Post by jfb30 on Feb 17, 2024 19:29:22 GMT
Jeremy Irons (September 19, 1948 – present)
Voice Type: Deep Baritone
Vocal Range: E♭2-A4
Significant High Notes:
A4 (“Be Prepared”)
F4 (“Mad Dogs and Englishmen”)
E4 (“Mad Dogs and Englishmen”)
E♭4 (“Mrs. Worthington”, “Nina from Argentina”, “Prepare Ye the Way of the Lord”, “Without You”)
D4 (“All for the Best”, “Jeremy Irons Monologue - Saturday Night Live”, “To Make You Feel My Love”, “The Merry Widow”, “The Rain in Spain”)
C♯4 (“Cavalcade”, “Nina from Argentina”, “Prepare Ye the Way of the Lord”, “Without You”)
C4 (“Cavalcade”, “I’m an Ordinary Man”, “Mad Dogs and Englishmen”, “Mrs. Worthington”, “Why Can’t the English?”, "You Did It")
B3 (“All for the Best”, “I've Grown Accustomed To Her Face”, “Jeremy Irons Monologue - Saturday Night Live”, “The Merry Widow”, “Nina from Argentina”, “Prepare Ye the Way of the Lord”, “Why Can’t the English?”, “Wonderful Tonight”)
Significant Low Notes:
A2 (“Be Prepared”, “The Hole in the Elephant’s Bottom”, “I've Grown Accustomed To Her Face”, “Mad Dogs and Englishmen”, “Nina from Argentina”, “To Make You Feel My Love”, “Why Can’t the English?”)
G2 (“Mad Dogs and Englishmen”)
E♭2 (“Be Prepared”, “I’ve Got a Lovely Bunch of Coconuts”)
Questionable Notes:
E4 (“I've Grown Accustomed To Her Face”, “Why Can’t the English?”)
G♯2 (“Be Prepared”, “Why Can’t the English?”)
F2 (“I've Grown Accustomed To Her Face”)
C♯2 (“I’ve Got a Lovely Bunch of Coconuts”)
*Blue denotes falsetto notes.
*Boldface denotes particularly notable examples of this singer's vocal capabilities.
*Italics mark spoken, exclaimed, or otherwise non-melodic notes.
*Underlines denote harmonies and obscured notes
