Post by falsetokaiba on Dec 7, 2019 20:58:57 GMT
James-Paul Luna (24 March ? - present)
Associated Acts: "Holy Grail" (2009 - present), "White Wizzard" (2007-2008), "Jet Fuel" (2003-2007, but no commercial releases)
Vocal Range: C3 - B5 (2 Octaves + 11 Semitones)
Significant High Notes:
B5 ("Deceived")
A5 ("Fight to Kill", "No Presents For Christmas")
G♯5 ("Fast As A Shark")
G5 ("Deceived", "Exciter", "Hollow Ground", "Waste Them All Away")
F♯5 ("Fast As A Shark", "Go Down Swinging", "Kill the King", "My Last Attack", "Too Decayed to Wait")
F5 ("The Blackest Night", "Crystal King", "Dark Passenger")
E5 ("Dark Passenger", "Deceived", "Descent Into the Maelstrom", "Go Down Swinging", "No Presents For Christmas", "Ride the Void", "Those Who Will Remain")
E♭5 ("Black Lotus", "Chase the Wind", "Party All the Time", "Take it to the Grave", "Waste Them All Away")
D5 ("Apotheosis", "Bestia Triumphans", "The Blackest Night", "Bleeding Stone", "Call of Valhalla", "Cherish Disdain", "Crisis in Utopia", "Crystal King", "Exciter", "Fight to Kill", "Go Down Swinging", "The Great Artifice", "Hollow Ground", "Immortal Man", "Kill the King", "No Presents For Christmas", "Pro Patria Mori", "Psychomania", "Rains of Sorrow", "Requiem", "Silence the Scream", "Sudden Death", "Those Who Will Remain" "Those Who Will Remain", "Too Decayed to Wait")
C♯5 ("Black Lotus", "Crosswinds", "Descent Into the Maelstrom", "My Last Attack", "Take it to the Grave")
C5 ("Apotheosis", "Bleeding Stone", "Call of Valhalla", "Can't Hide the Wolf", "Celestina", "Dark Passenger", "Fast As A Shark", "Fight to Kill", "The Great Artifice", "Immortal Man", "Into the Night", "No More Heroes", "Psychomania", "Rains of Sorrow", "Requiem", "Silence the Scream", "Sleep of Virtue", "Waste Them All Away")
B4 ("Black Lotus", "Kill the King", "Pro Patria Mori", "Ride the Void", "Sleep of Virtue", "Those Who Will Remain", "Too Decayed to Wait")
B♭4 ("Apotheosis", "Bestia Triumphans", "The Blackest Night", "Chase the Wind", "Crisis in Utopia", "Crosswinds", "Exciter", "Hollow Ground", "Party All the Time", "Rains of Sorrow", "Silence the Scream", "Sudden Death")
A4 ("Call of Valhalla", "Celestina", "Cherish Disdain", "Crisis in Utopia", "Crystal King", "The Great Artifice", "High Speed GTO", "Into the Night", "No More Heroes", "Requiem", "Take it to the Grave")
Significant Low Notes:
F3 ("Apotheosis", "Chase the Wind", "Crisis in Utopia", "Crystal King", "Descent Into the Maelstrom", "The Great Artifice", "Requiem")
E3 ("Crystal King", "Deceived", "My Last Attack", "Psychomania", "Sleep of Virtue", "Too Decayed to Wait")
E♭3 ("Can't Hide the Wolf", "Waste Them All Away")
D3 ("Bleeding Stone", "Chase the Wind", "Dark Passenger", "Hollow Ground", "Rains of Sorrow")
C♯3 ("Bleeding Stone")
C3 ("Cherish Disdain", "Hollow Ground", "Rains of Sorrow")
.......................................................
Blue marks clear falsetto notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
{Questionable Notes}
B♭5 "No Presents For Christmas" [1][4]
C♯3 "My Last Attack" [2]
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭5 "No Presents For Christmas" [1][4]
C♯3 "My Last Attack" [2]
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Album Ranges}
With White Wizzard:
High Speed GTO (EP) (2009) G3-C5 (incomplete, could only find tracks 1-3)
With Holy Grail:
Crisis in Utopia (2010) C3 - A5
Seasons Bleedings (EP) (2011) G3 - G♯5 - A5
Ride the Void (2013) C3 - F♯5
Time of Pride and Peril (2016) E♭3-A3-G5
With White Wizzard:
High Speed GTO (EP) (2009) G3-C5 (incomplete, could only find tracks 1-3)
With Holy Grail:
Crisis in Utopia (2010) C3 - A5
Seasons Bleedings (EP) (2011) G3 - G♯5 - A5
Ride the Void (2013) C3 - F♯5
Time of Pride and Peril (2016) E♭3-A3-G5