Terry Glaze (2,162 views)

[Henny Macc]

Terrence Lee Glaze (November 29, 1964 - )

Years active: 1981-present

Country of origin: United States of America

Recorded vocal range: C2-C♯6

Band history:

• 1981-1982 - Pantera (rhythm guitar, backing vocals)
  
• 1982-1986 - Pantera (lead vocals, occasional rhythm guitar)
  
• 1986-1991 - Lord Tracy (lead vocals, rhythm guitar, piano)
  
• 1991-1993 - Blowphish (lead vocals)
• 1995-present - The Crayfish (lead vocals, rhythm guitar)
• 2001-2003 - Mike & Terry (lead vocals, guitar)
  
• 2004-present - Lord Tracy (lead vocals, rhythm guitar, piano)
• 2006-present - Terry Glaze (lead vocals, guitar)
• 2011-present - Raised by Gods (lead vocals, guitar, bass, keyboards)
• 2021-present - Evel Frehley (lead vocals, rhythm guitar)
  

Recorded high notes:

C♯6/D♭6: "Fella Sho' Dance"

B5: "Wrong All the Right Outta Me"

A♯5/B♭5: "Beverly Hills", "East Coast Rose", "In Your Eyes", "Out with the Boys", "Rats Motel", "17 Years", "She's a Bitch", "Whatchadoin'"

A5: "Back on the Road", "Down Below", "Drum Thang", "East Coast Rose", "Heavy Metal Rules", "I Don't Wanna Love You Anymore", "In Your Eyes", "Like Fire", "Out with the Boys", "Projects in the Jungle", "Walk All Over You" live at The Rail Club 2018, "We Could Be"
G♯5/A♭5: "All Over Tonight", "Back Again", "Balls to the Wall" live at Savvy's Nightclub 1986, "Dance", "Down Below", "Eat Them", "I Don't Wanna Love You Anymore", "In Over My Head", "I Should've Known", "Kick It Out", "Leave Me Alone" "Let's Go Rodeo", "Never Gonna Wait My Turn", "Number One Fan", "Out for Blood", "Sad Lover", "Saxophone", "17 Years", "3.H.C.", "We Could Be", "Whatchadoin'", "Wrong All the Right Outta Me"
G5: "All Over Tonight", "Burnin' Love", "Dance", "Down Below", "Eruption" live at the Bronco Bowl 1984, "Heavy Metal Rules", "I Am the Night", "In Over My Head", "I Should've Known", "I Want You" live Dallas 1989, "Killers", "Latest Lover", "Leave Me Alone", "Let's Go Rodeo", "Like Fire", "Man in Japan '08", "Never Gonna Wait My Turn", "Only a Heartbeat Away", "Onward We Rock", "Out for Blood", "Submission" live Dallas 1989, "Takin' My Life", "Valhalla", "Walk All Over You" live at The Rail Club 2018, "Widowmaker" live at the Bronco Bowl 1984
F♯5/G♭5: "Balls to the Wall" live at Savvy's Nightclub 1986, "Burnin' Love" live 2018, "Dance", "Hot and Heavy", "Ice Tea", "I Don't Wanna Love You Anymore", "Leave Me Alone", "Onward We Rock", "Out for Blood", "Piranha", "Rock Out!", "Shake a Leg" live at Savvy's Nightclub 1986, "Shake Me" live at Savvy's Nightclub 1986 "She Man Blues", "Soul", "Speed Demon" live at Savvy's Nightclub 1986, "3.H.C.", "Transexual", "Valhalla", "Walk All Over You" live at the Rail Club 2018, "Widowmaker" live at the Bronco Bowl 1984, "Woman Is Wood", "Wrong All the Right Outta Me"
F5: "All Over Tonight", "Big Surprise", "Chosen Ones", "Daughters of the Queen", "Devil Song" "Down Below", "Everything Sounds Alright", "Forever Tonight", "I Am the Night", "I'll Be Alright", "I Want You" live Dallas 1989, "Man in Japan", "Never Gonna Wait My Turn", "Ride My Rocket", "Takin' My Life", "White Lamb Fluffy Bunny", "Woman Is Wood"
E5: "Ain't Talkin' "Bout Love" live at the Rail Club 2021, "Back on the Road", "Back to the City" live at Savvy's Nightclub 1986, "Balls to the Wall" live at Savvy's Nightclub 1986, "Cold Gin" live at Savvy's Nightclub 1986, "Dance", "Eat Them", "Heavy Metal Rules", "Hot and Heavy", "I Am the Night", "Ice Tea", "I Don't Wanna Love You Anymore", "In Over My Head", "Killers", "Last Thing on My Mind", "Like Fire", "Man in Japan", "Never Gonna Wait My Turn", "Only Girl in Town", "Out for Blood", "Projects in the Jungle", "Red Dress Woman", "Right on the Edge", "Shake a Leg" live at Savvy's Nightclub 1986, "Shake Me" live at Savvy's Nightclub 1986, "Take a Break", "3.H.C.", "Tom Petty", "Valhalla", "Walk All Over You" live at The Rail Club 2018, "You're Gonna Get It"
D♯5/E♭5: "Back Again", "Don't Give Up on Love", "Do You Love Me?" live Bowie 2009, "Drive All Night", "Everything Sounds Alright", "Feel", "Fella Sho' Dance", "Heart in Your Hands", "Ice Tea", "I Don't Wanna Love You Anymore", "King of the Nighttime Cowboys", "Last Thing on My Mind", "Let's Go Rodeo", "Man in Japan '08", "No More Tears", "Onward We Rock", "Out with the Boys", "17 Years", "Transexual", "Twist and Shout" live Bowie 2009, "Valhalla", "We Could Be", "Wrong All the Right Outta Me", "Yo' Love", "You're Gonna Get It"
D5: "Back on the Road", "Balls to the Wall" live at Savvy's Club 1986, "Chosen Ones", "Come On", "Come-On Eyes" live, "Dance", "Daughters of the Queen", "Famous", "Forever Tonight", "Hot and Heavy", "I Am the Night", "I Don't Wanna Love You Anymore", "Killers", "Like Fire", "Long Way to Go", "Only a Heartbeat Away", "One Thing", "Out for Blood", "Pizza & Nachos", "Shake Me" live at Savvy's Nightclub 1986, "Soul", "Speed Demon" live at Savvy's Nightclub 1986, "Takin' My Life", "Too Late Now", "Try", "Twist and Shout" live Bowie 2009, "Walk All Over You" live at The Rail Club 2018, "Wind Me Up", "You're Gonna Get It"

C♯5/D♭5: "All Summer Long" live Bowie 2009, "Anything for Your Love", "Back Again", "Back to the City" live at Savvy's Nightclub 1986, "Barney's Chained Melody", "Can't Be Serious", "Debbie's Got a Chainsaw", "Devil Song" "Do You Love Me?" live Bowie 2009, "Drum Thang", "East Coast Rose", "Eat Them", "Famous", "Feel", "Foolish Love", "Giddywonk", "Hot and Heavy", "I Don't Wanna Love You Anymore", "I Should've Known", "Jinx", "King of the Nighttime Cowboys", "Last Thing on My Mind", "Leave Me Alone", "Long Way to Go", "Never Gonna Wait My Turn", "No More Tears", "Not Coming Back", "Onward We Rock", "Outta Site", "Rip It Up (Paper Love)", "Rock Out!", "She Loves Me", "Speed Demon" live at Savvy's Nightclub 1986, "Sh*tdad", "Submission", "Tom Petty", "Valhalla", "What She Gives", "Wind Me Up", "Wondermilk", "Yo' Love", "You've Got Another Thing Comin'" live at Savvy's Nightclub 1986

C5: "Biggest Part of Me", "Big Surprise", "Budokan", "Can't Be Wrong", "Charlie Sheen", "Come Back", "Daughters of the Queen", "Don't Give Up on Love", "Drama", "Drive All Night", "Every Breath You Take" live Kailua-Kona 2009, "Everything", "Everything Sounds Alright", "Forever Tonight", "I Can't Wait" Evel Frehley song, "Ice Tea", "I'll Be Alright", "In Your Arms", "In Your Eyes", "Killers", "Man in Japan", "Never Gonna Wait My Turn", "Nothing Left to Say", "Party at the Motel", "Piranha", "Pizza & Nachos", "Red Dress Woman", "Sick of All the Bullsh*t", "Takin' My Life", "Too Late Now", "We Could Be", "Whatchadoin'", "What She Gives", "Wild One (Slow)", "Wind Me Up", "You're Gonna Get It"
B4: "Ain't Talkin' 'Bout Love" live at The Rail Club 2021, "Back Again", "Burnin' Love" live 2018, "Do for You", "Do You Love Me?" live Bowie 2009, "Drum Thang", "East Coast Rose", "Everything II", "Flydream", "Foolish Love", "Ice Tea", "I Don't Wanna Love You Anymore", "I'll Be Alright", "I Know What I Like", "In Over My Head", "I Should've Known", "Jinx", "Kick It Out", "Killers", "Last Thing on My Mind", "Latest Lover", "Living After Midnight", "Meathead", "No More Tears", "Not Coming Back", "Nothin' On (But the Radio)", "One Thing", "Over the Hills and Far Away" live at the Bronco Bowl 1984, "Piranha", "Pizza & Nachos", "Planet of Walmart", "Projects in the Jungle", "Rats Motel", "Sad Lover", "She Loves Me", "She's a Bitch", "[She's a] Wild One", "Sick of All the Bullsh*t", "Soul", "Take a Break", "Tell Me If You Want It", "Tom Petty", "Too Much", "Transexual", "Try", "Walk All Over You" live at The Rail Club 2018, "When I Come Around", "Widowmaker", "Wild One (Slow)", "Without You", "Wondermilk", "Wrong All the Right Outta Me"
A♯4/B♭4: "All Summer Long" live Bowie 2009, "Barney's Chained Melody", "Big Surprise", "Chosen Ones", "Come Back", "Daughters of the Queen", "Debbie's Got a Chainsaw", "Deserai" live Dallas 1989, "Don't Give Up on Love", "Don't Know Why", "Drive All Night", "Eat Them", "Everything Sounds Alright", "Feel", "Foolish Love", "Forever Tonight", "Heart in Your Hands", "In Your Eyes", "I Should've Known", "I Want You" live Dallas 1989, "Kick It Out", "King of the Nighttime Cowboys", "Let's Go Rodeo", "Man in Japan '08", "Nobodies Business", "No More Tears", "Oh You", "On the Dark Side" live at T's Bar and Grill 2021 "Out with the Boys", "Party at the Motel", "Piranha", "Red Dress Woman", "Right on the Edge", "Rip It Up (Paper Love)", "17 Years", "She Man Blues", "Submission", "Sweet Caroline" live Bowie 2009, "Takin' My Life", "Transexual", "Whatchadoin'", "Wind Me Up", "Yo' Love"
A4: "Ain't Talkin' 'Bout Love" live at The Rail Club 2021, "Anything for Your Love", "Back on the Road", "Best Mistake", "Beverly Hills", "Biggest Part of Me" "Budokan", "CaliPornia", "Charlie Sheen", "Cold Gin" live at Savvy's Nightclub 1986, "Come-On Eyes", "Daughters of the Queen", "Do for You", "Drum Thang", "East Coast Rose", "Everything II", "Famous", "Feel", "Flydream", "Forever Tonight", "Giddywonk", "Here with Me", "I Am the Night", "I Don't Wanna Love You Anymore", "I'll Be Alright", "I Know What I Like", "Killers", "Latest Lover", "Long Way to Go", "Man in Japan", "My Corina", "Never Gonna Wait My Turn", "Nobodies Business", "Not Coming Back", "Not Enough", "Nothing Left to Say", "Nothin' On (But the Radio)", "Oh You", "One Thing", "Only Girl in Town", "On My Mind", "Out with the Boys", "Ride My Rocket", "Rock Out!", "Sad Lover", "Salt", "Sh*tdad", "Sick of All the Bullsh*t", "Tell Me If You Want It", "The Drill", "3.H.C.", "Too Late Now", "Try", "What She Gives", "Where Were You Last Night", "Wild One (Slow)", "Widowmaker", "You're Gonna Get It", "Y.U. Make Me Cry?"
G♯4/A♭4: "Another One", "Back Again", "Back on the Road", "Beverly Hills", "Big Black Cadillac", "Big Surprise", "Burnin' Love", "Can't Be Serious", "Can't Be Wrong", "Come Back", "Come On", "Devil Song", "Don't Give Up on Love", "Deserai" live Dallas 1989, "Don't Know Why", "Do You Love Me?" live Bowie 2009, "Drive All Night", "Everything", "Everything Sounds Alright", "Find Me a Woman", "I Can't Wait" Mike & Terry song, "Ice Tea", "In Over My Head", "In Your Eyes", "I Should've Known", "I Want You", "Jes' Like You", "Jinx", "Kick It Out", "Last Thing on My Mind", "Like a Snake", "Living After Midnight", "Messin' Around", "Nobodies Business", "No More Tears", "Not Coming Back", "Number One Fan", "One Night with You" live at St. Francis Village 2012, "Party at the Motel", "Piranha", "Planet of Walmart", "Rats Motel", "Rip It Up (Paper Love)", "Rock Out!", "Saxophone", "She Loves Me", "She's a Bitch", "She's Changed", "Sick of All the Bullsh*t", "Submission", "Take a Break", "3.H.C.", "Too Much", "Try", "Twist and Shout" live Bowie 2009, "Without You", "Wondermilk", "Wrong All the Right Outta Me"
G4: "Anybody Else", "Balls to the Wall" live at Savvy's Nightclub 1986, "Biggest Part of Me", "Charlie Sheen", "City of Idiots", "Cold Gin" live at Savvy's Nightclub 1986, "Come On", "Come-On Eyes", "Daughters of the Queen", "Don't Know Why", "Drama", "Eye", "Giddywonk", "Heavy Metal Rules", "I Am the Night", "I Can't Wait" Evel Frehley song, "Ice Tea", "I Found Mine", "I'll Be Alright", "In Your Arms", "I Want You" live Dallas 1989, "Latest Lover", "Leave Me Alone", "My Corina", "Nothin' On (But the Radio)", "Oh You", "One Thing", "Only Girl in Town", "Pizza & Nachos", "Problem", "Projects in the Jungle", "Red Dress Woman", "Right on the Edge", "Rock Out!", "[She's a] Wild One", "Sh*tdad", "Soul", "Sweet Ginger Lane", "Take a Break", "Too Late Now", "Too Much", "We Could Be", "We Need Some Rain", "When I Come Around", "Widowmaker", "Wild One (Slow)", "Woman Is Wood"

Recorded low notes:
E3: "Another One", "Anybody Else", "Best Mistake", "Biggest Part of Me", "Budokan", "Charlie Sheen", "Come On", "East Coast Rose", "Everything II", "Find Me a Woman", "Flydream", "I Know What I Like", "I Loved Her First" live 2015, "In Your Arms", "Jes' Like You", "Long Way to Go", "Love Me" live Dallas 1989, "Man in Japan", "Meathead", "My Corina", "Never Gonna Wait My Turn", "Not Coming Back", "Not Enough", "Number One Fan", "Only a Heartbeat Away", "On My Mind", "Planet of Walmart", "Problem", "Salt", "She Loves Me", "[She's a] Wild One", "Sh*tdad", "Sick of All the Bullsh*t", "Sweet Ginger Lane", "Take a Break", "The Green Manalishi (with the Two-Pronged Crown)" live at Savvy's Nightclub 1986, "Tom Petty", "Try", "What She Gives", "When I Come Around", "White Lamb Fluffy Bunny", "Wild One (Slow)", "You're Gonna Get It", "Y.U. Make Me Cry?"
D♯3/E♭3: "Big Black Cadillac", "Can't Be Serious", "Can't Be Wrong", "City of Idiots", "Come Back", "Debbie's Got a Chainsaw", "Drama", "Drive All Night", "Everything", "Feel", "Fella Sho' Dance", "Friends", "Kick It Out", "King of the Nighttime Cowboys", "Long Way to Go '08", "Man in Japan '08", "Messin' Around '08", "Nobodies Business", "No More Tears", "Not Coming Back", "One Night with You" live at St. Francis Village 2012, "Problem", "Saxophone", "17 Years", "Too Much", "Woman Is Wood", "Wondermilk"
D3: "Best Mistake", "Can't Be Serious", "Find Me a Woman", "I Can't Wait" Mike & Terry song, "I Don't Wanna Love You Anymore", "I Found Mine", "In Your Arms", "I Want You", "Know Me", "Love Me" live 2018, "Nothing Left to Say", "One Thing", "Pizza & Nachos", "Rock Out", "Soul", "Sticker Shock", "Sweet Ginger Lane", "Wake Me Up", "Whatchadoin'", "What She Gives", "When I Come Around", "White Lamb Fluffy Bunny"

C♯3/D♭3: "Anything for Your Love", "Big Black Cadillac", "Big Surprise", "Debbie's Got a Chainsaw", "Everything II", "Flydream", "Friends", "Giddywonk", "I Know What I Like", "I Should've Known", "Jes' Like You", "Morning Light", "No More Tears", "Outta Site", "Planet of Walmart", "Rip It Up (Paper Love)", "Sweet Ginger Lane", "Take a Break", "Without You"
C3: "Anybody Else", "Big Black Cadillac", "Drivin'", "Everything", "Fella Sho' Dance", "Here with Me", "I Found Mine", "In Your Arms", "Love Me" live 2018, "Man in Japan '08", "Wake Me Up", "Weakness", "Wild One (Slow)", "Wondermilk", "You're Gonna Get It"

B2: "Another One", "Down Below", "Find Me a Woman", "Flydream", "I Found Mine", "I Loved Her First" live 2015, "Love Me" live Dallas 1989, "Morning Light", "Rock Out!", "Sweet Ginger Lane", "Take a Break", "Try", "Whatchadoin'", "Where Were You Last Night", "Without You"

A♯2/B♭2: "Big Black Cadillac", "Drivin'", "Eat Them", "Sweet Caroline" live Bowie 2009, "Weakness"

A2: "Daughters of the Queen", "Love Me" live Dallas 1989, "Where Were You Last Night", "Wild One (Slow)"

G♯2/A♭2: "Come Back", "I Loved Her First" live 2015, "Moby Dixie Head", "Wrong All the Right Outta Me"

G2: "Daughters of the Queen", "Flydream", "I Can't Wait" Evel Frehley song, "Love Me" live 2018, "Whatchadoin'"

F♯2/G♭2: "Jes' Like You", "Rats Motel"
F2: "Oh You", "Sweet Caroline" live Bowie 2009, "3.H.C."

E2: "Ice Tea"

D♯2/E♭2: "Long Way to Go '08", "Rats Motel"

C2: "In Your Eyes"

..............................................
*Blue marks soft falsetto notes.
*Green marks harsh distorted notes.
*Bold marks noteworthy passages or performances.
*Italics marks non-melodic notes.
*Underlines marks notes sung in backing vocals/overdubs.

SPOILER: Click to show

{Album ranges}
Pantera:

• Metal Magic (1983) - B2-D3-G♯5
  
• Projects in the Jungle (1984) - E3-A5
  
• I Am the Night (1985) - G2-G3-A5
  

Lord Tracy:

• Moo Over (1986) -
  
• Four Tracks (1987) -
  
• Deaf Gods of Babylon (1989) - C2-E♭2-B♭5
  
• Live (2004) - A2-G♯5
  
• Cull None (2005) -
  
• 4 (2006) - G♯2-B2-B5
  
• Porn Again (2008) - E♭2-C3-E♭5-A♭5
  

Wondermilk:

• Salmon Khan Is Half Full (1996) -
  

The Crayfish:

• I Wish You Were Dead (2000) -
  
• Red (2002) -
  

Mike & Terry:

• Eyeball (2001) - A2-F5
  
• March (2002) - B♭2-A4-G♭5
  
• Love Butcher (2003) - E2-G2-C♯5-G♯5
  
• Battle for the Universe (2003) - F2-C♯3-G♯5
  

Terry Glaze:

• 1971 (2006) -
  

Raised by Gods:

• Raised by Gods (2011) - B2-D5
  
• Too Late Now (2016) - C3-G♯5-A5
  

SPOILER: Click to show

{Detailed bio}
Terry Glaze is best known as the original frontman for Pantera, during their lesser known glam metal years in the '80s (often referred to as "Glamtera" by fans). However, since leaving Pantera in 1986, he has gone on to have a fairly thorough career outside of them, mainly in the band Lord Tracy, as well as in a handful of other projects such as Raised By Gods, Mike & Terry, The Crayfish, and his own solo project. Though most of these projects have been fairly obscure, he has demonstrated some impressive vocals on many of them, and has proven that he has quite a bit more to offer the world of music than just being known as "the guy from Pantera's glam metal years". Terry is also someone who has undergone some pretty significant vocal changes over the course of his career - originally starting out during his Pantera years as a high wailer with a lighter tone and extensive head voice technique. In the years after this however, his tone became noticeably deeper, and his tessitura shifted to be more focused in the fourth octave with occasional melodies into the lower fifth octave and higher screams. He also began to make use of his low range significantly more, which was something he had mostly neglected during his Pantera years. Though singing in the second octave wasn't something super common for him, he has demonstrated some pretty solid notes in that range from time to time, most frequently when doing Elvis impressions - someone that he admittedly took quite a bit of influence from.

Terry was a founding member of Pantera when the band was first established in 1981, though initially not as a frontman. Instead, he served as a rhythm guitarist in a short-lived five piece lineup of the band - with Donny Hart serving as the band's first singer, Tommy Bradford serving as their founding bassist, and the later-iconic Abbott brothers "Diamond" Darrell (as he was known at the time) and Vinnie Paul serving on lead guitar and drums, respectively. This lineup lasted for about a year, at which point Hart and Bradford left the band - Bradford being replaced by Rex "Rocker" Brown on bass, and with Terry stepping into Hart's place on vocals. This new lineup went on to become the best known version of early Pantera, and released their first album together in 1983, Metal Magic. At the time, Terry was only 19 years old, and his voice was audibly still somewhat in development - as he lacked a consistent head voice, did not have as much expression in his tone yet, and overall sounded much weaker than what he would later mature to. He did still hit occasional fifth octave notes at this stage, but they were usually one-off screams rather than actual melodies sung in that range. However, it also did not take him long at all to grow past this developmental stage, as he already demonstrated some very impressive vocal progress by the time of Pantera's second album, Projects in the Jungle, in 1984. On this album, his singing took a strong resemblance to Def Leppard frontman Joe Elliott - with a sometimes rough, gritty tone to his fourth octave and mid range, and a slightly whiny but powerful head voice that dominated most of his singing, frequently wailing melodies way up into the mid fifth octave or higher on numerous songs. Terry's impressive vocal range on this album, along with stronger songwriting from the rest of the band, made Projects in the Jungle a solid demonstration of what Pantera was capable of at the time, and allegedly began to catch the attention of record label A&R. However, the remained unsigned for the time being, and it would still be a few years before they progressed beyond a regional level of fame.

In 1985, Pantera released what would be their final album with Terry on vocals, I Am the Night. This album continued largely in the same vein as its predecessor, but for some reason Terry's vocals seemed to somewhat degrade in the year since Projects in the Jungle. Though the extent of his high range clearly remained fully intact and functional, his tone audibly lost some quality and became much more screechy, resulting in his vocals on this album at times bearing resemblances to Brian Johnson or even Jim Gillette. This album also saw Pantera's sound getting gradually heavier, something that would go on to become a point of divide between Terry and the rest of the band - while he wished to continue staying rooted in the band's original glam metal style, the other members wanted to continue in a heavier direction. This eventually led to Terry parting ways with the band in early 1986, later being replaced by Phil Anselmo, who is widely recognized as the band's iconic vocalist. In the meantime, Terry went on to form his next and perhaps most long-lasting band, Lord Tracy, who played an eclectic mix of glam metal, hard rock, bluesy southern rock, and comedy rock. This wide range of influences and styles is particularly audible on the band's first album, Deaf Godz of Babylon, which was released in 1989. Also notable about this album was the fact that Terry seemed to undergo another significant vocal change between it and I Am the Night - instead of his high-wailing, head voice oriented vocal style from the Pantera years, Deaf Godz of Babylon showcased him now singing with a much more baritonish sound and focusing his tessitura largely in the fourth and lower fifth octave, overall bearing a noticeable vocal resemblance to David Lee Roth and Ralph Saenz. It was also around this time that Terry began to make use of his low range much more than he ever had in Pantera, which can be heard particularly on Lord Tracy's LIVE album recorded in 1989, on which he sings a rendition of the Elvis Presley track "Love Me" (listed under the track title "Me & the King").

After a five year run, Lord Tracy broke up, at which point Terry's career hit a rather obscure stage for the remainder of the '90s. He went on to form the short-lived band Blowphish, whom he played with from 1991-1993, but broke up fairly quickly when they failed to land a major record label deal. After this, Terry left his home state of Texas and moved to Bowie, Maryland, and resumed his musical endeavors there. The first of these was a party band called The Crayfish that he formed in 1999, whom he frequently played cover shows with, and also released two very rare albums with - I Wish You Were Dead in 2000, and Red in 2001. It was also in the early 2000s that he began collaborating with drummer Mike Harrington, and the two began writing music with Harrington playing drums and Terry handling all other instruments (vocals, guitars, bass, and keyboards). They released three albums under the name Mike & Terry - Eyeball in 2001, Love Butcher in 2003, and Battle for the Universe in 2003, as well as the EP March in 2002. Once again, however, all of these albums were very obscure releases with little promotion or publicity, and are ultimately very rare albums to find copies of.

In 2004, Terry joined the other former members of Lord Tracy for a reunion show, which eventually led to a full-scale reunion that saw them writing and recording new music together for the first time in over a decade. Their first "new" release was the LIVE album they had recorded in 1989 before their breakup, followed by Cull None in 2005. In 2006, Terry released both the album 4 with Lord Tracy (their third studio album and now fourth album overall), as well as his first solo album, entitled 1971. The latter album contained a mix of newly written material and re-recorded versions of songs from some of the Mike & Terry albums. In 2008, Lord Tracy released their final studio album to date, Porn Again, which also contained re-recordings of several songs originally featured on the Mike & Terry albums, in addition to other original material. In 2010, Terry reunited with Pantera bassist Rex Brown for the first time in almost 25 years, and performed the early Pantera songs "All Over Tonight" and "Come-on Eyes" in concert together. Despite the fact that it had been so long since Terry had sung these songs and the changes that his voices had undergone since that time, Terry performed them tuned only half a step lower, and otherwise still was able to hit every note of the original melodies! This reunion performance was very well received by fans, but to date no further collaborations have occurred between the two. Instead, Terry went on to team up with Mike Harrington again, this time for a new project with the name Raised By Gods - which once again featured Terry on vocals, guitars, bass, and keyboards, and Harrington on drums. They released two albums - a self-titled in 2011, and Too Late Now in 2016.

Though Lord Tracy have not released any new music since 2008, they continued to perform live throughout the 2010s, as did The Crayfish. Most recently, however, Terry began to be active as a solo artist again, releasing the new single "Find Me a Woman" on his YouTube channel in 2017, followed another new song titled "Like a Snake" in 2018. Furthermore, he has continued to collaborate with Lord Tracy bassist Kinley "Barney" Wolfe in a new band recently, called Evel Frehley. This band released their first single, "I Can't Wait" in summer 2021, and since then have gone on to release three additional songs since then - "You're Gonna Get It", "Back on the Road", and "Last Thing on My Mind". Though no actual album release has been announced yet, Evel Frehley seems to be Terry's newest focus, so we'll see what else happens with them. Overall though, I would say Terry's discography has had more to offer than a lot of people would expect of him - with a surprisingly wide range of different musical styles and vocal tones. Personally, I would be curious to hear him do more melody singing further down in his low range, as he usually doesn't sing below G2 in most songs, but seems to have some decent resonance down there that could be put to further use. From the looks of it though, he doesn't seem to have any intentions to stop making music any time soon, so it's possible that we could still end up hearing that somewhere down the line!

[Henny Macc]

So there are a bunch of lows and various noises off the first Lord Tracy album that I could use some pitching help with to make sure I'm counting them correctly.


Here's the spoken C2 that I have him counted for. It's really brief, but impressively beefy tone. I'm hearing it go from C2 to E♭2, and it also appears again at 1:19 but quieter that time.


I'm hearing the backing vocal here get down to F2, but could use some affirmation.


Some impressively strong F♯2s here, and then at the very end there's one very brief sung line that sounds like it touches on I think C♯2 on the first note? I previously had it pitched as D♯2 as you can see above, but I'm starting to second-guess that.


There are also several tracks with little squeals up to E♭6 like this, and I'm not quite sure what to do with them. I'm really bad at judging whether or not these kinds of things are inhaled, but this one sounds maybe controlled enough to count as an italicized note if not.

Lastly, one Pantera song that I have questions about:

How low does this sound like it gets? It's a little hard to tell for me because of how quiet it gets at the end of the line. I originally had it pitched as B2, but now I'm not sure. Also for the D3 at 2:18 - melodic or nah? I originally had italicized, but now I'm hearing a melody to that interval.

[Smitty.]

Feb 24, 2022 19:12:04 GMT Henny Macc said:

Here's the spoken C2 that I have him counted for. It's really brief, but impressively beefy tone. I'm hearing it go from C2 to E♭2, and it also appears again at 1:19 but quieter that time.

I hear Bb1 for that actually but the instrumental could be deceiving me

Feb 24, 2022 19:12:04 GMT Henny Macc said:

that sounds like it touches on I think C♯2 on the first note? I previously had it pitched as D♯2 as you can see above, but I'm starting to second-guess that.

[iframe title="YouTube video player" src="//www.youtube.com/embed/TW-rApoPvH4?wmode=transparent&start=12" allowfullscreen="1" width="560" height="349" frameborder="0"][/iframe]

thats not very countable imo

Feb 24, 2022 19:12:04 GMT Henny Macc said:

Also for the D3 at 2:18 - melodic or nah? I originally had italicized, but now I'm hearing a melody to that interval.

eh melodic i guess, also for 4:12 all i hear is D3 til it trails off into nothing really countable

[Zedd Squared]

First clip: I hear only Eb2 at the first timestamp and C#2 at the second timestamp.
Second clip: Yeah that gets to F2.
Third clip: I hear that note as Eb2 rather than C#2, I'd consider it countable personally.
Fourth clip: The D3 is definitely sung, the other note bottoms at C3 pretty clearly to me as the third word is a whisper.

[Henny Macc]

Thanks for the input guys! Really appreciate having folks chime in here with note help aside from just the Discord channel, and would definitely enjoy seeing that kind of thing become more common again.

For "In Your Eyes", I'm pretty sure it's not a B♭1. I could maybe consider the possibility of it being a C♯2 instead of a C2, but it sounds like that one might require continued analysis.
Was pretty sure "T.H.C." got down to F2, so I can check that one off now.
"Rats Motel" is another one I keep going back and forth between as D♯2 or C♯2. Leaning towards D♯2 right now, but I guess I'll come back to that one. I'd consider it countable but underwhelming and annoyingly brief, which I know would be enough grounds for some folks to consider it not countable, but whatever.
For "Rock Out!", I'll count the D3 as melodic, and if the note on "one more TIME" sounds like whisper to you guys I won't bother with it. In that case I'll leave it counted for a spoken B2, which is what I'm hearing on "MORE".

Any thoughts on the "Piranha" E♭6? Like I said, he has squeals like that in several Lord Tracy songs with varying degrees of control I suppose, but so far I haven't heard anything between that and B♭5 by him.

[Zedd Squared]

Oh right I forgot to address the Eb6. I'm kind of unsure about it overall because at the top it sounds like it could be inhaled, but the way he descends afterwards seems like it'd be hard to do with an inhale. Having said that, the tone still sounds kind of unnatural at that point still so idk. Personally I'd put something like that in a spoiler if I ran into it due to the uncertainty of the technique, but that's a personal call.

[Henny Macc]

Yeah like I said, I'm bad at making these kinds of calls as to whether whistle notes are inhaled or not, so I'm hoping someone who knows what they're talking about with that kind of stuff might chime in about this one. I notewatched Lord Tracy's third studio album 4 tonight (had to skip their second, Cull None for now cause I couldn't find a place to listen to it online), and it seems like he didn't quite do those kinds of squeals as much on that one. I did, however, find this clip, which probably isn't something I'd consider countable, but may at least shed some more light on what's going on with those notes mechanism-wise:

[Henny Macc]

Another random lower second octave note here - this one sounds to be around E♭2. Worth counting or not?

[IhateMana]

Terry Glaze is gonna be my manwhore name

['S]

Terry Glaze feat. Cherrie Glacé

[Henny Macc]

Mar 13, 2022 9:27:13 GMT IhateMana said:

Terry Glaze is gonna be my manwhore name

I expected it to be a stage name to go with his whole '80s glam metal background, but believe it or not Terrence Lee Glaze is apparently his actual birth name.

[IhateMana]

it would've been an incredibly specific adjective otherwise

[Henny Macc]

Mar 13, 2022 7:59:13 GMT Henny Macc said:

Another random lower second octave note here - this one sounds to be around E♭2. Worth counting or not?

Anyway, any thoughts on what I should count this as? I've been getting E♭2, D♭2, and C2 for it in the various times that I've come back to it.

[Osmosis]

I'm hearing a C2

[MrToddington]

The picture you're using is no longer loading due to Terry's site expiring.

For future reference I recommend hosting the image elsewhere so we're not dependent on other sites.

[Henny Macc]

His site is actually still up, but that link has been acting finicky and making the image appear and disappear at random. I'll try to find another image to use before I finish the thread.

Speaking of which, I'm getting to the end of his discography that I've been able to find online, but there are a handful of albums I can't seem to track down. Here they are if anyone has any suggestions of where to look:

Feb 17, 2022 7:50:57 GMT Henny Macc said:

Lord Tracy:

• Moo Over (1986) -
• Cull None (2005) -

Wondermilk:

• Salmon Khan Is Half Full (1996) -
  

The Crayfish:

• I Wish You Were Dead (2000) -
  
• Red (2002) -
  

Cull None seems to be available on Spotify, but for whatever reason my Spotify account hasn't been properly loading songs on any computer that I try to log into with it, so I'll have to find a way around that somehow. The other three aren't even on Spotify though, so I have no idea where to look from them.

There are also a handful of songs from Terry's solo album 1971 that I'm still looking for - "Chandra la Plume", "California", "Fall", and "Why'd You Make Me Cry?". For whatever reason the Spotify and YouTube uploads of that album have a bunch of random tracks by other artists uploaded in the place of those, so I'm stuck trying to track those down elsewhere.

[MrToddington]

Mar 21, 2022 2:45:17 GMT Henny Macc said:

His site is actually still up, but that link has been acting finicky and making the image appear and disappear at random. I'll try to find another image to use before I finish the thread.

Huh... I'm getting the following when I try and go on it:

['S]

Yeah the site's there but Firefox have it down as a potential security risk so it won't hotlink or open.

[Macca]

Heres an image contender

[Henny Macc]

Feb 27, 2022 7:10:31 GMT Henny Macc said:

Yeah like I said, I'm bad at making these kinds of calls as to whether whistle notes are inhaled or not, so I'm hoping someone who knows what they're talking about with that kind of stuff might chime in about this one. I notewatched Lord Tracy's third studio album 4 tonight (had to skip their second, Cull None for now cause I couldn't find a place to listen to it online), and it seems like he didn't quite do those kinds of squeals as much on that one. I did, however, find this clip, which probably isn't something I'd consider countable, but may at least shed some more light on what's going on with those notes mechanism-wise:

Well, I'm checking out Cull None now and I found what seems to be a C♯6...




At 2:12. This one's pretty controlled and melodic, but the question is - is it inhaled? I'll let the community decide on this one.

[Henny Macc]

So the vote on Discord seemed to be in favor of counting the C♯6 as non-whistle! With that in mind, how do we feel about the E♭6(s) now?

Feb 24, 2022 19:12:04 GMT Henny Macc said:

There are also several tracks with little squeals up to E♭6 like this, and I'm not quite sure what to do with them. I'm really bad at judging whether or not these kinds of things are inhaled, but this one sounds maybe controlled enough to count as an italicized note if not.

Definitely an italicized note at best, but I could buy this as being the same approach as that C♯6.

[Henny Macc]

Hey so this thread is pretty much done, at least as far as albums of his that can be found on the internet go. Before I move it to Range Stuff, can we get a final verdict on this note as whistle or not? Scroll up a couple posts to find the C♯6 that I'm comparing it against.

Feb 24, 2022 19:12:04 GMT Henny Macc said: