirror", "Foring Towards The Sunset", "This Graveyard Earth", "The Grey Man", "I Am The Wrath Of Gods And The Desolation of The Earth Music", "In Coelo Quies, Tout Finis Ici Bas", "Lama Sabachthani", "Le Diabolique Est L'Ami Du Simplement Mal", "The Lucifer Effect", "A Metaphor for the Dead", "So Be It", "Stigmata", "Suicide Rebellion", "The Temple of Set", "Timewave Zero", "To Spite The Face", "Violenti Non Fit Iniuria")
F♯4 ("Ashes Screaming Silence", "Between Shit and Piss We Are Born", "Der Hölle Rache Kocht In Meinem Herzen", "Desideratum", "Do Not Speak", "The Final Absolution", "I Am the Disease", "On Being a Slave", "Suffering Feeds Me", "When The Lion Devours Both Dragon And Child")
Significant Low Notes:
E♭3 ("Between Shit and Piss We Are Born", "Shatter The Empyrean")
D3 ("Bludgeon", "Drug-Fucking Abomination", "The Final Destruction Of Dignity (Die Letzen Tage Der Menschheit)", "In Coelo Quies, Tout Finis Ici Bas", "Man at C&A", "Necronaut", "Rage, Rage Against The Dying Of The Light")
C♯3 ("In Flagrante Delicto", "On Being a Slave", "The Yellow King")
C3 ("Castigation And Betrayal", "Cataclysmic Nihilism", "Do Not Speak", "The Final Absolution", "Ice Blasting Storm Winds", "In The Constellation Of The Black Widow", "Necrodeath", "Procreation of the Wretched", "Sanction Extremis (Kill Them All)", "Virus Bomb")
B2 ("De Mysteriis Dom Sathanas", "Easy Way to Die", "Rage, Rage Against The Dying Of The Light")
B♭2 ("Controlpolis (Rats In The Mask)", "In Flagrante Delicto")
A2 ("Ice Blasting Storm Winds", "Procreation of the Wretched", "Suicide Rebellion", "Unleash", "When Fire Rains Down From The Sky, Mankind Will Reap As It Has Sown")
C2 ("I Am the Disease", "Who Thinks Of The Executioner")
B1 ("Stigmata")
.......................................................
*Underlines mark notes in backing vocals or otherwise muffled/obscured in the mix.
*Green marks harsh and or distorted notes.
{Questionable Notes}
F1 ("The Final Absolution" [4], "In The Constellation Of The Black Widow" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes which potentially were produced via reverse phonation [inhaling].
There might have been some really distorted notes that I've left out from here. I basically operate on the notion of "If I can't pitch, I ditch".
F1 ("The Final Absolution" [4], "In The Constellation Of The Black Widow" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes which potentially were produced via reverse phonation [inhaling].
There might have been some really distorted notes that I've left out from here. I basically operate on the notion of "If I can't pitch, I ditch".