Chris Cornell (23,379 views)

[motorist]

Christopher John Boyle Cornell (July 20, 1964 - May 18, 2017)
Years Active: 1984 - 2017
Associated Acts: Soundgarden, Temple of the Dog, Audioslave, Alice Mudgarden, M.A.C.C.
Voice Type: can we not
Recorded Vocal Range: C2 - A5

High Notes:
A5 ("Cold Bitch", "Face Pollution", "Full On Kevin's Mom", "Hands All Over" live Denver 1990, "Head Injury" live Bumbershoot, Seattle 1988, "H.I.V. Baby")
G♯5 ("Beyond The Wheel" live Westwood, Los Angeles 1989, "Communication Breakdown" live Hamburg 1989/live Bumbershoot, Seattle 1988, "Face Pollution", "Jesus Christ Pose", "Searching With My Good Eye Closed"/"Searching With My Good Eye Closed", "Slaves & Bulldozers/Jesus is Just Alright" live Paramount Theatre, Seattle 1992, "Smokestack Lightning" live Portland 1988)
G5 ("Beyond the Wheel" live Frankfurt 1990, "Communication Breakdown" live Los Angeles 1988, "Fopp" live Portland 1988, "Full On (Reprise)", "Gasoline" live New York City 2002, "Hands All Over" live Denver 1990, "Head Injury" live San Francisco 1989, "Heretic", "Holy Water", "New Damage", "Nothing To Say" live Seattle 1987, "Power Trip", "Reach Down", "Say Hello 2 Heaven", "Searching With My Good Eye Closed", "Smokestack Lightning", "Ugly Truth" live Bumbershoot, Seattle 1990/live Denver 1990)
F♯5 ("665", "Beyond the Wheel" several live performances, "Big Dumb Sex" live Los Angeles 1992, "Birth Ritual" studio/demo, "Black Rain", "Communication Breakdown" live Bergamo 1989/live Los Angeles 1989, "Cop Killer" live Irvine 1992, "Earache My Eye" live Los Angeles 12-7-1989/live San Francisco 1989, "Everybody's Got Something To Hide (Except Me And My Monkey)", "Get On The Snake", "Hands All Over/American Woman" several live performances, "I Awake" live Los Angeles 1989*, "Let Me Drown", "Outshined" live Del Mar 1996, "Room A Thousand Years Wide" live Berkeley 1994, "Searching With My Good Eye Closed", "Somewhere", "Tears to Forget" studio/live Los Angeles 1988, "Touch Me", "Ugly Truth" live Bumbershoot, Seattle 1990, "An Unkind")
F5 ("Beyond The Wheel", "Black Rain", "Cold Bitch", "By Crooked Steps" demo, "Fopp", "Four Walled World", "Gun", "Heretic", "Jesus Christ Pose", "Like Suicide" live Sunrise 1994, "New Damage"/"New Damage" Brian May version, "Nothing To Say", "Outshined", "Room A Thousand Years Wide", "She Likes Surprises", "Slaves & Bulldozers", "Spoonman", "Submission" unmarked 1989 performance⍣, "Tears to Forget" live Amsterdam 1989, "Thank You (Falettinme Be Mice Elf Agin)", "When Bad Does Good")
E5 ("4th of July", "As Hope And Promise Fade" live Toronto 2011, "Bend In The Road", "Bring Em Back Alive" demo, "Call Me A Dog"/"Call Me A Dog", "Come Together"/"Come Together" live Houston 1989, "Doesn't Remind Me" live Paris 2012/live Mexico City 12-16-2007, "Drawing Flies", "Entering", "Four Walled World", "Full On (Reprise)", "Gasoline" demo, "Head Injury", "Heretic", "H.I.V. Baby" live San Francisco 1990, "Holy Water", "Hunger Strike", "Hunted Down", "I Awake", "Immigrant Song" live Houston 2009, "Incessant Mace", "Like Suicide" live Gatineau 1994, "Little Joe", "Long Gone" live Jimmy Kimmel 2009, "Loud Love", "Mind Riot", "Mission", "Problem Child" live Bergamo 1989, "Reach Down", "Say Hello 2 Heaven"/"Say Hello 2 Heaven", "Set It Off", "Shadow on the Sun" demo, "She's A Politician", "Sleep Now In The Fire" AOL Sessions 2005, "Smokestack Lightning", "Somewhere", "Steel Rain" live Las Vegas 2000, "Ticket to Ride" live West Hollywood 2010, "Tighter & Tighter", "Times Of Trouble", "Train Kept A-Rollin'" live St. Louis 1992, "Ty Cobb", "Uncle Anesthesia", "Whole Lotta Love", "Wooden Jesus", "Working Man" live Los Angeles 1988)
E♭5 ("4th Of July", "665", "Been Away Too Long", "Beyond The Wheel", "Black Hole Sun" live London 1994, "Cop Killer" live Phoenix 1992, "Flower" several live performances, "Flutter Girl"* demo, "Head Down" live Reggio Emilia 1995, "Hey Baby (New Rising Sun)", "I Awake", "Lies", "Light My Way" demo, "Long As I Can See The Light" live New York City 2011, "My Wave" live Reggio Emilia 1995, "Pushin' Forward Back", "Right Turn", "Rusty Cage" several live performances, "Submission" unmarked 1989 performance, "Sub Pop Rock City", "Tears To Forget", Vocal Warmup Melbourne 2012, "Whole Lotta Love", "You Don't Know Nothing About Love")
D5 ("#1 Zero", "Been Away Too Long", "Billie Jean", "Birth Ritual", "Black Rain", "Blind Dogs", "Blow Up The Outside World" live Teatro ROSSETTI Trieste 2016, "Broken City", "Can't Change Me" live Atlantic City 2011, "Cold Bitch", "Come Together", "By Crooked Steps", "A Day In The Life" live Teatro ROSSETTI Trieste 2016, "Doesn't Remind Me" several live performances, "Dusty" live Toronto 1996, "Earache My Eye" live Los Angeles 12-7-1989, "Face Pollution", "Fell On Black Days", "Ferry Boat"*, "Flower" live from the Artists Den 2013, "Fopp", "Four Walled World", "Fresh Tendrils", "Goodnight My Friends" live Bologna 1996, "Ground Zero" live Chicago 2011, "Hands All Over", "Head Injury", "He Didn't", "Helter Skelter" live Fairfax 1996, "H.I.V. Baby", "Holy Holy" live San Francisco 2016, "Holy Water", "Incessant Mace"/"Incessant Mace" early version V2, "Jesus Christ Pose", "Jump Into The Fire", "The Keeper", "Killing in the Name" live Berlin 2005, "Let Me Drown", "Like Suicide", "Limo Wreck", "Live to Rise", "Loud Love", "Mission", "Murderer Of Blue Skies", "Never Far Away", "No Attention", "Nothing To Say"/"Nothing To Say" live Toronto 1992, "No Wrong No Right", "Outshined", "Overfloater", "Pretty Noose", "Promise", "Pushin' Forward Back", "Reach Down", "Room A Thousand Years Wide", "Rowing", "Rusty Cage" several live performances, "Sad Sad City" live Austin 2011, "A Satisfied Mind" live Allentown 2011, "Say Hello 2 Heaven", "Searching With My Good Eye Closed", "Set It Off" live Hartford 2005, "She's A Politician", "Slaves & Bulldozers", "Sleep Now In The Fire" AOL Sessions 2005, "Somewhere", "Spoonman", "Stardog Champion" live San Francisco 2016, "Stargazer" live Paramount Theatre, Seattle 2016, "Stay With Me Baby", "Sunshower", "Superunknown", "Tangerine" live Red Bank 2011, "Thank You (Falettinme Be Mice Elf Agin)", "Ticket to Ride" live West Hollywood 2010, "Times Of Trouble", "Touch Me", "Toy Box", "Ugly Truth", Unknown Song live The Central, Seattle 1986, Unknown Song live The Rainbow Tavern, Seattle 1986, "War Pigs" live Los Angeles 2009, "What You Are", "When I'm Down" live Teatro Colón 2016, "Whole Lotta Love", "Why Do You Follow Me?", "Wooden Jesus", "Worse Dreams", "You Know My Name" live Teatro Gran Rex 2016/live Landgraaf 2009)
C♯5 ("All Your Lies" live San Francisco 1988, "Big Bottom" live Los Angeles 12-10-1989*, "Big Dumb Sex", "Blow Up The Outside World", "Can You See Me?", "Cop Killer" live Phoenix 1992, "The Day I Tried To Live", "Disappearing One", "Do Me Wrong", "Everybody's Got Something To Hide (Except Me And My Monkey)", "Exploder", "Eyelid's Mouth", "Flutter Girl"/"Flutter Girl" live Las Vegas 2000, "Follow My Way", "Hand of God", "Heavy Is the Head", "He Didn't", "Heretic", "I'm A Mover" live San Francisco 2016, "Immigrant Song" live Toronto 2008, "Incessant Mace", "Karaoke", "Light My Way" demo, "Limo Wreck", "Long As I Can See The Light" live New York City 2011, "Mailman", "New Damage", "No Attention", "Other Side Of Town", "Part Of Me", "Problem Child" live Bergamo 1989, "Right Turn", "Scream", "Seasons" live House of Blues 2000, "Shadow on the Sun" demo, "Sleep Now In The Fire" AOL Sessions 2005, "Sunshine Of Your Love" live Bergamo 1989, "Swallow My Pride", "Sweet Revenge", "Today", Unknown Song live The Central, Seattle 1986, "Waiting For The Sun" live Helenski 1995, "Wave Goodbye", "You Never Knew My Mind")
C5 ("4th Of July", "All Night Thing", "All Your Lies" early version, "Arms Around Your Love", "As Hope And Promise Fade" live Toronto 2011, "Big Bottom" live Los Angeles 12-7-1989, "Black Hole Sun"*, "Black Rain", "Blood On The Valley Floor", "Broken City", "Burden In My Hand" live MTV Live & Loud 1996, "Call Me A Dog", "Cold Bitch", "By Crooked Steps", "A Day In The Life" live Teatro ROSSETTI Trieste 2016, "Dead Wishes", "Ferry Boat", "Finally Forever", "Flower", "Four Walled World", "Fresh Deadly Roses", "Full On Kevin's Mom", "Gasoline" demo, "Getaway Car" demo, "Get It While You Can", "Going to California" live Zagreb 2016, "Halfway There", "Heaven's Dead", "Helter Skelter"/"Helter Skelter" live Fairfax 1996, "Hey Baby (New Rising Sun)", "Homicidal Suicidal", "I Am The Highway" live Toronto 2011/demo, "I Awake", "Imagine" live Milwaukee 2011, "Jewel Of The Summertime", "Killing Birds", "Kristi", "Kyle Petty, Son Of Richard", "Let Me Drown", "Light My Way", "Light On" live Orlando 2012, "Like Suicide", "Long Gone" Music Video version, "Long Gone Day" live Seattle 2015, "Mailman", "Nazi Driver", "Never Far Away", "Never Named", "Never The Machine Forever", "No Such Thing", "Only These Words", "Ordinary Girl", "Outshined", "Overfloater", "Pillow Of Your Bones", "Pretty Noose", "The Promise" live on The Tonight Show with Jimmy Fallon 2017, "Rhinosaur", "Roads We Choose", "Room A Thousand Years Wide", "Rowing", "Sad Sad City" live Austin 2011, "Safe and Sound", "Scar On The Sky", "Set It Off", "Shadow on the Sun" live Pinkpop 2003, "Shape of Things to Come", "She Likes Surprises", "She'll Never Be Your Man", "Slaves & Bulldozers", "Slaves & Bulldozers/Freebird" live Orange County Fair 2007, "Somedays", "Stardog Champion" live Alpine Valley Music Theatre 2011/live San Francisco 2016, "Steel Rain", "Stray Cat Blues", "Submission" unmarked 1989 performance, "Superunknown", "Super Stupid", "Taree", "Tears to Forget", "Thank You (Falettinme Be Mice Elf Agin)", "A Thousand Days Before", "Ticket to Ride" live West Hollywood 2010, "Time", "Turn To Gold", "Ty Cobb", "Until We Fall", "Watching The Wheels", "We Got The Whip", "When I'm Down", "Why Do You Follow Me?", "Wide Awake"/"Wide Awake" live Washington 2011, "Worried Moon")
B4 ("#1 Zero", "Achilles Last Stand" live San Francisco 2016, "All Your Lies" Deep Six version, "Been Away Too Long", "Be Yourself", "Big Dumb Sex", "Billie Jean", "Black Saturday", "Bleed Together", "Blow Up The Outside World", "Boot Camp" live Las Vegas 2000, "Bring Em Back Alive", "Circling", "Climbing Up The Walls", "Cochise", "Come Together", "Communication Breakdown" live Los Angeles 1988, "The Curse", "Dandelion", "The Day I Tried To Live", "Dead Wishes", "Disappearing One", "Doesn't Remind Me"/"Doesn't Remind Me" live Paris 2012, "Do Me Wrong", "Drown Me Slowly", "Entering", "Exploder", "Fell On Black Days"/"Fell On Black Days" live at Download Festival 2012, "Flutter Girl", "Follow My Way", "Four Walled World", "Full On (Reprise)", "Gasoline", "Getaway Car", "Get On The Snake", "Ghosts", "Give", "Going to California" live Zagreb 2016, "Ground Zero", "Gun", "Heartshine" live San Francisco 2016, "Heaven's Dead", "Heretic", "Higher Truth", "Holy Holy" live San Francisco 2016, "Holy Roller" live Upper Darby 2016, "Holy Water", "Hotel California" live Atlantic City 2013, "Hunger Strike", "Hunted Down", "Hypnotize", "Incessant Mace", "Island of Summer"*, "I Will Always Love You" live San Francisco 2012, "Karaoke", "Killing in the Name" live Berlin 2005, "The Last Remaining Light", "Like a Stone" live Teatro ROSSETTI Trieste 2016, "Little Joe", "Live to Rise", "Long As I Can See The Light" live New York City 2011, "Loud Love", "Mind Riot", "Mission", "Mood For Trouble" live Houston 1989, "Moonchild", "Murderer Of Blue Skies", "My Wave", "Non-State Actor", "No Such Thing", "Nothing Compares 2 U", "One And The Same", "Original Fire", "Other Side Of Town", "Our Time In The Universe", "Part Of Me", "Poison Eye", "Power Trip", "Reach Down", "Revelations", "Rusty Cage", "Say Hello 2 Heaven", "Searching With My Good Eye Closed", "Seasons"/"Seasons"*, "Seven Nation Army" live Hultsfred 2003, "Shadow on the Sun", "She's A Politician", "Showdown"/"Showdown", "Show Me", "Show Me How To Live", "Someone To Die For" demo, "Somewhere", "Sound Of A Gun", "Spoonman", "Stargazer" live Paramount Theatre, Seattle 2016, "Stay With Me Baby", "Steel Rain", "Sub Pop Rock City", "Summation"* unreleased song snippet, "Sunshine Of Your Love" live Bergamo 1989, "Sunshower", "Swallow My Pride", "Sweet Revenge", "Techno Ted", "Thank You" live Alberta 2011, "Tighter & Tighter", "Times Of Trouble", "Today", "Touch Me", "Toy Box", "Ty Cobb", "Ugly Truth", "Uncovered", "Unholy War"*, "An Unkind", Unknown Song live The Central, Seattle 1986, Unknown Song live The Rainbow Tavern, Seattle 1986, "Watching The Wheels", "Wave Goodbye", "(What's So Funny 'Bout) Peace, Love and Understanding" live Chile 2011, "What You Are", "Whole Lotta Love", "Wooden Jesus", "Working Man", "The Worm", "Worse Dreams", "You Don't Know Nothing About Love", "You Know My Name", "Zero Chance")
B♭4 ("Achilles Last Stand" live San Francisco 2016, "Baby Lemonade" live San Francisco 2016, "Before We Disappear", "Big Bottom" live Los Angeles 12-7-1989, "Blood On The Valley Floor", "Broken City", "Bones Of Birds", "Burden In My Hand", "Can't Change Me", "Dark Globe" live Perth 1997, "Disappearing Act", "Do Me Wrong", "Dusty", "Enemy", "Eyelid's Mouth", "Fascination Street" live San Francisco 2016, "Ground Zero", "Halfway There", "Head Down", "Head Injury", "Heartfist"*, "Heart of Honey", "Heavy Is the Head", "Higher Truth", "I Am the Highway", "I'm A Mover" live San Francisco 2016, "I Will Always Love You" live San Francisco 2012, "Killing Birds", "Lies", "Like a Stone", "Limo Wreck", "Mailman", "Missing" live San Francisco 2016, "Moth", "Never Far Away", "Never Named", "Never The Machine Forever", "New Damage", "Nothing Compares 2 U", "Nothing Left To Say But Goodbye", "Only These Words", "Ordinary Girl", "Pillow Of Your Bones", "Promise", "The Promise", "Quicksand" live San Francisco 2016, "Rhinosaur", "Roads We Choose", "Safe and Sound", "Search And Destroy" live Seattle 1996, "Seven Nation Army" live Hultsfred 2003, "Shape of Things to Come", "She Likes Surprises", "Showdown", "Somedays", "Stardog Champion" live Alpine Valley Music Theatre 2011, "Stargazer" live San Francisco 2016, "Stolen Prayer"*, "Storm", "Superunknown", "Sweet Euphoria", "Taree", "Thank You (Falettinme Be Mice Elf Agin)", "A Thousand Days Before", "Time", "Two Drink Minimum", "Until We Fall", "Waiting For The Sun" several live performances, "We Got The Whip", "When Bad Does Good", "When I'm Down", "You Never Knew My Mind")
A4 ("#1 Zero", "667", "Achilles Last Stand" live San Francisco 2016, "All Night Thing", "All Your Lies", "Arms Around Your Love", "Attrition", "Be Yourself", "Billie Jean", "Black Days III", "Black Hole Sun", "Bleed Together", "Blind Dogs", "Boot Camp" live Las Vegas 2000, "Bring Em Back Alive", "Burden In My Hand", "Call Me A Dog", "Can You See Me?", "Circling", "Cleaning My Gun" live Milwaukee 2011, "Climbing Up The Walls", "Crawling" live Charlotte 2008, "By Crooked Steps", "Dandelion", "Dark Globe" live Seattle 2011, "Disappearing Act", "Drown Me Slowly", "Everybody's Got Something To Hide (Except Me And My Monkey)", "Exploder", "Face Pollution", "Fell On Black Days", "Finally Forever", "Flower", "Fresh Tendrils", "Full On Kevin's Mom", "Gasoline", "Getaway Car", "Get It While You Can", "Get On The Snake", "Ghosts", "Give"/"Give", "Going to California" live Zagreb 2016, "Hand of God", "Hands All Over", "Heartfist", "Heartshine" live San Francisco 2016, "Heaven's Dead", "He Didn't", "Hotel California" live Atlantic City 2013, "Hunger Strike", "Hypnotize", "I Am the Highway", "I Don't Care About You", "Imagine" live Milwaukee 2011, "I'm A Mover" live San Francisco 2016, "Island of Summer"/"Island of Summer", "Jewel Of The Summertime", "Josephine", "Jump Into The Fire", "The Keeper", "Kickstand", "Killing in the Name" live Berlin 2005, "Kristi", "Kyle Petty, Son Of Richard", "The Last Remaining Light", "Light My Way", "Light On" live Orlando 2012, "Live to Rise", "Long Gone", "Lost Cause", "Man Of Golden Words" live San Francisco 2016, "Man Or Animal", "Misery Chain", "Mission", "Moth", "Mood for Trouble", "Moonchild", "My Wave", "Nazi Driver", "Nearly Forgot My Broken Heart", "No Such Thing", "Nothing Left To Say But Goodbye", "Nothing To Say", "One And The Same", "Only These Words", "Other Side Of Town", "Our Time In The Universe", "Out Of Exile", "Outshined", "Overfloater", "Patience", "Poison Eye", "Preaching The End Of The World", "Pushin' Forward Back", "Reach Down", "Redemption Song" live on Jimmy Fallon 2011, "Revelations", "Rowing", "Rusty Cage", "Safe and Sound", "A Satisfied Mind" live Allentown 2011, "Scar On The Sky", "Scream", "Set It Off", "Shadow on the Sun", "Shape of Things to Come", "She'll Never Be Your Man", "Show Me", "Silence The Voices", "Slaves & Bulldozers", "Slaves & Bulldozers/Freebird" live Orange County Fair 2007, "Spoonman", "Stardog Champion" live Alpine Valley Music Theatre 2011, "Stargazer" live Paramount Theatre, Seattle 2016, "Stay With Me Baby", "Steel Rain", "Stop Me", "Stray Cat Blues", "Submission" unmarked 1989 performance, "Sunshower", "Switch Opens", "Take Me Alive", "Terrified God" live Atlantic City 2013, "Thank You" live Alberta 2011, "A Thousand Days Before", "Through The Window", "Today", "Turn To Gold", "An Unkind", "Ugly Truth", "Uncle Anesthesia", "Until We Fall", "Waiting For The Sun" several live performances, "War Pigs" live San Francisco 2016, "Watching The Wheels", "Wave Goodbye", "We Got The Whip", "(What's So Funny 'Bout) Peace, Love and Understanding" live Chile 2011, "What You Are", "When I'm Down", "Wide Awake", "Working Man", "The Worm", "Worried Moon", "Yesterday To Tomorrow", "Your Savior", "Your Soul Today", "Your Time Has Come")
G♯4 ("Angel of Fire"*, "Black Saturday", "Bleed Together", "Bones Of Birds", "Boot Camp", "Can You See Me?", "Cochise", "The Curse", "Disappearing One", "Doesn't Remind Me", "Drawing Flies", "Everybody's Got Something To Hide (Except Me And My Monkey)", "Ferry Boat", "Flutter Girl", "Follow My Way", "Full On (Reprise)", "Helter Skelter" live Fairfax 1996, "H.I.V. Baby", "Higher Truth", "Hunted Down", "I Don't Care About You", "Killing Birds", "Loud Love", "Missing"*, "My Wave", "No Attention", "Part Of Me", "Poison Eye", "Preaching The End Of The World", "The Promise", "Redemption Song" live on Jimmy Fallon 2011, "Right Turn", "Rowing", "Search And Destroy" live Seattle 1996, "Searching With My Good Eye Closed", "Seasons", "Seven Nation Army" live Hultsfred 2003, "Show Me How To Live", "Somedays", "Someone To Die For" demo, "Stolen Prayer", "Super Stupid", "Sweet Revenge", "Techno Ted", "The Telephantasm", "Through The Window", "'Til The Sun Comes Back Around", "Turn To Gold", "Wrong Side", "You Know My Name", "You Never Knew My Mind", "Your Savior", "Your Soul Today")

Low Notes:
E♭3 ("All Your Lies", "Cochise", "Crawling" live Charlotte 2008, "Disappearing One", "Ground Zero", "Hey Jude" live Hamburg 1989, "Higher Truth", "Lies", "Mailman", "Never the Machine Forever", "Pretty Noose", "The Promise", "Right Turn", "Searching With My Good Eye Closed", "Wrong Side", "You Never Knew My Mind")
D3 ("Applebite", "Baby Lemonade" live San Francisco 2016, "Been Away Too Long", "Before We Disappear", "Bend In The Road", "Black Hole Sun", "Black Rain", "Blind Dogs", "Bones Of Birds", "Broken City", "Can't Change Me", "The Center For Disease Control Boys Theme Song" live 1986, "Circling", "Cold Bitch", "By Crooked Steps", "Dark Globe" live Perth 1997, "A Day In The Life" live Teatro ROSSETTI Trieste 2016, "Dead Wishes", "Disappearing Act", "Drawing Flies" several live performances, "Dusty", "Enemy", "Flower", "Freebird" live Enger 1989, "Fresh Tendrils", "Full On Kevin's Mom", "Going to California" live Zagreb 2016, "Hands All Over/American Woman" live Reseda 1990, "Helter Skelter" live Fairfax 1996, "Hey Jude" live Hamburg 1989, "Holy Holy" live San Francisco 2016, "Holy Water", "I'm A Mover" live San Francisco 2016, "Killing in the Name" live Berlin 2005, "Kristi", "The Last Remaining Light", "Let Me Drown", "Light My Way", "Like a Stone", "Live to Rise", "Misery Chain", "Mission", "Murderer Of Blue Skies", "Nearly Forgot My Broken Heart", "Never Far Away", "New Damage", "No Such Thing", "Nothing To Say", "No Wrong No Right", "Out Of Exile", "Outshined", "Overfloater", "Power Trip", "Reach Down", "Revelations", "Rhinosaur", "Room A Thousand Years Wide", "Rusty Cage", "Say Hello 2 Heaven", "Seasons", "Shadow on the Sun", "Shape of Things to Come", "Show Me", "Show Me How To Live", "Slaves & Bulldozers/Roadhouse Blues" live Pinkpop 1992, "Slaves & Bulldozers/In My Time Of Dying" live Detroit 2017, "Stray Cat Blues", "Switch Opens", "Terrified God" live Atlantic City 2013, "Thank You" live Alberta 2011/live on Howard Stern 2011, "Thank You (Falettinme Be Mice Elf Agin)", "Tighter & Tighter", "Uncovered", Unknown Song/Jam live Seattle 1987, "Until We Fall", "Waiting For The Sun" several live performances, "Watching The Wheels", "Why Do You Follow Me?", "Wild World" live Los Angeles 2016, "Wooden Jesus", "You Know My Name")
C♯3 ("Angel of Fire", "Black Saturday", "Blow Up The Outside World", "Doesn't Remind Me" live St. Paul 2011/live Atlantic City 2013, "Do Me Wrong", "He Didn't" early version, "Karaoke", "The Keeper", "Flutter Girl", "Heartfist", "Heavy Is the Head", "Higher Truth", "Let Me Drown" demo, "Let Your Eyes Wander", "Lost Cause" Improv version, live Dublin 2016, "Misery Chain", "Nowhere But You"*, "One" live Reading 2013, Harry Nilsson version, "Scream", "Superunknown" demo, "Sweet Revenge", "Tears to Forget" live Los Angeles 1988, "When Bad Does Good", "When I'm Down", "You Never Knew My Mind", "Your Curse")
C3 ("4th Of July", "Ave Maria", "Bing Bing Goes To Church" Rehearsal version, "Black Cat"*, "Black Hole Sun" acoustic KISW Rock Radio 2013, "Blood On The Valley Floor", "Burden In My Hand", "Call Me A Dog", "Disappearing Act", "Flutter Girl" demo, "Getaway Car" demo, "Halfway There"/"Halfway There" demo, "Head Down", "Helter Skelter" live Fairfax 1996, "Hunger Strike" live Teatro Colón 2016, "Kyle Petty, Son Of Richard", "Like Suicide", "Limo Wreck", "Lost Cause", "Mailman", "Never Named", "Never the Machine Forever", "Pillow Of Your Bones", "Pretty Noose", "Promise", "Revelations", "River of Deceit" live Seattle 2015, "Roads We Choose", "Searching With My Good Eye Closed" live Calgary 1994, "She'll Never Be Your Man", "Spoonman", "Steel Rain", "Take Me Alive", "Terrified God" live Atlantic City 2013, "Wild World" live Los Angeles 2016)
B2 ("Be Yourself", "Blow Up The Outside World", "Climbing Up The Walls", "Ferry Boat", "Holy Water", "Hypnotize", "Incessant Mace", "Jesus Christ Pose", "Karaoke", "The Last Remaining Light", "Like Suicide", "Long Gone Day" live Seattle 2015, "Murderer Of Blue Skies", "Rusty Cage", "Seven Nation Army" live Hultsfred 2003, "Shadow on the Sun", "She Likes Surprises", "Swallow My Pride", "Tears to Forget" Deep Six version, "Terrified God" live Atlantic City 2013, "Thank You" live Atlantic City 2013, "'Til The Sun Comes Back Around", "Toy Box", "Ugly Truth", Unknown Song live The Rainbow Tavern, Seattle 1986, "Wooden Jesus" live Paulínia 2011, Wrong Side", "You Know My Name", "Your Time Has Come")
B♭2 ("Blood On The Valley Floor", "Burden In My Hand", "Circling", "Eyelid's Mouth", "Holy Holy" live San Francisco 2016, "Lost Cause" Improv version, live Dublin 2016, "Missing", "Pillow Of Your Bones", "Take Me Alive", "Taree", "Time", "When Bad Does Good")
A2 ("Beyond The Wheel", "Big Dumb Sex", "Blow Up The Outside World", "Entering", "Fresh Deadly Roses", "Fresh Tendrils", "Full On Kevin's Mom", "Hands All Over", "Heretic" Deep Six version, "Incessant Mace" early version, "Island of Summer", "The Keeper", "Lies", "Light On" live Orlando 2012, "Like Suicide", "Limo Wreck", "Long Gone Day" live Seattle 2015, "Lost Cause", "Kingdom of Come", "Misery Chain" 12 Years a Slave soundtrack version, "Nothing To Say", "Other Side Of Town", "Outshined", "Rowing", "Searching With My Good Eye Closed" live Reggio Emilia 1995/live Paris 1994, "Slaves & Bulldozers", "Sleep Now In The Fire" AOL Sessions 2005, "Storm", "Ticket to Ride" live Los Angeles 2011, "Toy Box", "A View To Kill" Opie and Anthony Interview, "We Got The Whip", "Your Time Has Come")
G♯2 ("All Your Lies", "Black Saturday" acoustic WAAF Radio 2013, "Climbing Up The Walls", "Halfway There" demo, "Heretic", "Ordinary Girl", "Our Time In The Universe" remix, "Overfloater", "Summation" unreleased song snippet, "Unholy War", "Wooden Jesus", "Wrong Side", "Your Curse")
G2 ("4th Of July", "All Your Lies" live San Francisco 1988, "Blow Up The Outside World" acoustic WAAF Radio 2013, "Burden In My Hand", "Call Me A Dog" Intro live London 2012, "Everybody's Got Something To Hide (Except Me And My Monkey)", "Freebird" live San Diego 2011, "Halfway There" demo, "Head Injury", "Incessant Mace" early version V2, "Jesus Loves Me" Improv Atlanta 2009, "Low Rider" live Utrecht 1992, "Missing", "She Likes Surprises", "Summation" unreleased song snippet, "Terrified God" live Atlantic City 2013, "Why Do You Follow Me?")
F♯2 ("Big Dumb Sex", "Disappointment" Improv Denver 1996, "Entering", "Other Side Of Town", "Rusty Cage", "Scream", "Techno Ted", "An Unkind")
F2 ("Flutter Girl" demo, "Freebird" live San Diego 2011, "Head Injury")
E2 ("Lost Cause", "Storm")
D2 ("Beyond The Wheel")
C♯2 (singing the riff of "Rusty Cage" Johnny Cash version KISS FM Interview 2008)
C2 (singing the riff of "Rusty Cage" Johnny Cash version Opie and Anthony Interview 2007)

SPOILER: Click to show

{Questionable Notes}
E♭6 ("An Unkind" ^{[1, voicecrack]})
B♭5 ("Face Pollution" ^{[5, possible forceful disengagement result]}, "Full On Kevin's Mom" ^{[1, just too short]}, "Head Injury" live Bumbershoot, Seattle 1988 ^{[1, brief resonances]})
A5 (Unknown Song live The Central, Seattle 1986 ^[1])
G♯5 ("New Damage" ^{[overshot G5?]}, "Smokestack Lightning" ^{[overshot G5?]})
G5 ("An Unkind" ^[5])
F♯5 ("Cochise" live Los Angeles 2017 ^{[1, voicecrack]}, "Outshined" ^{[overshot F5]}, "Slaves & Bulldozers/In My Time Of Dying" live Detroit 2017 ^{[1, voicecrack]})
E5 ("Climbing Up The Walls" ^{[2, could be Jim Beanz]}, "Sub Pop Rock City" ^[3], Unknown Song Ending live The Central, Seattle 1986 ^[1])
E♭5 ("Storm" ^[1])
D5 ("Climbing Up The Walls" ^{[2, could be Jim Beanz]})

C♯3 ("Drawing Flies" live Paramount Theatre, Seattle 1992 ^{[undershot D3]}, "H.I.V. Baby" live San Francisco 1990 ^[2])
C3 (Unknown Song Ending live The Central, Seattle 1986 ^{[can't tell if it's part of the song]})
B2 ("Billie Jean" live on MSN, Seattle 2007 ^[1], "Dark Globe" live Perth 1997 ^[1], "Worse Dreams" ^[1])
B♭2 ("Misery Chain" ^{[1, worse A2 later]})
A2 (Improv Atlanta 2009 ^{[questionable musical intent]}, "The Last Remaining Light" demo ^[1], "Man Of Golden Words" live San Francisco 2016 ^[1], "Murderer Of Blue Skies" ^[1], "Thank You" live on Howard Stern 2011 ^[1])
G♯2 ("Doesn't Remind Me" live Philadelphia 2007 ^[1], "Fell On Black Days" acoustic Kevin & Bean Show 2013 ^[1], "Fell On Black Days" acoustic WAAF Radio 2013 ^[1], "Ferry Boat" ^[1], "Jesus Christ Pose" live Toronto 1996 ^[5], "Lost Cause" Improv version, live Dublin 2016 ^[1])
G2 ("Dead Wishes" ^[illusion?], "Light My Way" demo ^[1], "Sleep Now In The Fire" AOL Sessions 2005 ^[3])
F2 ("Heretic" ^[3]. "Nowhere But You" ^{[I'm hearing this as an F3 like other notes in the song]})
E2 (Improv Atlantic City 2013 ^{[questionable musical intent]}, "Incessant Mace" early version ^[5], "Part Of Me" ^{[2, it's Timbaland]}, "Techno Ted" ^[3])
E♭2 ("Entering" ^[3], Improv [second instance] Atlantic City 2013 ^{[questionable musical intent]})
D2 ("Dusty" live Toronto 1996 ^{[5, barely musical gurgle-fry]}, "Rusty Cage" ^{[2, Amadeus's isolation here, I'm hearing this as backing A2s/D3s]})
C2 (Improv Seattle 1994 ^{[5][questionable musical intent]}, "Jesus Christ Pose" ^{[5, sonically enhanced low-support mix-fry, Amadeus's isolation here]})
F♯1 ("I Can't Give You Anything" ^[5])
.......................................................
[1] marks yelps and short trills in high range or insignificant short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that have likely been pitch-shifted.
[5] marks notes that are not of a substantial enough quality to warrant counting towards the singer's range in ways other than the above criteria.
NOTE: All questionable notes are marked with the highest/lowest pitch reasonably audible at half speed to exclude notes of insignificant duration, with the exception of the "Full On Kevin's Mom" B♭5. Examples of exclusions resulting from this are the "H.I.V. Baby" studio and live B♭5s and this live F♯2 from "Like Suicide".

.......................................................
Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Grey marks vocal fry notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes such as spoken notes and yelps/throwarounds.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
* marks recordings that likely have high tape speed, meaning that vocals are lower than they sound. Conversely, ⍣ marks recordings that likely have low tape speed. Only the highest marked notes from said recordings are starred.

SPOILER: Click to show

{Album/EP Ranges}
With Soundgarden:
Deep Six (1986): A2 - E♭5 [1]
Screaming Life (EP) (1987): F♯2 - A2 - F♯5
Fopp (EP) (1988): A2 - F3 - F5
Ultramega OK (1988): D2 - G5
Louder than Love (1989): F♯2 - A2 - A5
Badmotorfinger (1991): F♯2 - A2 - G♯5 - A5
Superunknown (1994): G2 - F♯5
Down on the Upside (1996): F♯2 - G2 - E5 - F♯5
King Animal (2012): A2 - E♭5
Echo of Miles: Scattered Tracks Across the Path (2014): E2 - A5 [2]

With Audioslave:
Civilian: The Demos (2002): A2 - E5
Audioslave (2002): B2 - D5 - E5
Out of Exile (2005): A2 - B2 - D5
Revelations (2006): C3 - D5

With Temple of the Dog:
Temple of the Dog (1991): G♯2 - C3 - G5

Solo:
Euphoria Mourning (1999): B♭2 - E5
Carry On (2007): B2 - D5
Scream (2009): E2 - F♯2 - D5
Songbook (2011): A2 - E5
Higher Truth (2015): G♯2 - C♯3 - D5 - E5
No One Sings Like You Anymore, Vol. 1 (2020): D3 - E♭5 [3]

[1] This is a compilation album featuring six Seattle-based bands. It contains 3 Soundgarden songs.
[2] This album contains recordings from 1986-2014
[3] This is a posthumously released album recorded in 2016

SPOILER: Click to show

{Most Range-Spanning Performances (all extremities linked)}
Beyond The Wheel: D2 - F5
Full On Kevin's Mom: A2 - A5
An Unkind: F♯2 - B4 - F♯5
Everybody's Got Something To Hide (Except For Me And My Monkey): G2 - F♯5
Head Injury: F2 - E5
Heretic: G♯2 - G5
Entering: F♯2 - E5
Jesus Christ Pose: B2 - G♯5
4th Of July: G2 - C3 - E♭5 - E5
Holy Water: B2 - G5
Nothing To Say: A2 - F5
Outshined: A2 - F5
Searching With My Good Eye Closed live Reggio Emilia 1995: A2 - F5
Slaves & Bulldozers: A2 - F5
Wooden Jesus: G♯2 - D3 - E5

She Likes Surprises: G2 - C5 - F5
Flutter Girl demo: F2 - G♯4 - E♭5

SPOILER: Click to show

{Vocal/Artist Summary}Best known as the lead vocalist for the bands Soundgarden and Audioslave and for his solo career, Chris Cornell is regarded as one of the greatest vocalists of all time. He is known for singing high with extreme weight, power, and sustain and for his unique vocal tone across his entire range, as well as his experimental music writing styles and lyrical expression.

He demonstrated the ability to pull the near full weight of his chest voice to around F♯4-G♯4, best noticeable in the 1989-1991 era, in songs such as "Drawing Flies" and a cover of "American Woman". He used a very chesty sounding mix up to around B♭4-C5, mostly during his time in Audioslave in songs like "Light My Way" and "Shadow on the Sun". However, he is best known for his strongly developed mixed voice. He sang developed, extremely heavy mixed notes up to around the B♭4-C♯5 range, mostly during the 1994-1996 era, in songs such as "Mailman" and "Never the Machine Forever". He demonstrated the ability to still sing strong mixed voice notes up to around the D5-E5 range, mostly during the 1990-1993 era, in songs like "Right Turn" and "Call Me A Dog". He used a still powerful but lighter mixed voice up to around G5 in his 1988-1990 era, with impressive vocals in the song "Smokestack Lightning" and two incredible live versions of "Ugly Truth", and even even utilized his mixed voice up to the top of his range, with his highest note being a surprisingly clear and powerful A5 glissando in "Full On Kevin's Mom". He also used his falsetto range sparingly, such as in "She Like Surprises" and a few live versions of "Blow Up The Outside World" where he sings part of the transition guitar riff during the solo. As a main melody component, it was almost unheard of, with one example being the bridge of "Wave Goodbye".

Cornell's lower range was used significantly less, though not infrequently. He was capable of some dynamic low singing, typically down to around C3-A2, best seen in songs such as "Take Me Alive" and an acoustic "Halfway There" demo, though examples of lower range being the focal point of a song such as these are few and far between. On rare occasions, he demonstrated the ability to sing strong low notes down to the F♯2-G♯2 range, best noticeable in songs such as "Other Side Of Town", "Missing", and "4th Of July" in the backing vocal track. He very rarely sang below this, and typically used fryish or partially spoken techniques to do so, but some passable melody line D2s in "Beyond the Wheel" as well as stronger E2s in the 2014 version of "Storm", a clear singular C2 & C♯2s singing the riff of Johnny Cash's version of the song and some decent spoken notes demonstrated potential there as well.

Chris Cornell was also a prolific music writer. He started writing music for Soundgarden soon after its formation in 1984 with one of his first tracks being "Storm" comprised of tape and sound effects (original currently unreleased, 2014 remake listenable here), and more properly, "Kingdom of Come" from Fopp, recorded in 1988, where you can already hear his use of unique structure and time signatures during the transition to the chorus. He quickly became the band's primary music writer, writing music for 7/12 songs on both Louder than Love and Badmotorfinger, including writing the entirety of the singles "Loud Love", "Rusty Cage", and "Outshined". His musical style changed drastically over the following years, especially with bassist Ben Shepherd's introduction of alternate tunings, which were present in the band's most popular songs "Black Hole Sun" and "Burden in My Hand". He also experimented in other ways with unique sounds and tones such as with the near-ethereal intro of "The Day I Tried To Live", contrasting guitar tones that gave off alluring and mysterious or threatening and depressing atmospheres with odd time signatures in "Pretty Noose", and a slow, heavy-blues style in "Tighter & Tighter", all songs written entirely by Cornell. With his solo work, Cornell wrote multiple solo albums & standalone songs with a more mature-sounding acoustic style, with songwriting standouts such as the open-tuned "Seasons" and the piano-and-organ-heavy "When I'm Down". He explored many musical styles, such as heavy, metal songs like "4th Of July" and "Outshined" as well as semi-acoustic country and blues influenced songs such as "Mood For Trouble" and "Blow Up The Outside World", with folk inspirations in songs such as the unraveling-riffed "Uncovered" and the EEEEEE tuned "Mind Riot".

Cornell's lyrics delved into a variety of topics even from his starting days, writing about subjects such as truth-avoidant culture in "Ugly Truth", fragility of life in "Like Suicide", and disassociation from past lifestyles in "Ghosts". Depressing subjects such as in "Nowhere But You" far outnumbered upbeat messages in songs such as "Dusty", and Cornell even stated "Black Hole Sun" was a sad song despite claiming to not know its meaning post-writing. He wrote more lighthearted, jokey lyrics in songs such as "Full On Kevin's Mom", "Sub Pop Rock City", and "665", but even in these cases, the vocal lines made with the lyrics always fit in well with the song and instrumental, and the music was impressive and unique whether it was written by Cornell or another band member.

His talents in both singing and writing memorable, unique music will always remain unmatched and will continue to influence musical acts for a very long time.
written by motorist with significant help from timi/mushymarionette

SPOILER: Click to show

{Vocal Eras}
1984-1986: In the two currently listenable 1986 performances, Cornell's vocal style was quite undeveloped, with many seemingly aimless screams and yelps to uncontrolled pitches. Many of Soundgarden's early tracks remain unreleased as of mid-2024. An early version of "Incessant Mace", the Deep Six versions of "Heretic", "All Your Lies", and "Tears to Forget" and a clip of the song "Summation" are the few recordings we have from that era, and these are similarly yelpy, though more coherent due to the studio setting. However, despite the poor techniques of this early era, the impressiveness of Cornell's vocal tone technique still shone through and helped Soundgarden stand out from their peers despite their lack of popularity until several years later.

1987: Cornell's vocals improve significantly. He sings high notes with more clarity, such as in the arguably grunge-defining "Nothing To Say" where he hits a sustained A4 and solid D5s as well as "Entering" where he sustains an E5. He also sings some clear highs up to E♭5 in a live performance of "Beyond the Wheel" and yelps up to G5 in "Nothing To Say" from the same concert, his highest note of the era. His more screamy style has become much less prevalent but is still present in a few songs, such as at the end of "Nothing To Say" and the entirety of "Tears to Forget".

1988-mid 1990: This is arguably his vocal peak, as he brings his voice up to his peak highs. He sings up to A5 in mixed voice, even live on two occasions. He frequently sustains notes in the E5-G5 range in studio recordings and live performances, including an iconic E5 in the intro transition of "Loud Love" as well as some impressive G5s in "Smokestack Lightning" and two live versions of "Ugly Truth". Cornell's voice is more controlled and precise than previously as well, with the sole remnants of his more screamy early era vocals being "Head Injury" and "Incessant Mace".

late 1990-early 1993: Cornell tries to sing in a more melancholic, more intimate manner in Temple of the Dog to great success while implementing part of that to Badmotorfinger in the song "Mind Riot". He is also able to sing with more grit and hit piercing highs up to the F5-G♯5 range in songs like "Searching With My Good Eye Closed" and "Jesus Christ Pose" though he lost some ability to sing his highest notes with quite the clarity and length of some of his 1988-early 1990 notes, not going for things such as the F♯5s in "Hands All Over/American Woman live performances. Examples of him using his low range are rare and quite undeveloped save for some decent low singing down to G2 in "Missing" from the Singles soundtrack. This is considered his vocal peak by many.

mid 1993-June 1994: The strongest areas in Cornell's voice start to shift, with him singing stronger and heavier lower 5th and upper 4th octave vocals in some Superunknown songs, such as in "Mailman", "Limo Wreck", and a live performance of "Room A Thousand Years Wide" where he holds out a strong vibrato D5. He also demonstrates greater control over his upper 4th and lower 5th octave than he ever has, in songs such as "The Day I Tried To Live" and this performance of "Fell on Black Days". Cornell doesn't sing quite as high as he did during Badmotorfinger era as a seemingly stylistic choice, with the exception of a couple of F5-F♯5 screams in "Let Me Drown" and "Spoonman". Though even his most impressive live performances never truly replicate them live, he puts up some impressive performances of similarly high vocals live in songs like "Beyond the Wheel" and "Jesus Christ Pose". His lower register also starts to show promise with "Like Suicide" and some backing vocals in "4th Of July", but it will take several more years before he truly builds on it.

July 1994-early 1996: Cornell continues developing his stronger lower-5th mixed-voice sound, particularly noticeable in the Down On The Upside studio recordings in songs like "Never the Machine Forever" and "Ty Cobb" and live such as in this 1995 "4th Of July" performance. His distorted vocal technique in the upper 4th octave becomes more controlled and quite inimitable, noticeable in "Pretty Noose" and "Burden in My Hand". Cornell can still sing high, but that aspect of his voice has declined somewhat, with notes above D5 becoming much less frequent and heavily strained, in great contrast to shows at the start of 1994. In general, his singing is harsher and more and strained during the 2nd half of 1994, likely as a result of busy touring and worsening habits, leading to Superunknown tour date cancellations and no public Soundgarden shows from September 1994-July 1995. His low range returns to its pre-Superunknown uncommon usage.

mid 1996-1997: During the Down on the Upside tour, Cornell's high range is still used in most songs, though notes around the D5-E5 range are much less frequently used and aren't sustained for as much time. The infamous Cornell rasp that started showing up around 94 is starting to become very prevalent. Many songs are becoming a big struggle in live settings, such as "Waiting for the Sun" and "Slaves & Bulldozers". He still occasionally puts up impressive performances, such as in this 1996 "Outshined" performance sung with agility and range reminiscent of Badmotorfinger days, though in general his voice is in need of rest & recovery from years of demanding vocal styles.

1998-2000: Cornell's soul, bluesy nature really starts to blossom, with a warmer, stronger mid-lower register and tone throughout his voice as a whole. His higher register is generally better off than it seemed to be in DOTU era, with Euphoria Mourning arguably housing more impressive highs than DOTU album, with good examples of this being the "Mission" E5 and replication of it live. Though he struggles a bit on highs here and there, his vocal agility in the upper 4th and lower 5th octaves has noticeably recovered from the Down on the Upside tour days, noticeable in some live performances such as this one of "Fell on Black Days". Though his lows sound stronger, such as in "When I'm Down" and a live version of "Like Suicide", he avoids singing below the upper 2nd octave, even more so than in Soundgarden.

2001-2002: Cornell strengthens his lower register significantly, with strong lows on the debut Audioslave self-titled album, such as a strong B2 in "Hypnotize", and a C3/A2 in "We Got the Whip", but he avoids singing below the upper 2nd octave. Many of the high notes of this era are uniquely packaged with a very chesty, distorted delivery that makes his vocals distinct from anything that came before, noticeable in songs such as "Shadow on the Sun" and "Light My Way". While never hitting quite the highs of the late 80's and early 90's, Cornell had found a new vocal identity that was something special in its own right.

2003-2006: Almost overnight it seems his highs disappear, with his voice finally succumbing to a chainsmoker sound that had varying levels of presence in his vocals since 1994. Even his upper 4th octave notes strained to the point that his distorted chesty approach of this era becomes (arguably) unpleasant to listen to, with his 5th octave suffering even more so. His mid and lower registers are in a much better spot generally, noticeable in a couple of live performances of "Slaves & Bulldozers" and "Hypnotize", although even they arguably suffered somewhat as a result of vocal damage. There were some exceptions, such as a few "Set It Off" live performances and a "Spoonman" scream, but these occasions were rare. His 5th octave notes would sound more musical when he sang with a lighter, non-distorted tone, which carried on to his future eras. While the strain would never fully phase out, his voice would recover from it.

2007-2009: Chris Cornell finally seems to prioritize preserving his voice, and getting back what he had as a result of years or even decades of unhealthy vocal styles, overtouring, and personal habits. Chris starts taking lessons from a coach to relearn high notes, and generally approaches his upper 4th octave and 5th octave notes in a lighter manner, which results in a cleaner, more pleasant tone. This is noticeable both in-studio and in live performances. The strain of audioslave era still often creeps up in live performances and will haunt Cornell for the rest of his life, but things do improve. He puts his lower register to good use in this era too, going into the second octave on several occasions.

2010-2017: The new decade marks the return of Soundgarden, with Cornell putting up a better performance than one might expect, with him singing up to F5 in studio and live, which he hadn't done in over a decade, and singing songs like "Beyond The Wheel" in the og key (despite a strained, worn out tone being present). Cornell also generally shows more vocal agility than he had for almost a decade, but can't quite pull off heavy, distorted sounding notes without giving folks Vietnam flashbacks to Audioslave-era vocals, with some exceptions. In Chris's acoustic shows, he truly plays to his strengths with a warm, melancholic tone that can make even the toughest of cookies shed a tear, soaring to highs up to E5 that that are quite clean, or have a strain that only adds emotional impact, capturing the tortured soul that Chris was throughout his life. Despite many vocal issues, particularly in the 2012-2014 era (noticeable in-studio with "Storm" where he struggles to sing even G4s with power), he keeps up these vocal strengths up to his last few years, noticeable in solo acoustic shows, Soundgarden shows, and an especially captivating sustained E♭5 from a cover of "You Don't Know Nothing About Love".
written by motorist, VocalDudeGuy, and My Name Is Called Disturbance with help from timi/mushymarionette

Special thanks to VocalDudeGuy for finding most of the live performances in the thread and checking it for errors
Previous thread by rebaru, links/formatting by motorist
Vocal/artist summary significant help from timi/mushymarionette, additional help/examples from amadeusd
Vocal eras co-written by VocalDudeGuy, My Name Is Called Disturbance, and motorist with help from timi/mushymarionette
Additional notes found by mushymarionette, CT, and amadeusd, pitching help by Electric Girl, additional help by avi, additional minor corrections by CT, vocal isolations by amadeusd
Thanks to all the people that record/have recorded live performances, your sacrifices are much appreciated!

TRP 1.0 Thread by Tomato (Ray)
TRP 2.0 Thread by Timi/mushymarionette
TRP 3.0 Thread by Sandblasted

SPOILER: Click to show

{Previous Thread by rebaru (68,698 views pre-archive)}

Christopher John Boyle Cornell (20 July 1964 - 18 May 2017)
Years Active: 1984 - 2017
Associated Acts: Soundgarden, Temple of the Dog, Audioslave, Alice Madgarden, M.A.C.C.
Vocal Range: C2 - A5

SPOILER: Click to show

{Vocal Summary}Peak chad vocals. Top of the food chain. Uncontested. Fight me.
Written by rebaru .

Significant High Notes:

A5 ("Birth Ritual" Original Demo, "Cold Bitch", "Face Pollution", "Full On Kevin's Mom", "H.I.V. Baby")
G♯5 ("Beyond The Wheel" Live Westwood Los Angeles 1989, "Face Pollution", "Jesus Christ Pose", "Searching With My Good Eye Closed", "Ugly Truth" Live Bumbershoot 1990)
G5 ("Communication Breakdown" Live in Los Angeles 1988, "Full On (Reprise)", "Heretic", "New Damage", "Power Trip", "Reach Down", "Say Hello 2 Heaven", "Slaves & Bulldozers/Jesus is Just Alright" Live Seattle 1992, "Smokestack Lightning", "Tears To Forget")
F♯5 ("665", "Communication Breakdown" Live in Los Angeles 1988, "Earache My Eye" Live Los Angeles 1989, "Everybody's Got Something To Hide (Except Me And My Monkey)", "Four Walled World", "Get On The Snake", "Holy Water", "Let Me Drown", "Searching With My Good Eye Closed", "Ugly Truth" Live Bumbershoot 1990)
F5 ("Beyond The Wheel", "Birth Ritual", "Black Rain", "Cold Bitch", "Fopp", "Gun", "Jesus Christ Pose", "New Damage", "Nothing To Say", "Outshined", "Room A Thousand Years Wide", "She Likes Surprises", "Slaves & Bulldozers", "Spoonman", "Thank You (Falettinme Be Mice Elf Agin)", "Touch Me", "When Bad Does Good")
E5 ("As Hope And Promise Fade" Live Toronto 2011, "Bend In The Road", "Bring Em Back Alive" Demo Version, "Come Together", "Communication Breakdown" Live in Los Angeles 1988, "Call Me A Dog", "Drawing Flies", "Entering", "Four Walled World", "Full On (Reprise)", "Heretic", "Holy Water", "Hunger Strike", "Hunted Down", "I Awake", "Incessant Mace", "Little Joe", "Long Gone" Live Jimmy Kimmel 2009, "Loud Love", "Mind Riot", "Mission", "Reach Down", "Say Hello 2 Heaven", "Set It Off", "She's A Politician", "Smokestack Lightning", "Somewhere", "Tears To Forget", "Tighter & Tighter", "Times Of Trouble", "Ty Cobb", "Whole Lotta Love", "Wooden Jesus")
E♭5 ("4th of July", "665", "Beyond The Wheel", "Flutter Girl" Acoustic Demo, "Hey Baby (New Rising Sun)", "I Awake", "Lies", "Pushin' Forward Back", "Right Turn", "Whole Lotta Love")
D5 ("#1 Zero", "Been Away Too Long", "Billie Jean", "Birth Ritual", "Black Rain", "Blind Dogs", "Blow Up The Outside World" Live Teatro ROSSETTI Trieste 2016, "Broken City", "Can't Change Me" Live in Atlantic City 2011, "Cold Bitch", "Come Together", "By Crooked Steps", "A Day In The Life" Live Teatro ROSSETTI Trieste 2016, "Doesn't Remind Me" Live in St. Paul 2011, "Face Pollution", "Fell On Black Days", "Ferry Boat", "Flower" Live from the Artists Den 2013, "Fopp", "Four Walled World", "Fresh Tendrils", "Ground Zero" Live in Chicago 2011, "Hands All Over", "Head Injury", "He Didn't", "H.I.V. Baby", "Holy Water", "Incessant Mace", "Jesus Christ Pose", "The Keeper", "Let Me Drown", "Like Suicide", "Limo Wreck", "Loud Love", "Live to Rise", "Mission", "Murderer Of Blue Skies", "Never Far Away", "No Attention", "Nothing To Say", "No Wrong No Right", "Outshined", "Overfloater", "Pretty Noose", "Promise", "Pushin' Forward Back", "Reach Down", "Room A Thousand Years Wide", "Rowing", "Rusty Cage" Live London 2012, "Sad Sad City" Live Austin Texas 2011, "A Satisfied Mind" Live in Allentown 2011, "Say Hello 2 Heaven", "Searching With My Good Eye Closed", "She's A Politician", "Slaves & Bulldozers", "Somewhere", "Spoonman", "Stay With Me Baby", "Storm", "Sub Pop Rock City", "Sunshower", "Superunknown", "Thank You (Falettinme Be Mice Elf Agin)", "Times Of Trouble", "Touch Me", "Toy Box", "Ugly Truth", "What You Are", "When I'm Down" Live Teatro Colón 2016, "Whole Lotta Love", "Why Do You Follow Me?", "Working Man" Live in Los Angeles 1988, "Wooden Jesus", "Worse Dreams", "You Know My Name" Live Teatro Gran Rex 2016)
C♯5 ("Big Dumb Sex", "Black Hole Sun", "Blow Up The Outside World", "Can You See Me?", "The Day I Tried To Live", "Disappearing One", "Do Me Wrong", "Earache My Eye" Live Los Angeles 1989, "Everybody's Got Something To Hide (Except Me And My Monkey)", "Eyelid's Mouth", "Exploder", "Follow My Way", "Hand of God", "He Didn't", "Heretic", "Karaoke", "Limo Wreck", "New Damage", "No Attention", "Other Side Of Town", "Part Of Me", "Right Turn", "Scream", "Seasons" Live House of Blues 2000, "Swallow My Pride", "Sweet Revenge", "Today", "Wave Goodbye")
C5 ("4th of July", "All Night Thing", "Arms Around Your Love", "As Hope And Promise Fade" Live Toronto 2011, "Big Bottom" Live Los Angeles 1989, "Black Rain", "Blood On The Valley Floor", "Broken City", "Burden In My Hand" Live MTV Live & Loud 1996, "Call Me A Dog", "Cold Bitch", "By Crooked Steps", "Dead Wishes", "Ferry Boat", "Finally Forever", "Flower", "Four Walled World", "Fresh Deadly Roses", "Full On Kevin's Mom", "Halfway There", "Heaven's Dead", "Hey Baby (New Rising Sun)", "Homicidal Suicidal", "I Am The Highway" Live in Toronto 2011, "I Awake", "Imagine" Live Milwaukee 2011, "Jewel Of The Summertime", "Killing Birds", "Kristi", "Kyle Petty, Son Of Richard", "Let Me Drown", "Light My Way", "Light On" Live in Orlando 2012, "Like Suicide", "Long Gone" Music Video Version, "Long Gone Day" Live in Seattle 2015, "Mailman", "Never Far Away", "No Such Thing", "Never Named", "Never The Machine Forever", "Nazi Driver", "Only These Words", "Ordinary Girl", "Outshined", "Overfloater", "Pillow Of Your Bones", "Pretty Noose", "The Promise" Live on The Tonight Show with Jimmy Fallon 2017, "Rhinosaur", "Roads We Choose", "Room A Thousand Years Wide", "Rowing", "Sad Sad City" Live Austin Texas 2011, "Safe and Sound", "Scar On The Sky", "Seasons", "Set It Off", "Shape of Things to Come", "She Likes Surprises", "She'll Never Be Your Man", "Slaves & Bulldozers", "Somedays", "Steel Rain", "Stray Cat Blues", "Superunknown", "Super Stupid", "Taree", "Thank You (Falettinme Be Mice Elf Agin)", "A Thousand Days Before", "Time", "Turn To Gold", "Ty Cobb", "Until We Fall", "(What's So Funny 'Bout) Peace, Love and Understanding" Live Chile 2011, "We Got The Whip", "When I'm Down", "Why Do You Follow Me?", "Wide Awake"/"Wide Awake" Live in Washington 2011, "Worried Moon")
B4 ("#1 Zero", "Been Away Too Long", "Be Yourself", "Big Dumb Sex", "Billie Jean", "Black Saturday", "Bleed Together", "Blow Up The Outside World", "Bring Em Back Alive", "Circling", "Climbing Up The Walls", "Cochise", "Come Together", "Communication Breakdown" Live in Los Angeles 1988, "The Curse", "Dandelion", "A Day In The Life" Live Teatro ROSSETTI Trieste 2016, "The Day I Tried To Live", "Dead Wishes", "Disappearing One", "Doesn't Remind Me", "Do Me Wrong", "Drown Me Slowly", "Entering", "Exploder", "Fell On Black Days"/"Fell On Black Days" Live at Download Festival 2012, "Flutter Girl", "Follow My Way", "Four Walled World", "Full On (Reprise)", "Gasoline", "Getaway Car", "Get On The Snake", "Ghosts", "Ground Zero", "Gun", "Heaven's Dead", "Heretic", "Higher Truth", "Holy Water", "Hunger Strike", "Hunted Down", "Hypnotize", "Incessant Mace", "Karaoke", "The Last Remaining Light", "Like a Stone" Live Teatro ROSSETTI Trieste 2016, "Little Joe", "Live to Rise", "Loud Love", "Mind Riot", "Mission", "Moonchild", "Murderer Of Blue Skies", "My Wave", "Non-State Actor", "No Such Thing", "One And The Same", "Other Side Of Town", "Original Fire", "Our Time In The Universe", "Part Of Me", "Poison Eye", "Power Trip", "Reach Down", "Revelations", "Rusty Cage", "Say Hello 2 Heaven", "Search And Destroy" Live Seattle 1996, "Searching With My Good Eye Closed", "Shadow on the Sun", "She's A Politician", "Show Me", "Show Me How To Live", "Someone To Die For" Demo, "Somewhere", "Sound Of A Gun", "Spoonman", "Stay With Me Baby", "Steel Rain", "Sub Pop Rock City", "Sunshower", "Swallow My Pride", "Sweet Revenge", "Thank You" Live in Alberta 2011, "Tighter & Tighter", "Times Of Trouble", "Today", "Touch Me", "Toy Box", "Ty Cobb", "Ugly Truth", "Uncovered", "Unholy Wars" Demo, "An Unkind", "Wave Goodbye", "What You Are", "Whole Lotta Love", "Wooden Jesus", "The Worm", "(What's So Funny 'Bout) Peace, Love and Understanding" Live Chile 2011, "Worse Dreams", "You Know My Name", "Zero Chance")
B♭4 ("Before We Disappear", "Big Bottom" Live Los Angeles 1989, "Black Hole Sun", "Blood On The Valley Floor", "Broken City", "Bones Of Birds", "Burden In My Hand", "Can't Change Me", "Disappearing Act", "Do Me Wrong", "Dusty", "Enemy", "Eyelid's Mouth", "Ground Zero", "Halfway There", "Head Down", "Head Injury", "Heart of Honey", "Higher Truth", "I Am the Highway", "Killing Birds", "Lies", "Like a Stone", "Limo Wreck", "Mailman", "Moth", "Never Far Away", "Never Named", "Never The Machine Forever", "New Damage", "Nothing Left To Say But Goodbye", "Only These Words", "Ordinary Girl", "Pillow Of Your Bones", "Promise", "The Promise", "Rhinosaur", "Roads We Choose", "Safe and Sound", "Shape of Things to Come", "She Likes Surprises", "Somedays", "Superunknown", "Sweet Euphoria", "Taree", "Tears to Forget", "Thank You (Falettinme Be Mice Elf Agin)", "A Thousand Days Before", "Time", "Two Drink Minimum", "Until We Fall", "Waiting For The Sun" Live Oakland 1996, "We Got The Whip", "When Bad Does Good", "When I'm Down")
A4 ("#1 Zero", "667", "All Night Thing", "All Your Lies", "Arms Around Your Love", "Be Yourself", "Billie Jean", "Black Days III", "Bleed Together", "Blind Dogs", "Bring Em Back Alive", "Burden In My Hand", "Call Me A Dog", "Can You See Me?", "Circling", "Cleaning My Gun" Live in Milwaukee 2011, "Climbing Up The Walls", "By Crooked Steps", "Dandelion", "Disappearing Act", "Drown Me Slowly", "Everybody's Got Something To Hide (Except Me And My Monkey)", "Exploder", "Face Pollution", "Fell On Black Days", "Ferry Boat", "Finally Forever", "Flutter Girl" Acoustic Demo, "Flower", "Fresh Tendrils", "Full On Kevin's Mom", "Gasoline", "Getaway Car", "Get On The Snake", "Ghosts", "Hand of God", "Hands All Over", "Heaven's Dead", "He Didn't", "Hunger Strike", "Hypnotize", "I Am the Highway", "I Don't Care About You", "Imagine" Live Milwaukee 2011, "Jewel Of The Summertime", "Josephine", "The Keeper", "Kickstand", "Kristi", "Kyle Petty, Son Of Richard", "The Last Remaining Light", "Light My Way", "Light On" Live in Orlando 2012, "Live to Rise", "Long Gone", "Lost Cause", "Man Or Animal", "Misery Chain", "Mission", "Moth", "Mood for Trouble", "Moonchild", "My Wave", "Nazi Driver", "Nearly Forgot My Broken Heart", "No Such Thing", "Nothing Left To Say But Goodbye", "Nothing To Say", "One And The Same", "Only These Words", "Other Side Of Town", "Our Time In The Universe", "Out Of Exile", "Outshined", "Overfloater", "Patience", "Poison Eye", "Preaching The End Of The World", "Pushin' Forward Back", "Reach Down", "Revelations", "Rowing", "Rusty Cage", "Safe and Sound", "A Satisfied Mind" Live in Allentown 2011, "Scar On The Sky", "Scream", "Seasons", "Set It Off", "Shadow on the Sun", "Shape of Things to Come", "She'll Never Be Your Man", "Show Me", "Silence The Voices", "Slaves & Bulldozers", "Spoonman", "Stay With Me Baby", "Steel Rain", "Stop Me", "Stray Cat Blues", "Sunshower", "Switch Opens", "Take Me Alive", "Thank You" Live in Alberta 2011, "A Thousand Days Before", "Through The Window", "Today", "Turn To Gold", "An Unkind", "Ugly Truth", "Until We Fall", "Waiting For The Sun" Live Oakland 1996, "Wave Goodbye", "We Got The Whip", "What You Are", "When I'm Down", "Wide Awake", "The Worm", "Worried Moon", "Yesterday To Tomorrow", "Your Savior", "Your Soul Today")
G♯4 ("Black Hole Sun", "Black Saturday", "Bleed Together", "Bones Of Birds", "Can You See Me?", "Cochise", "The Curse", "Disappearing One", "Doesn't Remind Me", "Drawing Flies", "Everybody's Got Something To Hide (Except Me And My Monkey)", "Flutter Girl", "Full On (Reprise)", "H.I.V. Baby", "I Don't Care About You", "Higher Truth", "Hunted Down", "Killing Birds", "Loud Love", "Missing", "My Wave", "No Attention", "Part Of Me", "Poison Eye", "Preaching The End Of The World", "The Promise", "Right Turn", "Rowing", "Search And Destroy" Live Seattle 1996, "Searching With My Good Eye Closed", "Seasons", "Show Me How To Live", "Somedays", "Someone To Die For" Demo, "Super Stupid", "Sweet Revenge", "The Telephantasm", "Through The Window", "'Til The Sun Comes Back Around", "Turn To Gold", "Unholy Wars" Demo, "Wrong Side", "You Know My Name", "Your Savior", "Your Soul Today")

Significant Low Notes:

E3 ("#1 Zero", "All Night Thing", "Billie Jean", "Bleed Together", "Bring Em Back Alive", "Cleaning My Gun" Live in Milwaukee 2011, "The Curse", "The Day I Tried To Live", "Doesn't Remind Me", "Drown Me Slowly", "Exploder", "Fell On Black Days", "Flutter Girl", "Fresh Deadly Roses", "Girl U Want", "Head Injury", "Imagine" Live Milwaukee 2011, "Incessant Mace", "Josephine", "Moonchild", "My Wave", "Nazi Driver", "No Attention", "Non-State Actor", "Only These Words", "Our Time In The Universe", "Patience", "Preaching The End Of The World", "Reach Down", "Sad Sad City" Live Austin Texas 2011, "Set It Off", "She'll Never Be Your Man", "Smokestack Lightning", "Somewhere", "Sound Of A Gun", "Stay With Me Baby", "Stop Me", "The Telephantasm", "Through The Window", "Tighter & Tighter", "'Til The Sun Comes Back Around", "Today", "Uncovered", "What You Are", "Worried Moon", "Worse Dreams")
E♭3 ("All Your Lies", "Black Hole Sun", "Cochise", "Disappearing One", "Ground Zero", "Higher Truth", "Lies", "Mailman", "Pretty Noose", "The Promise", "Right Turn", "Seasons", "Wrong Side")
D3 ("Applebite", "Been Away Too Long", "Before We Disappear", "Bend In The Road", "Black Rain", "Blind Dogs", "Bones Of Birds", "Broken City", "Can't Change Me", "Circling", "Cold Bitch", "By Crooked Steps", "Dead Wishes", "Disappearing Act", "Dusty", "Enemy", "Flower", "Fresh Tendrils", "Holy Water", "Kristi", "The Last Remaining Light", "Let Me Drown", "Light My Way", "Like a Stone", "Live to Rise", "Misery Chain", "Mission", "Murderer Of Blue Skies", "Nearly Forgot My Broken Heart", "Never Far Away", "No Such Thing", "Nothing To Say", "Nowhere But You", "No Wrong No Right", "Out of Exile", "Outshined", "Overfloater", "Power Trip", "Revelations", "Rhinosaur", "Room A Thousand Years Wide", "Rusty Cage", "Say Hello 2 Heaven", "Shadow on the Sun", "Shape of Things to Come", "Show Me", "Show Me How To Live", "Stray Cat Blues", "Switch Opens", "Thank You (Falettinme Be Mice Elf Agin)", "Thank You" Live in Alberta 2011, "Uncovered", "Until We Fall", "Waiting For The Sun" Live Oakland 1996, "Why Do You Follow Me?", "Wooden Jesus", "You Know My Name")
C♯3 ("Black Saturday", "Blow Up The Outside World", "A Day In The Life" Live Teatro ROSSETTI Trieste 2016, "Doesn't Remind Me" Live in St. Paul 2011, "Do Me Wrong", "Karaoke", "The Keeper", "Flutter Girl", "Higher Truth", "Let Me Drown" Demo Version, "Let Your Eyes Wander", "Misery Chain", "Scream", "Superunknown" Demo Version, "Sweet Revenge", "When Bad Does Good", "When I'm Down")
C3 ("4th of July", "Ave Maria", "Bing Bing Goes To Church" Rehearsal Version, "Blood On The Valley Floor", "Burden In My Hand", "Call Me A Dog", "Disappearing Act", "Ferry Boat", "Flutter Girl" Acoustic Demo, "Fresh Tendrils" Demo Version, "Halfway There"/"Halfway There" Acoustic Demo, "Head Down", "Hunger Strike" Live Teatro Colón 2016, "Kyle Petty, Son Of Richard", "Like Suicide", "Limo Wreck", "Lost Cause", "Mailman", "Never Named", "Pillow Of Your Bones", "Pretty Noose", "Promise", "Revelations", "Roads We Choose", "Seasons", "She'll Never Be Your Man", "Spoonman", "Steel Rain", "Take Me Alive")
B2 ("Be Yourself", "Blow Up The Outside World", "Circle of Power", "Climbing Up The Walls", "Holy Water", "Hypnotize", "Incessant Mace", "Karaoke", "The Last Remaining Light", "Like Suicide", "Long Gone Day" Live in Seattle 2015, "Murderer Of Blue Skies", "Rusty Cage", "Shadow on the Sun", "She Likes Surprises", "Swallow My Pride", "'Til The Sun Comes Back Around", "Toy Box", "Ugly Truth", "Wrong Side", "You Know My Name", "Your Time Has Come")
B♭2 ("Blood On The Valley Floor", "Circling", "Eyelid's Mouth", "Missing", "Pillow Of Your Bones", "Take Me Alive", "Taree", "Time", "When Bad Does Good")
A2 ("Beyond The Wheel", "Big Dumb Sex", "Blow Up The Outside World", "Entering", "Fresh Deadly Roses", "Full On Kevin's Mom", "Hands All Over", "The Keeper", "Lies", "Light On" Live in Orlando 2012, "Long Gone Day" Live in Seattle 2015, "Lost Cause", "Kingdom of Come", "Other Side Of Town", "Overfloater", "Rowing", "Slaves & Bulldozers", "Storm", "Toy Box", "We Got The Whip")
G♯2 ("All Your Lies", "Climbing Up The Walls", "Halfway There" Acoustic Demo, "Unholy Wars" Demo, "Ordinary Girl", "Our Time In The Universe" Remix, "Wrong Side")
G2 ("4th of July", "Burden In My Hand", "Call Me A Dog" Intro Live London 2012, "Everybody's Got Something To Hide (Except Me And My Monkey)", "Halfway There" Acoustic Demo, "Head Injury", "Missing", "She Likes Surprises", "Why Do You Follow Me?", "Your Time Has Come")
F♯2 ("Big Dumb Sex", "Other Side Of Town", "Rusty Cage", "Scream", "An Unkind")
E2 ("Storm")
D2 ("Beyond The Wheel", "Entering", "Lost Cause")
C2 ("Rusty Cage" Johnny Cash Version Anthony & Opie Interview )

SPOILER: Click to show

{Questionable Notes}
B5 ("Let Me Drown" Demo Version [4][5])
A5 ("Follow My Way" [2, Likely Natasha Shneider], "Searching With My Good Eye Closed" [5])
G5 ("Somewhere" [5])
D5 ("Climbing Up The Walls" [2])
C♯5 ("Incessant Mace" [4][5])
C5 ("Head Down" [2])

D3 ("Wave Goodbye" [2], "Your Savior" [2, pretty sure it's Eddie Vedder])
C3 ("Never The Machine Forever" [2])
B2 ("Original Fire" [2], "Tighter & Tighter" [2], "Worse Dreams" [1])
A2 ("Misery Chain" [1])
G2 ("Dead Wishes" [3], "Murderer Of Blue Skies" [1])
E2 ("Never Named" [3], "Part Of Me" [2, Probably Timbaland])
D2 ("Rusty Cage" [2])
C2 ("Beyond The Wheel" [1])
A1 ("Jesus Christ Pose" [4])
G1 ("I Can't Give You Anything" [5])
.......................................................
[1] marks yelps and short trills in high range or insignificant anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.

.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.

SPOILER: Click to show

{Album Ranges}
With Soundgarden:
Screaming Life/Fopp (1987/1988): D2 - A2 - G5 rebaru
Ultramega OK (1988): D2 - G5
Louder than Love (1989): F♯2 - A5
Badmotorfinger (1991): F♯2 - G♯5 - A5
Superunknown (1994): G2 - F♯5
Down on the Upside (1996): F♯2 - E5
King Animal (2012): A2 - D5
Echo of Miles: Scattered Tracks Across the Path (Released 2014, Contains Recordings from 1985 to 2014): E2 - A5

With Audioslave:
Audioslave (2002): B2 - D5 - E5
Out of Exile (2005): G2 - D5
Revelations (2006): C3 - D5

With Temple of the Dog:
Temple of the Dog (1991): C3 - G5

Solo:
Euphoria Mourning (1999): B♭2 - E5
Carry On (2007): B2 - D5
Scream (2009): D2 - F♯2 - D5
Songbook (2011): A2 - E5
Higher Truth (2015): G♯2 - D5 - E5

High/low/live/questionable notes are linked in this thread, just hover over the song names and you can click the links

[VocalDudeGuy]

As my old grandpappy used to say, 5th times the charm.

[rebaru]

Great job revamping this one. Really glad someone got around to it (I've not been very frequently notewatching anymore, sorry!!!)

I'm not sure I agree with some low-note inclusions personally. For one, I could never be genuinely sure if there's indeed a D2 in rusty cage, might be an illusion. The vocal master has the harmonies, and all you really hear is a double-tracked lead. It might just be the other instruments. You do get the impression something's doubling it there with all of the band playing, and you definitely hear two recordings of Cornell singing, but I'm pretty certain it's not Chris doing the 2nd octave.

youtu.be/TAyJCTTRRH8?si=3lAJVCfUP1mZYjUW&t=97

[asamic500]

He's clearly a sopranino debate settled

[motorist]

Aug 16, 2024 20:51:24 GMT rebaru said:

Great job revamping this one. Really glad someone got around to it (I've not been very frequently notewatching anymore, sorry!!!)

Thanks! I'm genuinely glad to have your approval after posting this & am grateful for your notewatching work on the previous version of the thread!

Aug 16, 2024 20:51:24 GMT rebaru said:

I'm not sure I agree with some low-note inclusions personally. For one, I could never be genuinely sure if there's indeed a D2 in rusty cage, might be an illusion. The vocal master has the harmonies, and all you really hear is a double-tracked lead. It might just be the other instruments. You do get the impression something's doubling it there with all of the band playing, and you definitely hear two recordings of Cornell singing, but I'm pretty certain it's not Chris doing the 2nd octave.
youtu.be/TAyJCTTRRH8?si=3lAJVCfUP1mZYjUW&t=97

For now, I think you're right. I noticed that the D2 didn't appear in the isolated vocal tracks, and I didn't take that as proof enough as things can be missed (like the "4th Of July" highs in its vocal isolation), but then I took a look at the instrumental.

SPOILER: Click to show

{I hear some sounds that likely cause the sound of the supposed D2 at 2:38, and also more faintly at 2:19 and 2:28. It's ONLY at the end of the vocal lines, exactly where the "D2" is heard.}

I hear some 3rd octave vocals very faintly in the "instrumental" track - just at 2:38, but it could be at the other two points too even more faintly. That could also cause the illusion even though vocals of these pitches are also in the vocal track. EDIT: I forgot to add "I might be mishearing", if it's there it's probably too irrelevant to even count towards an illusion.

SPOILER: Click to show

{I also, perhaps pointlessly, combined the instrumental & vocal tracks and I hear the "D2", so I don't think any vocals are somehow being left out of both}
I used the full length vocal track for this: EDIT: THIS DOESN'T HAVE THE LOW VOCAL LINE! I didn't think even consider that a possibility so I glossed over it.

All that is to say, I can hear how the instrumental would cause the illusion of a D2 & can't hear an actual D2 so it's been moved to questionable. amadeusd or someone else might have some debunk to this however, and I'm still open to hearing that.

F2_Freebirdlive2011_ElectricMamiVocalIsolation.mp3 (148.33 KB) HereticSpoken_AmadeusdVocalIsolation.mp3 (107.27 KB) FullOnKevinsMommicroBb5.mp3 (517.5 KB)

[Bink]

Very good thread but surely we can get a better threadpic than that...

[motorist]

Aug 17, 2024 22:42:25 GMT Bink said:

Very good thread but surely we can get a better threadpic than that...

I actually spent several hours across multiple days picking the current thread pic out. I wanted a picture that seemed to represent him as an artist in the most accurate way. I wanted one with him playing guitar as his rhythm guitarist/songwriter skills are a very important aspect of him as an artist, and I wanted a picture where it looked like he was singing in his signature impressive, high belting style with accuracy and precision to represent his greatest qualities as a vocalist. While there are a few issues like quality and facial hair (lol), those aren't aspects I view as disqualifiers. This one stood out to me immediately after looking through thousands of photos (seriously).

As VocalDudeGuy said:
"It's really tempting to throw in a badass shirtless badmotorfinger picture but I don't think those capture what he was as a musician the best and I feel like that's what thread pics should do".

While he doesn't 100% agree with my threadpic decision & says he had a negative reaction at first, he mentioned liking it more after re-viewing the thread and he understands why it was chosen.
I am open to other pictures, but I feel very few hit these boxes in quite the way the current thread picture does.

edit: Also, thanks, I appreciate the kind words. How ungrateful of me to overlook that.

JesusChristPoseC2Isolated_AmadeusD.mp3 (352.57 KB)

[amadeusd]

Aug 17, 2024 14:41:18 GMT motorist said:

For now, I think you're right. I noticed that the D2 didn't appear in the isolated vocal tracks, and I didn't take that as proof enough as things can be missed (like the "4th Of July" highs in its vocal isolation), but then I took a look at the instrumental.

Having gone through what you've posted in the Discord, I just think you're mistaken.

Those 'isolations' appear to be after-market as it were, and are missing what is clearly audible in the actual track.

I think basing whether or not its their on edited isolations that aren't actually trained on vocals per se is a mistake. THe instrumental doesn't even seem to have the D3 you're pointing out, just some interaction between the instruments.

At this point, it's inarguable as far as I'm concerned. Listening to the actual track is where you're going to find notes in the track - and in this case, it is clearly audible in the actual track. If you feel different, sure. But, this isn't even a debate to my mind. It's similar to the claim that Axl is tenor. Just.. what? Listen to the track. It's audible. 

If we had masters, i'd be more than happy to take seriously what you're putting forward here largely because this is apparently so hard to hear (it really isn't...), but it just seems an attempt to knock it off for no good reason to me...

Aug 17, 2024 14:41:18 GMT motorist said:

I hear some 3rd octave vocals very faintly in the "instrumental" track - just at 2:38, but it could be at the other two points too even more faintly. That could also cause the illusion even though vocals of these pitches are also in the vocal track.

I think this is hte case, and it's not actually got any vocal tracks in it.... It seems a rather extreme reach to me to say that what's in that instrumental is either A. the most accurate rep. of what's going on, or B. includes a vocal line with D3. I cannot hear it, at all. The two tracks you spliced back together appear to clearly miss multiple elements of that part of the song (one guitar overlay, for instance, along with at least two of hte vocal tracks - the main vocal being doubled, with only one there, and *none* of the low-end vocals).For another piece of context, there are several isolations of BDS that i've heard which do not catch the F#s other than the grit on the disengagement which we discussed.

Again, until there's some evidence that the note isn't there (when it's clearly audible) in an official sense, I think it is bad practice, and potential just an out-right empirical mistake to say that a D2 which can be heard on the end of all three lines in that bridge, isn't there. I'm unsure why, either? 

[Homelander]

I don't think the C#2 or C2 are countable. They just seem like weak, fryish dips to me. The D2 is actually pretty solid and might be a good choice for both bold and lowest note.

[VocalDudeGuy]

Aug 18, 2024 20:06:44 GMT Homelander said:

I don't think the C#2 or C2 are countable. They just seem like weak, fryish dips to me. The D2 is actually pretty solid and might be a good choice for both bold and lowest note.

Eerrr not really? When I think of a very weak low note, it's usually very airy, not supported, lacking in tone, etc. The C2 and C#2s are a bit fried, which is to be expected of a singer's lowest notes, and a bit short, but they're really not that weak. They got a solid tone, are stable, and are decently audible. They're of similar quality of B.T.W's first D2 imo if not a tad stronger

Edit: If you want a Chris Cornell C2 were the above criticisms apply, look no further than the Jesus Christ Pose C2, it sounds very weak without the effects in the studio song, I'm on my phone right now so linking to iso vocals of it would be quite inconvenient, sorry.

[amadeusd]

Aug 18, 2024 22:07:19 GMT VocalDudeGuy said:

Aug 18, 2024 20:06:44 GMT Homelander said:

I don't think the C#2 or C2 are countable. They just seem like weak, fryish dips to me. The D2 is actually pretty solid and might be a good choice for both bold and lowest note.

Eerrr not really? When I think of a very weak low note, it's usually very airy, not supported, lacking in tone, etc. The C2 and C#2s are a bit fried, which is to be expected of a singer's lowest notes, and a bit short, but they're really not that weak. They got a solid tone, are stable, and are decently audible. They're of similar quality of B.T.W's first D2 imo if not a tad stronger

Edit: If you want a Chris Cornell C2 were the above criticisms apply, look no further than the Jesus Christ Pose C2, it sounds very weak without the effects in the studio song, I'm on my phone right now so linking to iso vocals of it would be quite inconvenient, sorry.

100% agree with your analysis. 

[Homelander]

Aug 18, 2024 22:07:19 GMT VocalDudeGuy said:

Aug 18, 2024 20:06:44 GMT Homelander said:

I don't think the C#2 or C2 are countable. They just seem like weak, fryish dips to me. The D2 is actually pretty solid and might be a good choice for both bold and lowest note.

If you want a Chris Cornell C2 were the above criticisms apply, look no further than the Jesus Christ Pose C2, it sounds very weak without the effects in the studio song, I'm on my phone right now so linking to iso vocals of it would be quite inconvenient, sorry.

Tbh, I think the Jesus Christ Pose C2 would be a better extremity than the C2 or C#2 currently in the thread. It may not sound the nicest, but at least he can hold the note and it has some musical context.

[Goober]

I agree, that note is probably chris cornell's most musical note.

[motorist]

amadeusd I know I asked for a debunk, but your comment comes across as character assassination first and informative second. You seem to be heavily focusing on magnifying my mistakes (which are noteworthy but not incredibly stupid mistakes) in order to make it seem like I'm fully unaware and using backhanded remarks like how it's "apparently so hard to hear (it really isn't...)", though there are a lot of important corrections in your post which I will address. I know you're annoyed at seeing another remake of the thread without the "Rusty Cage" D2 when you clearly hear it but I need to actually hear it to put it in! What I was hearing as the D2 was an illusion, and you say you're hearing low vocals across the entire vocal line which I am not, and that's a very important in my opinion, as I believe a lot of those who hear the "D2" are not hearing this either.

I believe my approach of getting isolated vocal tracks has some merit. If there's a full track where you hear the "D2" and it can't be found in any of the isolations from the track, then it's not present, and if it is present it should be more audible in one. I know you're sure of what you're hearing and think trying an isolation approach is unnecessary but there should be SOME way that it can be heard more clearly. You haven't given me an isolation where it's more clear, just a clip of you singing what you hear (and quite impressively, I must admit): AmadeusDSingingRustyCageSupposedD2.mp3 (202.55 KB)

Also I'm not sure what you mean by "after market" but I believe both the vocal isolation I linked, and the vocal isolations rebaru & I linked are not isolations using software, they were more official as channel rips from things like blu-ray discs and video games like "Rock Band" - the isolations of "Big Dumb Sex" you're referring to would be isolations using software as Louder than Love doesn't have blu-ray or re-released audio and obviously wouldn't appear in video games like "Rock Band" - though it would be cool if it did!

Having said that, none of them seem to be fully accurate (as you suggest), which gives reason to look further. The vocal isolation I sent seems to miss doubled vocal tracks like at 2:36 but not "ALL" vocal harmonies, you can clearly hear some at 0:55), and the one rebaru sent seems to miss the earlier lower vocal harmonies even though it does catch doubled vocals at 2:03. The most accurate vocal isolation I have at the moment is this one, which catches both the lower F#2 harmony with clarity and doubled vocals. I still am not sure it's accurate, I'll concede this. I haven't found a "4th Of July" isolation that catches the higher vocal line, so that's evidence that a D2 could be missed in all vocal tracks of "Rusty Cage" as well.

I think the instrumental I posted is off too, maybe a guitar line is missing as you said but I can't pinpoint it exactly, it sounds like the ending is a bit different. I also think I'm likely being illusioned into the D3 and even if it's there it's probably just a leftover from the vocal track (like how drums are noticeable in some vocal tracks) and also not likely causing significant sonic illusions itself.

I take accuracy seriously as people use this forum as a source for vocals and I hope it becomes accepted as reliable. I specifically ask for information in the thread:

Aug 16, 2024 4:25:52 GMT motorist said:

D2 ("Rusty Cage" ^{[2, more information wanted]})

If there is a D2 there I want to put it in the thread, ideally linked with audio that makes it clearer. Maybe I'll just randomly hear the D2 clearly at some point like you do now and change my mind on it.

I want additional evidence that actually points out a D2. I wouldn't have been as annoyed with your confrontational tone if you gave any but your main points for it seemed to be just filler, backhanded remarks, and overconfrontation. Much of your correctional information is important but you're clearly being intentionally rude in addition under the guise of just providing said information.

Amadeus's posted discord isolation: AmadeusDRustyCageIsolation.mp3 (397.47 KB)

[amadeusd]

Aug 19, 2024 19:16:04 GMT motorist said:

I know you're annoyed at seeing another remake of the thread without the "Rusty Cage"

Not really, and If the post came off as a character assassination, I apologise but think perhaps you need to read it without yourself as the centerpoint I'm addressing. It's the note I'm addressing, and you're not hte only person who apparently doesn't hear it. But, again, that you do not hear it strikes me as a possible intentional prevarication it's so intensely different to what I experience as reality... so you can see why I would use this kind of language with no emotional basis. It just seems absolutely bonkers to me that you cannot hear clear D2s in the original track. This is not a comment about you. It baffles me that this has become so complicated, and I think we should use the source document. And I've also said, multiple times, if you don't hear it, don't put it in. I cannot 'make' you hear it if you dont. It's a buried note. I'm not going to argue with you endlessly. If you don't hear it, don't put it in. I have no idea why you're getting so intense about this. I've said my bit...

Aug 19, 2024 19:16:04 GMT motorist said:

I take accuracy seriously

I understand, but not everything is going to have a cut-and-dried answer. We don't have masters, and there's no way to know whether or not any isolation is accurate (it's almost certain we have never heard a particularly accurate harmony isolation that isn't from masters). As i've noted, as far as I'm concerned, if you don't hear it in the original track you have bad hearing. That's my view. If you can't hear it, so be it. I'm unsure much more needs to be said here... Additionally, and I will catch flak for this: This is far from the most accurate source of vocal information. It is accepted here that falsetto is not it's own register which is patent bollocks, evidenced by mountains of empirical data. The forum also uses the word "anacrusis" to mean something completely different to what that word actually means, and given its a specialised word to mean an extremely specific thing, this is clearly another example of the forum being very lax with accuracy. I appreciate you wanting to improve this, but until issues like these two are addressed instead of ignored (which they are, routinely, despite evidence presented to prove what i've said) acting as if accuracy is the main point here is probably not hte best move. We're not even naming things correctly.

Aug 19, 2024 19:16:04 GMT motorist said:

they were more official as channel rips from things like blu-ray discs and video games like "Rock Band"

Are they copies of hte master tracks? No? Then we cannot trust them. None of these isolations are complete. That's just hte world we live in. Maybe one day they'll do one of those "Greatest Album" retrospectives on BMF and we'll get the engineer sitting about waxing lyrical about hte day Chris recorded this super-low, guttery line in Rusty Cage. Until then, I will go by what I (clearly) hear in the source material. I think you are making a pretty huge mistake doing what you're doing - it is obvious isolations aren't helping in this case.

Aug 19, 2024 19:16:04 GMT motorist said:

hopefully with some audio that makes it clearer.

The original track is entirely clear, as far as I'm concerned so I can't really help with this. I don't know why it's needed so I can't understand exactly what you're looking for. You seem to be accessing versions of the vocal line with parts removed, not clearer ones.

Aug 19, 2024 19:16:04 GMT motorist said:

you're clearly being intentionally rude in addition under the guise of just providing said information

I am not being intentionally rude. I would prefer if you did not try to mind-read to impugn my motives. Thank you. Additionally, having taken a moment, then gone back and re-read my post I have no idea why you would read it that way. I think you're being a bit fragile in the face of a robust response. NO worries, just understand there is no ill will. There is no intention to do anything but discuss this note/vocal line. I would ask you not to read into things more than what's there. I don't do subtext where it's not relevant. 

Aug 19, 2024 19:16:04 GMT motorist said:

I want additional evidence that actually points out a D2.

You have it. But for whatever reason, you don't hear it. I cannot help you there. Not at all a dig - do what you want to do with your own thread. I am contributing my views only. I'm not seeing why this is a controversial take. It's your thread. If you don't hear it, don't put it in. Genuinely. Not being dismissive. 

I will send a final isolation of mine through on Discord as my Moises is back up. I doubt that I will want to continue discussing this afterwards, just so you know. It has nothing to do with you, but that this is year 15 of me going over this line/note with various parties. I first brought it up on DDD in 2009, iirc. Please don't take any of it personally. It's 'business' as it were. 

[avi]

Aug 16, 2024 4:25:52 GMT motorist said:

B4 ("Like a Stone" live Teatro ROSSETTI Trieste 2016 ^{[overshot B♭4]})

Lets talk about this instead!! The original song rests on F4 here and goes to Bb4, this performance rests on F#4 so it would be going to B4 no? Seems pretty intentional to me, also he shoots for another B4 later (although doesn't really hit it that time lol). I think the Bb4 at 24:15 is the undershot note

[mushymarionette]

That "Hands All Over" live A5 is a damn great find! Great job with the thread.

Also, spoken low note here... Wish he had sustained it for a second lmao, the tragedy of missed potential:

[avi]

Original Fire B2 might've been at 2:22, on the exhale after the B4?

Tighter and Tighter B2 was at 1:25, on the drop off after the G3, with another one at 1:34

Oh and there are backing D3s at 3:15 and 5:40 on "cause I"

[motorist]

avi Thanks, I appreciate you looking through these. I'll add the D3s from "Tighter and Tighter", surprised I missed it as I listened to the song several times before giving up on finding B2s.
I'm not sure of the pitch of the Tighter and Tighter notes at 1:25 and 1:34, but I'm hearing both of the ends of those as E3 currently. The "Tighter and Tighter" B2 was also marked as a [2], so I'm not really sure what it would be, though you did point out the "Never the Machine Forever" C3 which was also marked as a [2] and was clearly Chris.

Original Fire, yeah maybe that was the B2, though if it is I'm of course not going to include it. I thought it was some weird mispitched backing vocals that appear at 2:50. I think they bottom at E3 on "can't con-TAIN"? I think processing/effects is making it sound compressed and lower, but I don't know this stuff too well.

[avi]

motorist Yeah, the [2] listing is a little weird, maybe there's some weird dropoff on a backing vocal I didn't catch? And I do hear them as B2s, although the fundamentals might be E3s, they're so unmusical anyway that it's hard to discern pitch at all

[VocalDudeGuy]

4th of July E5 at 1:47 and Outshined F#5 at 4:43. Not particularly signicifiant notes but they are the highest notes in their respective songs. 

SPOILER: Click to show

{There seems to be a Bb5 at 12:38 thats actually an A5 due to fast tape speed, followed by A5s and G#5's that are also one semitone down}

SPOILER: Click to show

{Drawing Flies C#3 at 1:55? One or two other performances Ive seen I think go down that low at that part but I think most live versions in 92 are just D3 for all the lowest parts}

SPOILER: Click to show

{C#3 at 0:33 for Harry Nilsson's One. Funny enough, I dont think there was any significant notes for Chris's actual cover of One, checked 2 of them.}

[amadeusd]

4th Of July E5s are pretty blistering from memory? Similar to the Let Me Drown F/F#

[avi]

Aug 30, 2024 23:41:14 GMT VocalDudeGuy said:

Outshined F#5 at 4:43

I'd count it as an F5 personally

[VocalDudeGuy]

Sept 1, 2024 22:49:27 GMT avi said:

Aug 30, 2024 23:41:14 GMT VocalDudeGuy said:

Outshined F#5 at 4:43

I'd count it as an F5 personally

Idk what to say, I disagree. The note starts at F5 but it gets to F#5 by the end and Motorist seems to agree.

[Electric Girl]

This passage's key is D minor so it should be F5, meaning he's overshot it of half a semitone, rather than sung a flat F♯5