Post by Deleted on Sept 23, 2019 10:15:17 GMT
Bonnie Fraser
Associated Acts: Stand Atlantic (2014 – Present)
Vocal Range: D3 - G5
Significant High Notes:
G5 ("Eviligo", "Like That", "Silk & Satin")
F♯5 ("Lost My Cool", "MakeDamnSure", "Soap")
F5 ("Clay", "Jurassic Park", "Push", "Sidewinder", "Speak Slow", "Your Graduation")
E5 ("Breakaway", "Bullfrog", "Chemicals", "Eviligo", "Like That", "Shh!", "Tonight We Stay")
E♭5 ("Cigarette Kiss", "Clay", "Coffee at Midnight", "Hate Me (Sometimes)", "Jurassic Park", "Lavender Bones", "Lost My Cool", "Mess I Made", "Righteous", "Sidewinder", "Skinny Dipping", "Soap", "Speak Slow", "Wasteland")
D5 ("Breakaway", "Bullfrog", "Chemicals", "DWYW", "Jurassic Park", "Like That", "Push", "Shh!", "Silk & Satin", "Toothpick")
C♯5 ("Breakaway", "Burn in the Afterthought", "Chemicals", "Cigarette Kiss", "Clay", "Coffee at Midnight", "Hate Me (Sometimes)", "Lost My Cool", "MakeDamnSure", "Mess I Made", "Righteous", "Roses", "Skinny Dipping", "Soap", "Sugar We're Goin Down" Live at Music Industry College 2015, "Tonight We Stay", "Wavelength")
C5 ("Blurry", "Drink to Drown", "Eviligo", "I'm Sorry", "Jurassic Park", "Lavender Bones", "Like That", "Shh!", "Sidewinder", "Toothpick", "Wasteland", "Your Graduation")
B4 ("Bullfrog", "DWYW", "Hate Me (Sometimes)", "Like That", "Righteous", "Silk & Satin", "Soap")
B♭4 ("Burn in the Afterthought", "Cigarette Kiss", "Drink to Drown", "I'm Sorry", "Lavender Bones", "MakeDamnSure", "Mess I Made", "Roses", "Soap", "Sugar We're Goin Down" Live at Music Industry College 2015, "Wavelength")
Significant Low Notes:
B3 ("Breakaway", "Bullfrog", "Chemicals", "Tonight We Stay")
B♭3 ("Burn in the Afterthought", "Cigarette Kiss", "Clay", "Drink to Drown", "Hate Me (Sometimes)", "Jurassic Park", "Push", "Righteous", "Soap")
A3 ("Breakaway", "Chemicals", "DWYW", "Eviligo")
G♯3 ("Blurry", "Burn in the Afterthought", "Cigarette Kiss", "Coffee at Midnight", "Hate Me (Sometimes)", "Lost My Cool", "Mess I Made", "Roses", "Sidewinder", "Skinny Dipping", "Sugar We're Goin Down" Live at Music Industry College 2015)
G3 ("Coffee at Midnight" Live in HMV Manchester 2018, "Drink to Drown", "Lavender Bones", "Push", "Shh!", "Silk & Satin", "Toothpick", "Your Graduation")
F♯3 ("Hate Me (Sometimes)", "Lost My Cool", "MakeDamnSure", "Righteous", "Silk & Satin")
F3 ("Blurry", "I'm Sorry", "Lavender Bones", "Lost My Cool" Live in HMV Manchester 2018, "MakeDamnSure", "Roses", "Skinny Dipping" Live in HMV Manchester 2018, "Your Graduation")
E3 ("Lavender Bones" Live in HMV Manchester 2018, "Silk & Satin")
E♭3 ("Wavelength")
D3 ("Like That")
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Underlines mark notes obscured in the mix.
Italics mark non-melodic notes.
Bold marks particularly notable examples of this person's vocal capabilities.
Summary:
Despite being relatively new to the music scene, Stand Atlantic have already made an impact, a feat that can certainly in part be credited to Bonnie Fraser's vocal and guitar playing duties in the band.
Fraser uses her lower range and her higher range a fairly equal amount, though perhaps her high range is more commonly heard and is more often the focal point of her vocal melodies. She makes frequent use of belting, which she has done up to the lower-mid fifth octave. Fraser already has a unique, identifiable sound which has certainly helped Stand Atlantic to get to where they are, and their rise in popularity shows no signs of stopping.
{Discography}Stand Atlantic:
Skinny Dipping (2018): F3 - F5 - F♯5
Pink Elephant (2020): D3 - E♭3 - F5 - G5
With the exception of "Tonight We Stay" and "Wasteland", the "A Place Apart" EP is unavailable.
Skinny Dipping (2018): F3 - F5 - F♯5
Pink Elephant (2020): D3 - E♭3 - F5 - G5
With the exception of "Tonight We Stay" and "Wasteland", the "A Place Apart" EP is unavailable.
{Questionable Notes}B♭5 ("Coffee at Midnight" [1])
A5 ("DWYW" [1][2])
E♭5 ("Wavelength" [4])
F3 ("Burn in the Afterthought" [1])
E3 ("Righteous" [1])
..................................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to the singer in question.
[3] marks notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
A5 ("DWYW" [1][2])
E♭5 ("Wavelength" [4])
F3 ("Burn in the Afterthought" [1])
E3 ("Righteous" [1])
..................................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to the singer in question.
[3] marks notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Credits}Photo by Sarah Sidwell Photography