Post by IhateMana on Feb 16, 2020 0:16:00 GMT
![](https://www.thenational.ae/image/policy:1.828036:1550667315/wo21-FEB-paddy-mcaloon02.jpg?f=4x3&q=1.0&w=1024&$p$f$q$w=34b38bd)
Patrick Joseph McAloon (7 June 1957)
Associated Acts: Prefab Sprout (1978 - Present)
Vocal Range: D2 - B♭5
{Vocal Summary}TEXT GOES HERE
Written by @username.
Written by @username.
Significant High Notes
B♭5 ("Goodbye Lucille #1")
A5 ("When the Angels")
G♯5 ("The Ice Maiden")
F5 ("Green Isaac", "The King of Rock 'n' Roll")
E5 ("Cars and Girls", "The Wedding March", "Wild Horses")
D5 ("Cue Fanfare", "The Wedding March", "The World Awake)
C♯5 ("Electric Guitars", "Talking Scarlet", "Wicked Things")
C5 ("Cars and Girls", "Doo-Wop in Harlem", "I Remember That", "Jordan: The Comeback", "Knock on Wood", "Michael")
B4 ("Bonny" Acoustic Version, "Enchanted", "Tiffanys")
B♭4 ("The Ice Maiden", "Knock on Wood")
A4 ("All the World Loves Lovers", "Elegance", "I Remember That", "Jordan: The Comeback", "Moondog", "Moving the River" Acoustic version, "Wild Horses")
G♯4 ("All the World Loves Lovers", "Bonny" Acoustic Version, "Carnival 2000", "Couldn't Bear to Be Special", "Don't Sing", "The Golden Calf", "Goodbye Lucille #1", "Green Isaac", "Green Isaac II", "The Ice Maiden", "The King of Rock 'n' Roll", "Life of Surprises", "Machine Gun Ibiza", "Moving the River")
G4 ("Anne Marie", "Bonny", "Enchanted", "Goodbye Lucille #1", "Horsechimes", "I Never Play Basketball Now", "Jordan: The Comeback", "Looking for Atlantis", "Michael", "Paris Smith", "A Prisoner of the Past")
F♯4 ("All the World Loves Lovers", "Appetite", "Diana", "Elegance", "Faron Young", "The Fifth Horseman", "The Golden Calf", "Horsechimes", "Jesse James Bolero", "Knock on Wood", "Looking for Atlantis", "Machine Gun Ibiza", "Moving the River", "When Love Breaks Down" Acoustic Version, "When the Angels")
F4 ("Anne Marie", "Avenue of Stars", "Blueberry Pies", "Cars and Girls", "Cue Fanfare", "Enchanted", "Faron Young", "Ghost Town Blues", "Green Isaac", "Horsin' Around", "The King of Rock 'n' Roll", "Life's a Miracle","Michael", "The Mystery of Love", "Nancy (Let Your Hair Down for Me)", "Steal Your Thunder", "Talking Scarlet", "Technique", "Weightless", "When Love Breaks Down")
Significant Low Notes
E♭3 ("Bonny", "Cue Fanfare", "Don't Sing", "Elegance", "Faron Young", "Ghost Town Blues", "Goodbye Lucille #1", "Hallelujah", "I Never Play Basketball Now", "The Ice Maiden", "Jesse James Symphony", "Talking Scarlet")
D3 ("Appetite", "The Fifth Horseman", "Looking for Atlantis", "Moondog", "A Prisoner of the Past", "Scarlet Nights", "We Let the Stars Go", "The Wedding March")
C♯3 ("Cruel", "Cue Fanfare", "Dublin", "Elegance", "Horsechimes", "Horsin' Around", "Machine Gun Ibiza", "Tiffanys", "When Love Breaks Down", "Wicked Things")
C3 ("Anne Marie", "Avenue of Stars", "Cars and Girls", "Enchanted", "I Remember That", "Jordan: The Comeback", "Knock on Wood", "Life's a Miracle","Mercy", "Michael", "Moving the River", "The Mystery of Love", "Nancy (Let Your Hair Down for Me)", "Pearly Gates", "Til the Cows Come Home", "Weightless", "Whoever You Are", "The World Awake")
B2 ("Anne Marie", "Carnival 2000", "Desire As", "Diana", "The Fifth Horseman", "Horsechimes", "Jesse James Bolero", "Life of Surprises", "Machine Gun Ibiza", "Nightingales", "When Love Breaks Down" Acoustic Version, "When the Angels", "The World Awake")
B♭2 ("All Boys Believe Anything", "Blueberry Pies", "Couldn't Bear to Be Special", "Cruel", "Don't Sing", "Dublin", "Faron Young", "Green Isaac II", "The Ice Maiden", "The Mystery of Love", "Paris Smith", "Steal Your Thunder", "The Venus of the Soup Kitchen")
A2 ("All the World Loves Lovers", "Appetite" Acoustic Version, "Avenue of Stars", "Diana", "Electric Guitars", "Enchanted", "Faron Young" Acoustic version, "Hey Manhattan!", "Moondog", "Moving the River" Acoustic version, "Nancy (Let Your Hair Down for Me)", "Scarlet Nights", "Swans", "Til the Cows Come Home", "The Wedding March", "Whoever You Are")
G♯2 ("Appetite" Acoustic Version, "Diana", "Dublin", "Here on the Eerie", "Hey Manhattan!", "Horsin' Around", "Jesse James Bolero", "Jesse James Symphony", "The King of Rock 'n' Roll", "Talking Scarlet", "Technique", "The Yearning Loins")
G2 ("Cars and Girls", "Desire As", "Doo-Wop in Harlem", "I Remember That", "Jordan: The Comeback", "Looking for Atlantis", "Pearly Gates", "The Venus of the Soup Kitchen", "The World Awake")
F♯2 ("Blueberry Pies", "Green Isaac II", "He'll Have to Go", "When Love Breaks Down" Acoustic Version)
F2 ("All Boys Believe Anything", "Talking Scarlet")
E2 ("All the World Loves Lovers", "Desire As" Acoustic version, "Life of Surprises", "One of the Broken", "Wild Horses")
E♭2 ("The Ice Maiden")
D2 ("Jordan: The Comeback")
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
{Questionable Notes}
G♯2 ("Nancy (Let Your Hair Down for Me)" [5])
E♭2 ("Bonny" [4], "The King of Rock 'n' Roll" [4])
C2 ("Michael" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
G♯2 ("Nancy (Let Your Hair Down for Me)" [5])
E♭2 ("Bonny" [4], "The King of Rock 'n' Roll" [4])
C2 ("Michael" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Album Ranges}
(1984) Swoon: F♯2 - G♯4 - F5
(1986) Steve McQueen: F♯2 - B♭5
(1988) From Langley Park to Memphis: G2 - A4 - F5
(1989) Protest Songs: E2 - G2 - G♯4 - D5
(1990) Jordan: The Comeback: D2 - E2 - B♭4 - A5
(1997) Andromeda Heights: G2 - G4
(2001) The Gunman and Other Stories:
(2009) Let's Change the World With Music:
(2013) Crimson/Red:
Solo
(2003) I Trawl the Megahertz: N/A
(1984) Swoon: F♯2 - G♯4 - F5
(1986) Steve McQueen: F♯2 - B♭5
(1988) From Langley Park to Memphis: G2 - A4 - F5
(1989) Protest Songs: E2 - G2 - G♯4 - D5
(1990) Jordan: The Comeback: D2 - E2 - B♭4 - A5
(1997) Andromeda Heights: G2 - G4
(2001) The Gunman and Other Stories:
(2009) Let's Change the World With Music:
(2013) Crimson/Red:
Solo
(2003) I Trawl the Megahertz: N/A