Post by Zedd Squared on Sept 23, 2019 5:37:33 GMT
Vocal range: E1-G♯5
High notes:
G♯5 ("Bloodletting", "Buckeye", "Chronic Auditory Hallucination", "Preaching to the Converted")
G5 ("Chronic Auditory Hallucination", "Engage the Fear Machine", "In Your Words", "The Number Six", "What I've Become")
F♯5 ("512", "Bloodletting", "Buckeye", "Departure Hymn", "Desolation", "Dimera", "Duane", "Invictus", ""Lame", "Preaching to the Converted", "Resurrection #9", "Requiem", "Ruiner", "Suffering Bastard")
F5 ("Again We Rise", "Beating On Death's Door", "Black Label", "Boot Scraper", "Break You", "Contractor", "Culling", "Departure Hymn", "Descending", "Erase This", "Footprints", "Ghostly Shell Removal", "In the Absence of the Sacred", "More Time to Kill", "O.D.H.G.A.B.F.E.", "Omerta", "One Gun", "Overlord", "The Undertow", "Vigil")
E5 ("Blood Junkie", "Bloodletting", "Dimera", "Dixie Whiskey", "Everything to Nothing", "Goatfish", "Grace", "Guilty", "Insurrection", "King Me", "Lame", "Lies of Autumn", "Now You've Got Something to Die For", "Omerta", "Pariah", "Reclamation", "Remorse is For the Dead", "Resurrection #9", "Salvation", "Set to Fail", "Terminally Unique", "The Black Dahlia", "To the End", "Wine & Piss")
E♭5 ("Blood of the Scribe", "Blueprint For Vengeance", "Cheated", "Departure Hymn", "Goatfish", "Ghost Walking", "In the Absence of the Sacred", "Invictus", "Salvation", "Suffering Bastard", Sung in End Credits of Zen of Screaming)
D5 ("A Warning", "Anthropoid", "As the Palaces Burn", "Blacken the Cursed Sun", "Black Label", "Blood of the Scribe", "Boot Scraper", "Break You", "Choke Sermon", "Confessional", "Contractor", "Culling", "Dead Seeds", 'Delusion Pandemic", "Embers", "Erase This", "Foot to the Throat", "Footprints", "Forgotten (Lost Angels)", "Hourglass", "In Your Words", "Laid to Rest", "Letter to the Unborn", "Nightmare Seeker (The Little Red House)", "Now You've Got Something to Die For", "O.D.H.G.A.B.F.E.", "Overlord", "Pariah", "Pathetic", "Redneck", "Ruin", "Set to Fail", "Straight For the Sun", "The Black Dahlia", "The Duke", "The Faded Line", "The Number Six", "The Subtle Arts of Murder and Persuasion", "The Undertow", "Torches", "Walk with Me in Hell", "What I've Become" )
C♯5 ("Buckeye", "Cheated", "Chronic Auditory Hallucination", "Desolation", "Duane", "Engage the Fear Machine", "Fake Messiah", "Ghost Walking", "Grace", "Guilty", "Insurrection", "Invictus", "King Me", "Lame", "Lies of Autumn", "Reclamation", "Resurrection #9", "Terminally Unique", "To the End", "Visitation", "Wine & Piss")
C5 ("Adoration For None", "Cornada", "In the Absence of the Sacred", "In Your Words", "Set to Fail", "Still Echoes")
B4 ("Broken Hands", "Desolation", "Ghostly Shell Removal", "Grace", "King Me", "O.D.H.G.A.B.F.E", "The Black Dahlia")
B♭4 ("A Warning", "Blueprint For Vengeance", "Fake Messiah", "Guilty", "Invictus", "Letter to the Unborn")
A4 ("Again We Rise", "Beating On Death's Door", "Blacken the Cursed Sun", "Choke Sermon", "Confessional", "Foot to the Throat", "Ghost Walking", "Hourglass", "In the Absence of the Sacred", "In Your Words", "Laid to Rest", "O.D.H.G.A.B.F.E.", "One Gun", "Overlord", "Pathetic", "Redneck", "Set to Fail", "The Black Dahlia", "The Faded Line", "The Number Six", "The Subtle Arts of Murder and Persuasion", "The Undertow")
G♯4 ("512", "A Warning", "Broken Hands", "Cheated", "Dimera", "Goatfish", "Lies of Autumn", "Omerta", "Reclamation", "Resurrection #9", "Salvation", "To the End")
G4 ("Beating On Death's Door", "Embers", "Overlord", "Set to Fail")
F♯4 ("Cornada", "Descending")
F4 ("Again We Rise", "Beating On Death's Door", "Foot to the Throat", "Forgotten (Lost Angels)", "Overlord", "Pathetic", "Redneck", "Requiem", "The Duke")
Low notes:
A2 ('Overlord")
G♯2 ("Suffering Bastard")
G2 ("Broken Hands", "Footprints", "Overlord")
F♯2 ("512", "Suffering Bastard")
F2 ("Choke Sermon", Zen of Screaming: "Find the Pitch")
E2 ("Blood & Tears" sung in studio outtake, "Everything to Nothing")
E♭2 ("Choke Sermon", "Fake Messiah", "King Me")
D2 ("Again We Rise", "Beating On Death's Door", "Blood of the Scribe", "Dead Seeds", "Foot to the Throat", "Footprints", "Laid to Rest", "Omerta", "Overlord", "Still Echoes", "The Number Six")
C♯2 ("512", 'Delusion Pandemic", "Fake Messiah", "King Me", "Visitation")
C2 ("Blacken the Cursed Sun", "Cornada", "Descending", "Foot to the Throat", "Hourglass", "Laid to Rest", "Still Echoes")
B1 ("512", "Anthropoid", "Blood Junkie", "Embers", "Invictus", "Reclamation", "Set to Fail", "Torches")
B♭1 ("Blood of the Scribe", "Blood Junkie", "Dead Seeds", "Foot to the Throat")
A1 ("Boot Scraper", "For Your Malice")
G♯1 ("512", "Fake Messiah")
F♯1 ("King Me")
E1 ("The Number Six")
The powerhouse vocalist for Lamb of God (formerly known as Burn the Priest) since their inception in 1994. Randy's most known for his immense growls, screams, and screeches but also has a boomy low range that he puts to fairly frequent use, albeit most often in spoken sections. Additionally, he also sings "clean" with a gritty tone reminiscent to me of a cross between Chuck Billy and Devin Townsend which while more sparsely used is equally impressive.
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*Underlines mark notes found in backing vocals or otherwise obscured in the song mix.
*Italics mark spoken/non-sung notes.
*Green marks harsh screams.
*Grey marks solidly pitched vocal fry notes.
