Cher (14,267 views)

[galaxyseal]

Cherilyn Sarkisian
Voice Type: Contralto
Vocal Range: C3 - E6

SPOILER: Click to show

{Questionable Notes:}E6 ("Bell Bottom Blues" abrupt, uncontrolled whistle)
C♯6 ("Boys and Girls" weak woo'ed note)

D3 ("Dov'è l'amore" spoken dip)
C3 ("All or Nothing" questionable identity)

Significant High Notes:

E6 ("Just This One Time")
C6 ("Just This One Time")
B5 ("Shape of Things to Come")
B♭5 ("A Woman's Story")
F♯5 ("Bell Bottom Blues", "A Different Kind of Love Song", "Give Our Love a Fightin' Chance", "More Than You Know", "The Power", "Takin' Back My Heart")
F5 ("Never Should've Started", "One Small Step", "Runaway", "Whenever You're Near")
E5 ("Could've Been You", "Fast Company", "Git Down (Guitar Groupie)", "In for the Night", "Living for You", "Save Up All Your Tears", "Stars", "Take It from the Boys", "Trail of Broken Hearts")
E♭5 ("Back on the Street Again", "Does Anybody Really Fall in Love Anymore?", "Emotional Fire", "If I Could Turn Back Time", "It's Too Late to Love Me Now", "Just Like Jesse James", "The Look", "Love Can Build a Bridge", "A Love Like Yours (Don't Come Knocking Every Day)", "Many Rivers to Cross" live Greatest Hits: 1965-1992, "Real Love", "Runaway", "Taxi Taxi")
D5 ("Bell Bottom Blues", "Born With the Hunger", "Dead Ringer for Love", "A Different Kind of Love Song", "Fast Company", "Fires of Eden", "Get It Together", "Give Our Love a Fightin' Chance", "Happy Was the Day We Met", "Heart of Stone", "Hell on Wheels", "Holy Smoke!", "How Can You Mend a Broken Heart?", "I Believe in You", "I Found You Love", "I Walk Alone", "I'll Never Stop Loving You", "If I Could Turn Back Time", "It Ain't Necessarily So", "Just Begin Again", "Just This One Time", "Love and Understanding", "Love Enough", "Main Man", "Mirror Image", "Pride", "The Power", "Proud Mary" live Divas Live '99, "Save Up All Your Tears", "Shape of Things to Come", "The Shoop Shoop Song (It's in His Kiss)", "Stars", "Still", "Still in Love with You", "Take It from the Boys", "Takin' Back My Heart", "These Days", "Trail of Broken Hearts", "Waterloo", "We're Gonna Make It", "What About the Moonlight", "With or Without You", "Woman's World", "You Haven't Seen the Last of Me", "You Wouldn't Know Love")
C♯5 ("88 Degrees", "After All", "All Because of You", "Bang Bang" 1987 version, "Believe", "Bell Bottom Blues", "Boys and Girls", "By Myself", "Could've Been You", "Crimson and Clover", "Dancing Queen", "Dangerous Times", "Don't Come Around Tonite", "Don't Come Cryin' to Me", "Don't Hide Your Love", "Down, Down, Down", "Emotional Fire", "Fire and Rain", "I Don't Have to Sleep to Dream", "I'll Never Stop Loving You", "In for the Night", "Lie to Me", "Love is a Lonely Place Without You", "A Love Like Yours (Don't Come Knocking Every Day)", "Love Me", "Many Rivers to Cross" live Greatest Hits: 1965-1992, "My Love" from Closer to the Truth, "Never Should've Started", "Oh No Not My Baby", "Outrageous", "Save Up All Your Tears", "Say What's on Your Mind", "Sisters of Mercy", "Starting Over", "Still in Love with You", "The Sun Ain't Gonna Shine Anymore", "Take Me Home", "Tell Me (You're Coming Back)", "We All Fly Home", "We All Sleep Alone", "Welcome to Burlesque", "When Love Calls Your Name", "When Lovers Become Strangers", "When the Love Is Gone", "When the Money's Gone", "Who You Gonna Believe", "Working Girl", "Young & Pretty")
C5 ("Alive Again", "All or Nothing", "Back on the Street Again", "The Bigger They Come, The Harder They Fall", "Body to Body, Heart to Heart", "Brother Love's Traveling Salvation Show", "Chastity's Song (Band of Thieves)", "Christmas (Baby Please Come Home)", "Classified 1A", "Crimson and Clover", "Dangerous Times", "Does Anybody Really Fall in Love Anymore?", "Don't Put It on Me", "Don't Think Twice", "(The Fall) Kurt's Blues", "Fast Company", "Fires of Eden", "Games", "Geronimo's Cadillac", "Give Our Love a Fightin' Chance", "Gypsies, Tramps & Thieves", "Hard Enough Getting Over You", "Heartbreak Hotel" live Ziggo Dome, Amsterdam 2019, "Hell on Wheels", "Hold You Tighter", "Holdin' Out for Love", "How Can You Mend a Broken Heart?", "I Can See Clearly Now", "I Found Someone", "I Hope You Find It", "I Love Makin' Love to You", "I Paralyze", "I Will Wait for You", "I'm Blowin' Away", "It Might as Well Stay Monday (From Now On)", "It's a Man's Man's Man's World", "It's Not Unusual", "Julie", "Just Like Jesse James", "Kiss to Kiss", "L.A. Plane", "Let This Be a Lesson to You", "Living in a House Divided", "Love and Understanding", "Love Hurts" Love Hurts version, "Love Me", "Lovers Forever", "Main Man", "Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs", "More Than a Feeling", "The Music's No Good Without You", "The Name of the Game", "Never Been to Spain", "Not Enough Love in the World", "Ol' Man River", "One by One", "Ooga Boo", "Outrageous", "Perfection", "Pirate", "Prayers for This World", "Pride", "Prisoner", "Rain, Rain", "Runaway", "Runnin'", "Say the Word", "Send the Man Over", "The Shoop Shoop Song (It's in His Kiss)", "Shoppin'", "Skin Deep", "Song for the Lonely", "The Star-Spangled Banner", "Strong Enough", "The Sun Ain't Gonna Shine Anymore", "Superstar", "Take It Like a Man", "We're Gonna Make It", "What About the Moonlight", "Whenever You're Near", "Who You Gonna Believe", "With or Without You", "Working Girl", "You Haven't Seen the Last of Me", "You Know It")
B4 ("88 Degrees", "After All", "All Because of You", "Baby I'm Yours", "Bell Bottom Blues", "The Book of Love", "Born With the Hunger", "Chastity's Song (Band of Thieves)", "Chiquitita", "Could've Been You", "Cry Like a Baby", "David's Song", "A Different Kind of Love Song", "Disaster Cake", "Do I Ever Cross Your Mind", "Don't Come Cryin' to Me", "Dressed to Kill", "Emotional Fire", "Favorite Scars", "Fires of Eden", "Git Down (Guitar Groupie)", "The Gunman", "Happy Was the Day We Met", "He Ain't Heavy, He's My Brother", "He Was Beautiful", "Holy Smoke!", "How Long Has This Been Going On", "I Got It Bad and That Ain't Good", "I Love What You Did With the Love I Gave You", "I Walk on Guilded Splinters", "I'm Gonna Love You", "If I Could Turn Back Time", "Il Cammino Di Ogni Speranza", "In for the Night", "It Ain't Necessarily So", "It Gets Me Where I Want to Go", "It Might as Well Stay Monday (From Now On)", "Jolson Medley", "Just Begin Again", "Let Me Down Easy", "Let This Be a Lesson to You", "Listen to the Music", "The Long and Winding Road", "The Look", "Love & Pain (Pain in My Heart)", "Love and Understanding", "Love Can Build a Bridge", "Love Enough", "Love the Devil Out of Ya", "Make the Man Love Me", "Mamma Mia", "Many Rivers to Cross" live Greatest Hits: 1965-1992, "Mirror Image", "Miss Subway of 1952", "More Than a Feeling", "Move Me", "Mr. Soul", "My Song (Too Far Gone)", "Never Been to Spain", "Oh No Not My Baby", "One of Us", "Paradise Is Here", "Più Che Puoi", "Pirate", "The Power", "Pride", "Proud Mary" live Divas Live '99, "Reason to Believe", "Red", "Rock and Roll Doctor", "Rudy", "The Same Mistake", "Shape of Things to Come", "Silver Wings", "Sing for Your Supper", "Sirens", "Smoke Gets in Your Eyes", "Spring", "Stars", "Take It from the Boys", "Take It Like a Man", "Take Me Home", "Takin' Back My Heart", "Tell Me (You're Coming Back)", "Trail of Broken Hearts", "Turn Around", "Walls", "Wasn't It Good", "Waterloo", "The Way of Love", "We All Fly Home", "We All Sleep Alone", "We're Gonna Make It", "Welcome to Burlesque", "When Love Calls Your Name", "When the Love Is Gone", "When the Money's Gone", "The Winner Takes It All", "A World Without Heroes", "A Woman's Story", "Wrong Number", "You and I" live Las Vegas 1973, "You Do You Boov", "You Know Darn Well", "You Wouldn't Know Love", "Young & Pretty", "Yours Until Tomorrow")
B♭4 ("All Because of You", "All I Ever Need Is You", "All or Nothing", "Am I Blue?", "Apples Don't Fall Far from the Tree", "Bang Bang (My Baby Shot Me Down)", "The Beat Goes On", "Behind the Door", "Believe", "The Bigger They Come, The Harder They Fall", "The Book of Love", "Boys and Girls", "But I Can't Love You More", "Can You Fool", "Chastity Sun", "Circus", "Classified 1A", "A Cowboy's Work Is Never Done", "Dancing Queen", "Dangerous Times", "Dead Ringer for Love", "Dixie", "Don't Think Twice", "Don't Try to Close a Rose", "Dov'è l'amore", "(The Fall) Kurt's Blues", "Games", "Give Our Love a Fightin' Chance", "The Greatest Show on Earth", "Groovy Kind of Love", "Happy Was the Day We Met", "Hard Enough Getting Over You", "He Was Beautiful", "Heart of Stone", "Heartbreak Hotel" live Ziggo Dome, Amsterdam 2019, "Human", "I Found You Love", "I Got You Babe", "I Hope You Find It", "I Don't Have to Sleep to Dream", "I Found Someone", "I Know (You Don't Love Me)", "I Love Makin' Love to You", "I Paralyze", "I Threw It All Away", "I Walk Alone", "I Wouldn't Treat a Dog (The Way You Treated Me)", "I'll Never Stop Loving You", "The Impossible Dream", "Island", "It's Too Late to Love Me Now", "Just Like Jesse James", "Just This One Time", "Just What I've Been Looking For", "Kiss to Kiss", "Knock on Wood", "L.A. Plane", "Let Me Down Easy", "Lie to Me", "Little Man", "Living in a House Divided", "Love Hurts" Love Hurts version, "Love is a Lonely Place Without You", "A Love Like Yours (Don't Come Knocking Every Day)", "Love on a Rooftop", "Love One Another", "Love the Devil Out of Ya", "Main Man", "Mama (When My Dollies Have Babies)", "The Man I Love", "The Man That Got Away", "Many Rivers to Cross" live Greatest Hits: 1965-1992. "More Today Than Yesterday", "More Than You Know", "The Music's No Good Without You", "My Love" from Half-Breed, "The Name of the Game", "Never Should've Started", "Ol' Man River", "One by One", "One Honest Man", "One of Us", "One Small Step", "Ooga Boo", "Our Lady of San Francisco", "Perfection", "Prisoner", "Rain, Rain", "Rescue Me", "Runnin'", "Say What's on Your Mind", "The Shoop Shoop Song (It's in His Kiss)", "Silver Wings & Golden Rings", "Sisters of Mercy", "Skin Deep", "Somebody", "Song Called Children", "Song for You", "SOS", "Stand by Me", "The Star-Spangled Banner", "Starting Over", "Still", "Strong Enough", "The Sun Ain't Gonna Shine Anymore", "Take Me for a Little While", "Train of Thought", "Two People Clinging to a Thread", "United We Stand", "Walk With Me", "What About the Moonlight", "When Lovers Become Strangers", "Whenever You're Near", "Who You Gonna Believe", "Why Was I Born?", "Will You Love Me Tomorrow", "With or Without You", "A Woman's Story", "Woman's World", "Working Girl", "You Haven't Seen the Last of Me", "You Take It All")
A4 ("After All", "Alfie", "Alive Again", "All or Nothing", "Bad Love", "The Bells of Rhymney", "Body to Body, Heart to Heart", "Brother Love's Traveling Salvation Show", "By Love I Mean", "By Myself", "Carnival", "Chastity Sun", "Chiquitita", "Christmas (Baby Please Come Home)", "The Click Song", "Crystal Clear/Muddy Waters", "Danny Boy", "Dark Lady", "David's Song", "A Different Kind of Love Song", "Disaster Cake", "Dixie", "Do I Ever Cross Your Mind", "Do Right Woman, Do Right Man", "Do What You Gotta Do", "Do You Believe in Magic", "Don't Come Cryin' to Me", "Don't Hide Your Love", "Don't Put It on Me", "Don't Try to Close a Rose", "Dov'è l'amore", "Down, Down, Down", "A Dream Is a Wish Your Heart Makes", "Dressed to Kill", "Early Morning Strangers", "Easy to Be Hard", "Favorite Scars", "Fernando", "Fire and Rain", "The First Time", "Fit to Fly", "Geronimo's Cadillac", "Get It Together", "Gimme! Gimme! Gimme! (A Man After Midnight)", "Git Down (Guitar Groupie)", "Go Now", "Good Combination", "The Greatest Show on Earth", "The Greatest Song I Ever Heard", "Groovy Kind of Love", "The Gunman", "Gypsies, Tramps & Thieves", "Half-Breed", "He Ain't Heavy, He's My Brother", "He'll Never Know", "Hell on Wheels", "Here Comes That Rainy Day Feeling", "Hey Joe", "Holdin' Out for Love", "How Long Has This Been Going On", "I Believe", "I Believe in You", "I Can See Clearly Now", "I Found Someone", "I Got It Bad and That Ain't Good", "I Hate to Sleep Alone", "I Saw a Man and He Danced With His Wife", "I Walk Alone", "I Will Wait for You", "I'd Rather Believe in You", "I'm Blowin' Away", "I'm Gonna Love You", "The Impossible Dream", "It Never Rains in Southern California", "It's a Cryin' Shame", "It's a Man's Man's Man's World", "It's Not Unusual", "Jolson Medley", "Julie", "(Just Enough to Keep Me) Hangin' On", "Just What I've Been Looking For", "Like a Rolling Stone", "Little Man", "Living for You", "The Look", "Look at Me", "Love Is the Groove", "Love on a Rooftop", "Love So High", "Lovers Forever", "Make the Man Love Me", "Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs", "Mamma Mia", "Melody", "Mirror Image", "Miss Subway of 1952", "Move Me", "Mr. Soul", "My Love", "Not Enough Love in the World", "Outrageous", "Paradise Is Here", "Podunk", "Prayers for This World", "Red", "Rhythm of Your Heart Beat", "Rudy", "The Same Mistake", "Save the Children", "Say the Word", "Send the Man Over", "Set Me Free", "Shoppin'", "Sirens", "Song Called Children", "Song for the Lonely", "Song for You", "Spring", "Sunny", "Superstar", "Take Me Home", "Taxi Taxi", "Thunderstorm", "Touch and Go", "Twelfth of Never", "Walking in Memphis", "Walls", "War Paint and Soft Feathers", "Wasn't It Good", "Waterloo", "The Way of Love", "We All Fly Home", "We All Sleep Alone", "We'll Sing in the Sunshine", "We'll Watch the Sun Coming Up", "Welcome to Burlesque", "What'll I Do", "When You Say Love", "Why Was I Born?", "The Winner Takes It All", "Wrong Number", "You Baby", "You Better Sit Down Kids", "You Do You Boov", "You Don't Have to Say You Love Me", "You Gotta Have A Thing Of Your Own", "You Know Darn Well", "You Know It", "You Wouldn't Know Love", "You're a Friend of Mine", "You're Not Right for Me", "You've Made Me So Very Happy", "You've Really Got a Hold on Me")

Significant Low Notes:

G♯3 ("After All", "All Because of You", "Bewitched, Bothered and Bewildered", "The Bigger They Come, The Harder They Fall", "Blowin' in the Wind", "The Book of Love", "But I Can't Love You More", "Could've Been You", "Cry Myself to Sleep", "Crying Time", "Dangerous Times", "Dark Lady", "Do I Ever Cross Your Mind", "Don't Come Around Tonite", "Down, Down, Down", "A Dream Is a Wish Your Heart Makes", "Emotional Fire", "Fernando" from Mamma Mia! Here We Go Again, "The First Time", "For What It's Worth", "Girl Don't Come", "Groovy Kind of Love", "Hard Enough Getting Over You", "A House Is Not a Home", "I Know (You Don't Love Me)", "I Paralyze", "I Wasn't Ready", "I Wouldn't Treat a Dog (The Way You Treated Me)", "I'd Rather Believe in You", "I'll Never Stop Loving You", "In for the Night", "Just Like Jesse James", "L.A. Plane", "Let Me Down Easy", "Lie to Me", "Living for You", "Living in a House Divided", "The Long and Winding Road", "The Look", "Love Can Build a Bridge", "Love Hurts", "Love is a Lonely Place Without You", "A Love Like Yours (Don't Come Knocking Every Day)", "Love the Devil Out of Ya", "Make the Man Love Me", "Mamma Mia", "Melody", "Miss Subway of 1952", "My Song (Too Far Gone)", "The Name of the Game", "Needles and Pins", "Never Been to Spain", "One Honest Man", "One of Us", "Ooga Boo", "Plastic Man", "Real People", "Reason to Believe", "Runaway", "The Same Mistake", "Shoppin'", "Silver Wings", "Sing for Your Supper", "Sisters of Mercy", "Somebody", "The Sun Ain't Gonna Shine Anymore", "Take It Like a Man", "Take Me for a Little While", "Take Me Home", "Tell Him", "Time", "Touch and Go", "Walk With Me", "The Way of Love", "When Lovers Become Strangers", "When the Money's Gone", "When You Find Out Where You're Goin' Let Me Know", "Who You Gonna Believe", "The Winner Takes It All", "A Woman's Story", "A World Without Heroes", "Wrong Number", "You Haven't Seen the Last of Me", "You Take It All", "You've Really Got a Hold on Me")
G3 ("Again", "All or Nothing", "Angels Running", "Baby Don't Go", "Baby I'm Yours", "Bang Bang (My Baby Shot Me Down)", "A Beautiful Story", "Behind the Door", "The Bells of Rhymney", "Body to Body, Heart to Heart", "Born With the Hunger", "Borrowed Time", "Bring It On Home to Me", "But I Can't Love You More", "But You're Mine", "By Myself", "Can You Fool", "Carnival", "Carousel Man", "Chastity's Song (Band of Thieves)", "Chiquitita", "The Click Song", "Come to Your Window", "Dixie Girl", "Do Right Woman, Do Right Man", "Do You Believe in Magic", "Does Anybody Really Fall in Love Anymore?", "Don't Hide Your Love", "Don't Put It on Me", "Don't Think Twice", "Don't Try to Close a Rose", "Dream Baby", "Dressed to Kill", "Elusive Butterfly", "(The Fall) Kurt's Blues", "Fire and Rain", "Fires of Eden", "Fit to Fly", "Flashback", "Get It Together", "The Girl from Ipanema", "The Greatest Song I Ever Heard", "The Gunman", "Gypsies, Tramps & Thieves", "Half-Breed", "Hard Enough Getting Over You", "He'll Never Know", "Heart of Stone", "Here Comes That Rainy Day Feeling", "Hey Joe", "Hold You Tighter", "How Can You Mend a Broken Heart?", "Human", "I Feel Something in the Air (Magic in the Air)", "I Found Someone", "I Go to Sleep", "I Hate to Sleep Alone", "I Look for You", "I Love Makin' Love to You", "I Love What You Did With the Love I Gave You", "I'm Blowin' Away", "I'm in the Middle", "I'm Leaving It All Up to You", "If I Knew Then", "The Impossible Dream", "It Might as Well Stay Monday (From Now On)", "It's a Man's Man's Man's World", "It's Not Unusual", "It's Too Late to Love Me Now", "Julie", "Just a Name", "Just This One Time", "Just What I've Been Looking For", "Just You", "Leave Me Be", "Long Distance Love Affair", "Look at Me", "Love and Understanding", "Love Don't Come", "Love Enough", "Love Is the Groove", "Lovers Forever", "Ma Piano (Per Non Svegliarmi)", "Mama Look Sharp", "Mama (When My Dollies Have Babies)", "The Man I Love", "Masters of War", "Milord", "Mr. Soul", "The Music's No Good Without You", "Oh No Not My Baby", "Ol' Man River", "Our Day Will Come", "Please Don't Tell Me", "Prisoner", "Ringo, I Love You", "Rudy", "Save Up All Your Tears", "Say the Word", "Say What's on Your Mind", "Send the Man Over", "Set Me Free", "Shape of Things to Come", "She Loves to Hear the Music", "The Shoop Shoop Song (It's in His Kiss)", "Silver Wings & Golden Rings", "Sing C'est La Vie", "Sirens", "(Sittin' On) The Dock of the Bay", "Skin Deep", "Song Called Children", "Song for the Lonely", "Spring", "Stand by Me", "The Star-Spangled Banner", "Stars", "Still", "Strong Enough", "Summertime", "Sunny", "Super Trouper", "Then He Kissed Me", "There but for Fortune", "These Days", "This God-Forsaken Day", "Thunderstorm", "Trust Me", "Turn Around", "Twelfth of Never", "Unchained Melody", "War Paint and Soft Feathers", "We'll Sing in the Sunshine", "What'll I Do", "When Love Calls Your Name", "When You Find Out Where You're Goin' Let Me Know", "Where Do You Go", "Why Don't They Let Us Fall in Love", "Will You Love Me Tomorrow", "With or Without You", "Woman's World", "Working Girl", "You and I" live Las Vegas 1973, "You Baby", "You Gotta Have A Thing Of Your Own", "You're Not Right for Me", "You've Made Me So Very Happy", "You've Really Got a Hold on Me", "Young & Pretty")
F♯3 ("88 Degrees", "500 Miles", "Am I Blue?", "Baby I'm Yours", "Bang Bang" 1987 version, "Believe", "Bewitched, Bothered and Bewildered", "But You're Mine", "By Love I Mean", "Carnival", "Chastity's Song (Band of Thieves)", "Dancing Queen", "David's Song", "Disaster Cake", "Do I Ever Cross Your Mind", "Do What You Gotta Do", "Don't Hide Your Love", "Easy to Be Hard", "Geronimo's Cadillac", "Girl Don't Come", "Go Now", "Happy Was the Day We Met", "He Ain't Heavy, He's My Brother", "He Thinks I Still Care", "He Was Beautiful", "How Long Has This Been Going On", "I Found You Love", "I Got You Babe", "I Threw It All Away", "I Walk on Guilded Splinters", "I Will Wait for You", "I'd Rather Believe in You", "I'm Just Your Yesterday", "I'm Leaving It All Up to You", "If I Could Turn Back Time", "If I Knew Then", "It Ain't Necessarily So", "It All Adds Up Now", "Jolson Medley", "(Just Enough to Keep Me) Hangin' On", "Lay Baby Lay", "Let It Be Me", "Let Me Down Easy", "Love Can Build a Bridge", "Love Hurts", "Love is a Lonely Place Without You", "Love So High", "Love the Devil Out of Ya", "Mama (When My Dollies Have Babies)", "Many Rivers to Cross" live Greatest Hits: 1965-1992, "Miss Subway of 1952", "My Song (Too Far Gone)", "Paradise Is Here", "Più Che Puoi", "Pirate", "The Power", "Real People", "Rhythm of Your Heart Beat", "Rock and Roll Doctor", "The Same Mistake", "Save the Children", "See See Rider", "Sing for Your Supper", "The Sun Ain't Gonna Shine Anymore", "Superstar", "Takin' Back My Heart", "The Thought of Loving You", "Tonight I'll Be Staying Here With You", "Turn Around", "Two People Clinging to a Thread", "Walls", "Wasn't It Good", "We All Sleep Alone", "When the Love Is Gone", "When You Say Love", "Where Do You Go", "The Winner Takes It All", "You Better Sit Down Kids", "You Wouldn't Know Love", "Yours Until Tomorrow")
F3 ("Alfie", "All I Ever Need Is You", "All or Nothing", "Angels Running", "Apples Don't Fall Far from the Tree", "The Beat Goes On", "The Bells of Rhymney", "Body to Body, Heart to Heart", "Borrowed Time", "Bring It On Home to Me", "But I Can't Love You More", "By Myself", "Can You Fool", "Chastity Sun", "Circus", "Classified 1A", "Cry Myself to Sleep", "Dixie", "Do Right Woman, Do Right Man", "Don't Try to Close a Rose", "A Dream Is a Wish Your Heart Makes", "(The Fall) Kurt's Blues", "For What It's Worth", "The Greatest Show on Earth", "Have I Stayed Too Long", "He Was Beautiful", "He'll Never Know", "Homeward Bound", "How Can You Mend a Broken Heart?", "Human", "I Believe", "I Feel Something in the Air (Magic in the Air)", "I Look for You", "I Love Makin' Love to You", "I Saw a Man and He Danced With His Wife", "I Want You", "I Wasn't Ready", "I Wouldn't Treat a Dog (The Way You Treated Me)", "Il Cammino Di Ogni Speranza", "Island", "It All Adds Up Now", "Just This One Time", "Just What I've Been Looking For", "Kiss to Kiss", "L.A. Plane", "The Letter", "Living in a House Divided", "Look at Me", "Love and Understanding", "Love on a Rooftop", "Make the Man Love Me", "Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs", "The Man I Love", "The Man That Got Away", "Masters of War", "Monday", "More Today Than Yesterday", "The Music's No Good Without You", "My Love" from Half-Breed, "The Name of the Game", "Ol' Man River", "One Honest Man", "One Small Step", "Our Lady of San Francisco", "Outrageous", "Runaway", "Runnin'", "Say What's on Your Mind", "Send the Man Over", "Silver Wings & Golden Rings", "Smoke Gets in Your Eyes", "Song Called Children", "Song for You", "Take It Like a Man", "There but for Fortune", "Train of Thought", "Two People Clinging to a Thread", "United We Stand", "We'll Watch the Sun Coming Up", "What About the Moonlight", "When Lovers Become Strangers", "Whenever You're Near", "Who You Gonna Believe", "Why Was I Born?", "Woman's World", "You Don't Have to Say You Love Me", "You Know Darn Well")
E3 ("88 Degrees", "500 Miles", "Again", "Alfie", "Am I Blue?", "Brother Love's Traveling Salvation Show", "But You're Mine", "By Love I Mean", "Classified 1A", "Crying Time", "Dancing Queen", "Danny Boy", "Disaster Cake", "Dixie Girl", "Does Anybody Really Fall in Love Anymore?", "Dream Baby", "Early Morning Strangers", "Easy to Be Hard", "Fires of Eden", "Geronimo's Cadillac", "Girl Don't Come", "The Girl from Ipanema", "Go Now", "He Ain't Heavy, He's My Brother", "He Thinks I Still Care", "How Long Has This Been Going On", "Human", "I Found You Love", "I Got It Bad and That Ain't Good", "I Look for You", "I'm in the Middle", "It Might as Well Stay Monday (From Now On)", "Jolson Medley", "Let It Be Me", "Let This Be a Lesson to You", "I'm Just Your Yesterday", "The Long and Winding Road", "Love & Pain (Pain in My Heart)", "Love Enough", "Love Me", "Mama Look Sharp", "More Than You Know", "My Love" from Closer to the Truth, "Oh No Not My Baby", "Paradise Is Here", "Pirate", "Più Che Puoi", "Podunk", "Real People", "Rhythm of Your Heart Beat", "Rock and Roll Doctor", "The Same Mistake", "Save Up All Your Tears", "See See Rider", "(Sittin' On) The Dock of the Bay", "Summertime", "Take Me Home", "Tell Him", "These Days", "Tonight I'll Be Staying Here With You", "Touch and Go", "Unchained Melody", "Walls", "The Way of Love", "When the Love Is Gone", "Whenever You're Near", "You've Made Me So Very Happy", "Young & Pretty", "Yours Until Tomorrow")
E♭3 ("All I Really Want to Do", "Apples Don't Fall Far from the Tree", "The Beat Goes On", "Cry Myself to Sleep", "Homeward Bound", "A House Is Not a Home", "I Threw It All Away", "I Will Wait for You", "Il Cammino Di Ogni Speranza", "Kiss to Kiss", "Love Hurts", "The Man That Got Away", "The Music's No Good Without You", "Never Been to Spain", "Runnin'", "Sisters of Mercy", "Skin Deep", "The Star-Spangled Banner", "Two People Clinging to a Thread", "You've Really Got a Hold on Me")
D3 ("All I Really Want to Do", "Angels Running", "A Beautiful Story", "Brother Love's Traveling Salvation Show", "By Love I Mean", "Danny Boy", "Dixie", "Early Morning Strangers", "Get It Together", "He Ain't Heavy, He's My Brother", "Heart of Stone", "I Believe", "It Ain't Necessarily So", "It's a Man's Man's Man's World", "Julie", "Love & Pain (Pain in My Heart)", "Love Me", "Mama Look Sharp", "More Than You Know", "Più Che Puoi", "Save the Children", "Say the Word", "Song for You", "Spring", "Wasn't It Good", "When Love Calls Your Name", "You and I" live Las Vegas 1973, "You Know Darn Well")
C♯3 ("One Honest Man")
C3 ("Love & Pain (Pain in My Heart)")
........................................................................................................
Blue marks whistle notes.
Bold marks particularly impressive notes (for the singer's standards).
Underlines mark notes found in background vocals or harmonies.
Italics mark non-melodic notes.

SPOILER: Click to show

{Album Ranges & Notewatching Credits:}Alex61
Solo:
All I Really Want to Do (1965): D3 - C5
With Love, Chér (1967): E♭3 - C5
Chér (1971): C♯3 - C♯5
Half-Breed (1973): E♭3 - D5
I'd Rather Believe in You (1976): D3 - B4
Prisoner (1979): F3 - D5
Heart of Stone (1989): D3 - E♭5
Believe (1998): F3 - F♯5
Closer to the Truth (2013): E3 - D5

Sonny & Cher:
In Case You're in Love (1967): E♭3 - E5

Allman and Woman:
Two the Hard Way (1977): D3 - E5

Baronessa
Solo:
The Sonny Side of Chér (1966): E3 - C5
Backstage (1968): E♭3 - B♭4
Foxy Lady (1972): D3 - C♯5
Dark Lady (1974): E♭3 - B4
Cherished (1977): D3 - C5
I Paralyze (1982): E3 - E♭5
Love Hurts (1991): D3 - F5
Not.com.mercial (2000): E♭3 - D5

Sonny & Cher:
Look at Us (1965): E♭3 - B♭4
All I Ever Need Is You (1972): F3 - B4

Black Rose:
Black Rose (1980): D3 - F5

galaxyseal
Solo:
Chér (1966): E♭3 - B♭4
3614 Jackson Highway (1969): D3 - B4
Bittersweet White Light (1973): D3 - F♯5
Stars (1975): E♭3 - E6
Take Me Home (1979): C3 - E5
Cher (1987): E♭3 - F♯5
It's a Man's World (1995): D3 - B5
Living Proof (2001): E♭3 - F♯5
Dancing Queen (2018): E3 - D5

Sonny & Cher:
The Wondrous World of Sonny & Chér (1966): E3 - B4
Mama Was a Rock and Roll Singer, Papa Used to Write All Her Songs (1973): D3 - D5

Soundtrack Albums:
Chastity (1969): F♯3 - C5
Mermaids (1990): F♯3 - D5
Burlesque (2010): G♯3 - D5

SPOILER: Click to show

{Best Vocal Performances (Tentative):}1. Just This One Time
2. If I Could Turn Back Time
3. The Way of Love
4. Bang Bang (1987 version)
5. Save Up All Your Tears
6. It's a Man's Man's Man's World
7. He Ain't Heavy, He's My Brother
8. Just Like Jesse James
9. Gypsies, Tramps & Thieves
10. You Haven't Seen the Last of Me

[galaxyseal]

RIGHT SO, this thread has been pretty massively re-done with just some live performances and unreleased songs left which I'll chip away at in the future

[kotipelto]

Really random-ass question, did she ever show much melismatic potential?

[Deleted]

I expected her lowest note to be a little lower than C3…

[kaji]

Jan 30, 2022 4:07:33 GMT @ianvector said:

I expected her lowest note to be a little lower than C3…

Well, she was never particularly low-using singer, nor is her voice as low as people typically claim. 

[glo]

Her voice according to this post seldom surpassed D5. But then she has those impressive sixth-octave notes in “Just This One Time”. Then again though, soprano sfogato singing isn’t unheard of. Past D5 she’s more often mixing the few times she goes up there than full-belting it seems, and past Bb4 her voice begins to carry a bit of albeit palatable unsteadiness.  It's hard to say imo, I've always found it confusing.  That Eb3 from "All I Really Want to Do" is hella strong though.  But if she were truly a low-voiced female you'd think she'd have a more formidable and defined lower to mid third octave.  It's a very Grace Slick like voice, who also gets typed that way.  Those D3s from 2001 ("Più che puoi") are also very strong.  It seems more that she underuses those notes rather than fully lacking them.  But does that make her a contralto?  Perhaps, perhaps not...

[IhateMana]

I'd say her tone is "round" enough and she has enough "dude" moments from what I've heard to fit the description of what we've been calling a contralto outside of classical context

[glo]

Yeah. And it’s not in any way unheard of for a contralto to have really high notes available to them, whether by nature or work… just like for a tenor or baritone. I mean, Alison Moyet doesn’t even sing all that exclusively low and even has notes up to D6, and it would be pretty reductive to call her powerful voice only a mezzo — it would basically imply that a contralto ought to sound like Tom Jones. Cleo Laine (who Kaji considers a dramatic mezzo for most of her life) had crazy high notes that surpass those of most sopranos. Cher has much too chesty and thick a voice at full maturity to not be at least a… lower mezzo if not contralto.

I find that some contraltos can sound more feminine and lighter than others, and some are higher extended with weightier deliveries, and some are on both axes. I find the same for mezzos. I do agree with Kaji though that there are many who are mislabeled when they just have underdeveloped high notes. Like, Caroline Polachek is not a mezzo for instance lol. But Toni Braxton is.

[fallenalien]

Jan 30, 2022 19:48:34 GMT IhateMana said:

I'd say her tone is "round" enough and she has enough "dude" moments from what I've heard to fit the description of what we've been calling a contralto outside of classical context

I don't think there should be a doubt about Cher being a contralto. Her voice could pass as a higher tenor, imo, especially in her later songs.

This is slightly unrelated, so I apologize, but I found an archived thread of the older forum, in which Sky Ferreira's voice type was listed as "Contralto". Do you think she could be called a Contralto as well? I didn't think of her as being that low-placed.

[IhateMana]

I don't remember thinking Sky Ferreira was particularly low placed, but i don't think I've heard her in years

[glo]

Soprano Sky
(but sings alto like Taylor Momsen or Billie Eilish)

[kaji]

Jan 31, 2022 13:45:41 GMT fallenalien said:

Jan 30, 2022 19:48:34 GMT IhateMana said:

I'd say her tone is "round" enough and she has enough "dude" moments from what I've heard to fit the description of what we've been calling a contralto outside of classical context

I don't think there should be a doubt about Cher being a contralto. Her voice could pass as a higher tenor, imo, especially in her later songs.

This is slightly unrelated, so I apologize, but I found an archived thread of the older forum, in which Sky Ferreira's voice type was listed as "Contralto". Do you think she could be called a Contralto as well? I didn't think of her as being that low-placed.

Cher in the recent years does a lot of tricks with her tongue, soft palate, vowels and laryngeal position (eversince she started training with Seth Riggs) which mask her natural tone. While it is certainly a lower voice and a dark voice, to say she is darker and lower than a true lower mezzo (Fedora Barbieri in opera; Doris Akers or Melonie Daniels in contemporary) would be weird to me. Especially since both her chest and head registers audibly have a higher tessitura than all the singers I mentioned. Her voice is lower than most you'd typically hear in pop which may lead one to believe she is a genuine low female voice, which she's not. 

Jan 31, 2022 11:16:44 GMT glo said:

Yeah. And it’s not in any way unheard of for a contralto to have really high notes available to them, whether by nature or work… just like for a tenor or baritone. I mean, Alison Moyet doesn’t even sing all that exclusively low and even has notes up to D6, and it would be pretty reductive to call her powerful voice only a mezzo — it would basically imply that a contralto ought to sound like Tom Jones. Cleo Laine (who Kaji considers a dramatic mezzo for most of her life) had crazy high notes that surpass those of most sopranos. Cher has much too chesty and thick a voice at full maturity to not be at least a… lower mezzo if not contralto.

I find that some contraltos can sound more feminine and lighter than others, and some are higher extended with weightier deliveries, and some are on both axes. I find the same for mezzos. I do agree with Kaji though that there are many who are mislabeled when they just have underdeveloped high notes. Like, Caroline Polachek is not a mezzo for instance lol. But Toni Braxton is.

Cleo was classified as a mezzo-soprano while in training and she has even performed classically in a few operas (Die lustige witwe for one) and was listed as a mezzo-soprano. All the roles she sang on operatic stage were soprano roles even though she was never one. Her training was in a soprano APPROACH as a mezzo-soprano (Ebe Stegnani in opera was quite similar; soprano technique as a mezzo-soprano). She only started calling herself a contralto in the recent years. 

Contraltos can absolutely have high notes of a mezzo or even soprano... or higher. The tessitura and tonal quality will simply differ. Same as tenor vs baritone. It's just a bit different. While actual contraltos are rare, those we know of have notes that are usable past the typical contralto range. Alison whom you mentioned is one of them. Low register timbre differences are a bit trickier as creating a very dark timbre at the very bottom of your range is less challenging than creating a naturally sounding ala-high voice timbre on the very top. 

Yeah, Toni is like a pushed-up mezzo to me. May have been a soprano in her younger years, but mezzo now for sure. 

[IhateMana]

I've listened to Sonny & Cher tracks where i can't tell who's Sonny and who's Cher, so subjectively I'm more inclined to believe you're understating how low her voice actually is, more than I'm overstating. Wouldn't be that surprised to find lower mezzos have stronger lows than her, some baritones get out-lowed by tenors all the time *cough Zedd Squared cough*

[Zedd Squared]

Feb 1, 2022 1:25:21 GMT IhateMana said:

some baritones get out-lowed by tenors all the time *cough Zedd Squared cough*

But hey, at least I've also got guys like Nick Cave in my corner in that respect lol.

I figure this Cher debate warrants a similar reaction to my Peter Steele thread post, but I guess a quick summation is that low voices are allowed to sound light sometimes folks (especially when compared to other low voices and in contemporary music in general, where subtle tonal variations are the norm).

[fallenalien]

Surprised that Cher being a contralto is controversial at all.

I always thought that contraltos were relatively easy to spot, compared to other voice types, because of the androgyny.

If a female vocalist is easily mistaken for a male vocalist, it's probably not unreasonable to assume that the vocalist in question falls under the lowest female voice type.

Cher is an example, but Tracy Chapman, Nico and the vocalist who sang "Goodbye Horses" are maybe more extreme examples.

On the other hand, if a male vocalist can be mistaken for a female vocalist, (Lindsey Buckingham, Michael Jackson, John Denver) you're likely dealing with a higher tenor.

Mezzos with a darker tone still sound distinctly female, imo. I don't think Lana Del Rey or Lorde are often being mistaken for male vocalists.

[glo]

See, I think style can also bring out lightness or darkness in a voice by the situation of the style’s needs. Pop singers sing in a higher larynx placement than operatic or even gospel singers generally.

Also I’ve never mistaken Nico’s voice as male. At lowest she’s probably a mezzo.

I do think that youth can also mask the depth of a voice, as younger voices sound brighter and lighter and more buoyant. Cher’s voice in her twenties already was adept well into the third octave, and very belty by the mid fourth. By her fifties she was doing pretty thorough lows down to the end of octave three, which is still quite low for a female pop singer. Her chest voice has always been weighty, and her head notes raspy and twanged.

I don’t think that Lana and Lorde are all that deep-set though. I think they mainly have ease and practice in singing that low. I’d agree that they’re mezzos though, just singing very modern-pop.

[fallenalien]

Feb 1, 2022 17:21:09 GMT glo said:

See, I think style can also bring out lightness or darkness in a voice by the situation of the style’s needs. Pop singers sing in a higher larynx placement than operatic or even gospel singers generally.

Also I’ve never mistaken Nico’s voice as male. At lowest she’s probably a mezzo.

I do think that youth can also mask the depth of a voice, as younger voices sound brighter and lighter and more buoyant. Cher’s voice in her twenties already was adept well into the third octave, and very belty by the mid fourth. By her fifties she was doing pretty thorough lows down to the end of octave three, which is still quite low for a female pop singer. Her chest voice has always been weighty, and her head notes raspy and twanged.

I don’t think that Lana and Lorde are all that deep-set though. I think they mainly have ease and practice in singing that low. I’d agree that they’re mezzos though, just singing very modern-pop.

Nearly all Nico songs can be sung by a baritone in the original key. If she was a mezzo, she'd have quite an unusual vocal approach. On her earlier stuff she was told to sing with a lighter approach, I heard.

Do you agree that Cher is a contralto? Her voice seems darker and weightier compared to vocalists, who are considered lower mezzos such as the young Stevie Nicks and Fiona Apple. More androgynous.

[kaji]

Feb 1, 2022 10:12:33 GMT fallenalien said:

Surprised that Cher being a contralto is controversial at all.

I always thought that contraltos were relatively easy to spot, compared to other voice types, because of the androgyny.

If a female vocalist is easily mistaken for a male vocalist, it's probably not unreasonable to assume that the vocalist in question falls under the lowest female voice type.

Cher is an example, but Tracy Chapman, Nico and the vocalist who sang "Goodbye Horses" are maybe more extreme examples.

On the other hand, if a male vocalist can be mistaken for a female vocalist, (Lindsey Buckingham, Michael Jackson, John Denver) you're likely dealing with a higher tenor.

Mezzos with a darker tone still sound distinctly female, imo. I don't think Lana Del Rey or Lorde are often being mistaken for male vocalists.

While Lindsey, Michael and John have high and bright voices - their very bright timbre is largely caused by a habitually high resting laryngeal position and usually also a result of vocal imitation of female singers. And they still have the vocal density in their voice, even in lighter coordinations that's distinctly tenor (I don't really think Lindsey did, but the other two surely). The tessitura and passaggi are also that of a tenor voice if you delve deeper into their voices. 

You view... Lana and Lorde as... dark and low mezzos lol? I thought at least the former was universally called a soprano.  

I'll only be using singers that were classified by their teachers as mezzo-sopranos or even trained classically as such in this post after this sentence. The reason this is so that the classifications are not gonna be simply guesses.

Doris Akers was classified as a dramatic mezzo-soprano by her teacher (the same teacher also taught Mahalia Jackson) that sang fairly light and mostly belted. She was often mistaken for a tenor singer when singing. While she does have a distinctly feminine tone, tessitura audibly sits low and the voice is dark. She had no issues projecting her voice even close to the C3 without a microphone.

www.youtube.com/watch?v=6mmoUsITteA 
www.youtube.com/watch?v=5tTgX2i8BN8
www.youtube.com/watch?v=tNmWcUeA0B0 
www.youtube.com/watch?v=k4BOJpZAhIs
www.youtube.com/watch?v=G5aY913ALC4&t=240s 

Although not someone who attended lessons consistently, Angela Lansbury was classified as a lyric mezzo-soprano by Marge Rivingston who coached her, and even did some opera work. She's famously the voice behind the original Beauty and the Beast song. Listen especially to the density of her voice, not how bright or dark it is. 

www.youtube.com/watch?v=p8H-UVar4Zk& 
www.youtube.com/watch?v=hIsmINWdkVQ 

Della Reese was a mezzo-soprano that eventually became a contralto (in the 1980s when she already mostly retired from recording music). She was trained in classical and contemporary by multiple singers but the notable ones were Mahalia Jackson whom I mentioned already (Mahalia always made sure to assign her students both classical and contemporary pieces) and another famous name that taught her was Billy Ward who taught another great name as well - Jackie Wilson. Billy's training was highly influential to Della's belting technique and tone. Once again, he assigned his students both classical and contemporary pieces but unlike with Mahalia, he assigned them pieces that were zwischenfach or even in travesti. Mahalia would often sing even male arias as training for her belting. She has spoken prior that she was a lyric soprano in her younger years, but I've not heard any recording that would point to that but in all fairness her oldest recording I have heard from her was from 1954, when she started her career 10 years earlier so who knows. But by the time she started recording she was a lower mezzo lightening her voice considerably. Examples of both her full singing and lighter singing as a mezzo:

www.youtube.com/watch?v=1eM6a1Z_DXU (full yet with high laryngeal position here)
www.youtube.com/watch?v=MQVkMm8rr5U
youtu.be/XPXqrOEmMwA?t=124 (this is BEFORE the clips above, here she is using a more classical belt all throughout, more masculine and dark
www.youtube.com/watch?v=YoEGpkT9Fvc
www.youtube.com/watch?v=lF61CGNl03Q (probably the lightest I heard her singing like ever)
www.youtube.com/watch?v=qETDIU_67rg&

And here is Della's voice after she became a contralto. Considerably more dense and richer. Much lower tessitura as well. And she is still a high contralto. She still kept some of her range. And the tone is not as dark as a natural contralto (she was originally a mezzo, she was not born a contralto) but it is still a good representation of the density of a contralto voice.
youtu.be/UUn4vN_UtHU?t=314

In the opera world - Fedora Barbieri was a dramatic mezzo-soprano and one that did not have a good lower register... youtu.be/cQV_mJe1mq4?t=570 https://youtu.be/REuQmd5wTgw?t=150

Here's a dramatic soprano chest voice with a low larynx and a lifted soft palate. youtu.be/SL8B-sSQSZ4?t=173

The last example is not only androgynous but masculine and that is a soprano. The way you utilise your instrument and shape your vocal tract in singing can produce a darker or brighter timbre than one'd expect from their voice type. Cher has a dark voice, no one can deny it. But if you listen to her voice with as little tonal manipulation (so a lot of her earlier records) you will not see a voice that has a lower tessitura than a low mezzo. And that is the most important aspect. Tessitura relative to the coordination used by the singer. Someone like Melonie Daniels, a low mezzo (became a contralto recently) has better high notes than the majority of sopranos and better low notes than a lot of tenors. Her tessitura will change depending on how she sings. Same goes with Cher. And the way she sings, and the tessitura in that approach is very much indicative of a mezzo voice, not a contralto voice. 
 

['S]

Wow cool, never thought i'd see mini essays on not-Cher in the Cher thread. Flashbacks to that time when Dimash thread became a green-light for literally any other tenorish singer tangents.

P.S. sth that pertains to the actual thread - some of them bold links are deaddd galaxyseal

[kaji]

On topic of the E6. I recall seeing a clip of Cher lipping to that song on a show (not the Carol Burnett Show) and it had an F6 that was in-pitch rather than an E. Pitch-correction probably?

Also that was all a lead-up into a discussion about Cher, it wasn't random.

[fallenalien]

I hope the argument isn't "Cher isn't contralto, because she doesn't go lower than C3". Steve Perry also does not go below C3, Rod Stewart doesn't sing lower than B2.

Are both of them higher placed than a contralto?

[kaji]

Feb 2, 2022 13:27:03 GMT fallenalien said:

I hope the argument isn't "Cher isn't contralto, because she doesn't go lower than C3". Steve Perry also does not go below C3, Rod Stewart doesn't sing lower than B2.

Are both of them higher placed than a contralto?

Where did anyone say that? Overall vocal range doesn’t mean anything when discussing voice types. I mean there are sopranos with clear E2s (Toni Scruggs), and contraltos with effortless sixth octave as previously mentioned. Tessitura, density and timbre are what makes them those voice types.

Contralto tessitura and passaggi however are pretty much exact with that of a tenor in full voice though, so your question is a tricky one.

[glo]

In a way, it’s arguable that Steve and Rod are, because of how effortlessly they cascade along the fourth and fifth octaves. They could be thought of as “male mezzos” even (high tenors with a pop mezzo tessitura). Bruno Mars could be thought of this way too, who doesn’t sing below B♭2 as far as we know, and frequently reaches D5. I mean, you put these against a Nina Simone or even an Alison Moyet and you see what I mean.

Nonetheless, I do think she’s a contralto. In fact, if they are “male mezzos” (“haute contre” I believe would be the equivalent opera term) it would further prove my point. Bruno Mars is hitting more D5s than Cher, and Steve & Rod more C5s, and all with similar or greater ease. Moreover the timbre is just so dark.

[justalatinolad]

Feb 2, 2022 16:32:11 GMT kaji said:

Feb 2, 2022 13:27:03 GMT fallenalien said:

I hope the argument isn't "Cher isn't contralto, because she doesn't go lower than C3". Steve Perry also does not go below C3, Rod Stewart doesn't sing lower than B2.

Are both of them higher placed than a contralto?

Where did anyone say that? Overall vocal range doesn’t mean anything when discussing voice types. I mean there are sopranos with clear E2s (Toni Scruggs), and contraltos with effortless sixth octave as previously mentioned. Tessitura, density and timbre are what makes them those voice types.

Contralto tessitura and passaggi however are pretty much exact with that of a tenor in full voice though, so your question is a tricky one.

Would you say, for example, Annie Lennox could be considered a contralto?

[lucasaashto]

May 2, 2020 23:12:58 GMT galaxyseal said:

CERTO ENTÃO, este tópico foi massivamente refeito com apenas algumas apresentações ao vivo e músicas inéditas restantes que eu irei remover no futuro

That E6 from Just This One Time is really an E6? I think that is an F6